The Story of the Jesus Betrayal by Judas According to the Manichaeans (original) (raw)
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بررسی و تحلیل دو تراژدی سهراب و فرود بر پایۀ نظریۀ «میتوس تراژدی» فرای
2014
نرترپ فرای از منتقدان ادبی اسطوره‌گراست که به ادبیات به دید صور نوعی می‌نگرد. فرای در کتاب تحلیل نقد در تبیین نظریۀ «میتوس تراژدی»، به بررسی صور نوعی، ساختار، شخصیت‌ها و مراحل تراژدی می‌پردازد. در شاهنامه، دو داستان سهراب و فرود از بن‌مایه‌های قوی تراژیک برخوردارند. با توجه به مسائلی از قبیل صور نوعی، ساختار، شخصیت‌ها و مراحل تراژیک این دو اثر، می‌توان آنها را در کنار بزرگ‌ترین تراژدی‌های جهان به‌گونه‌ای بررسی و تحلیل کرد که قابل تطبیق و بررسی با میتوس تراژدی فرای باشند. عنصر مشترک همۀ این تراژدی‌ها تضاد و تقابل یا کشمکش دو منشأ قدرت برای اثبات خود و دفع دیگری است. این تقابل، ذاتی است و به ساختار و طبیعت تراژدی برمی‌گردد. سهراب و فرود، قهرمانان اصلی داستان تراژیک خود هستند، اما به دلیل تقابل با قهرمانان و شخصیت‌های بزرگی چون رستم، کیخسرو و توس مورد توجه قرار نگرفته‌اند.
The Discursive Character of the ‘Irjā Movement in the Umayyad Period
2017
In this paper, the 'irjā' movement will be analyzed from a discursive perspective in order to rethink some paradoxes in its approaches and tendencies. It will be shown that the discourse of 'irjā' had one core, but different origins, meanings, and significations in Iraq, Transoxiana/Khurāsān, and the Levant. This discourse generally followed a special perspective regarding faith, and its relationship with deeds, as well as some political principles. This paper seeks to uncover the different social and political contexts of this discourse. A major objective is to see how the different social and political contexts in Iraq, Transoxiana/Khurāsān, and the Levant gave rise to a mostly singular view on faith, and the emergence of different political stances against the Umayyads. It will be also demonstrated that political stances against the Umayyads and the will of the statedespite its relationship with the movement-was not the only determining factor in the formation of the 'irjā' discourse.
The Role of Media in the Promotion of Divine Religions and Contemporary Communication Methods
Journal of Islamic and Religious Studies
The divine religions are concerned with the promotion of true knowledge of Allah Almighty. These religions, in their broadest sense, are spread over a wide area of the world, and with each passing day, their propagation and transmission is expanding. It has been a tradition for centuries that whether it is human beings or religions, they have needed media for the truth of their word. It is certain that the divine religions also made full use of the prevailing media of their time and succeeded in conveying their ideas and thoughts to many people. The preaching struggle of the divine religions did not span a single century but a long span of centuries, the scale of which we cannot determine at present. However, some aspects can be pointed out historically. Two important sections are highlighted in this article. The role of the media in the promotion of divine religions. The contemporary communication methods and aspects of competition between the nations of the world, especially betw...
Sacred space and time in the works of Bakhtiar Ali
Twejer, 2020
The sacred time and sacred place are one of the most widely used concepts in the mythological world. These two concepts have long preoccupied the human mind to an extent that we find them in contemporary fiction today. It is as if the sacred time and sacred place have opened the way into modern novels from the mythical world and are re-emerged with a different perspective. Bakhtiar Ali is one of the writers who has repeatedly used these concepts in the labyrinth of his novels and illustrated them alongside other modern elements and concepts. The present article attempts to study why and how these two concepts are used in the novels (the City of White Musicians, Parwana‘s sunset and The Last Pomegranate of the World.) Keywords: myth, sacred place, sacred time, Bakhtiar Ali, the city of white musicians, Parwana‘s sunset, the last pomegranate in the world.
کوچ اوربلوچ :تاریخی تناظر میں ایک مطالعہ
al-Qamar, 2024
The study was descriptive and secondary sources were consulted for the purpose. Baloch is an ancient nation who have been living in middle-East India, Balochistan and Iran since the attacks by Aryans, by different names and forms they lived in tribes, almost always attacked by foreigners and ruined because of no united power. These circumstances made alliance of Baloch tribes and they gained the advantage of driving all invaders back, no foreign ruler ever reigned in Balochistan. They fought bravely against, Cyrus of Persia, Alexander of Macedonia, Genghis Khan of Mongolia, they never allowed them to stay in Balochistan for long. The objectives behind this study are to search nation of Baloch in the historical books and find out the similarity of its ancient areas.
ĪQĀN
T?be?n and Taba T?be?n strived hard to prevent any kind of debate based on the color and differences of debate, following the path of the Sah?bah (may Allah be pleased with them). This series of tafs?r of the Holy Quran continued with all the changing requirements of the time and the commentary discussions of the Holy Qur'an. The status of Tafs?r also gained a prominent position and the status of permanent knowledge. According to the order of the Holy Qur'an, every verse of the Holy Qur'an began to be interpreted and the publication of Tafsir Ilm-e-Tafs?r started from almost here. The most basic source of Qur'anic commentary is the Holy Qur'an itself. Prophet? was the first commentator of the Qur'an. The character of Muhammad?, his method, Sunnah and habits are all part of the interpretation of the Qur'an. The Prophet? has clearly described the issues facing the people of that time. Similarly, the special thing in Qazi San?ullah's book ‘Tafs?r Mazhar?...
A Study on The Formation of the Role of the Angel(The Winged Man) in Pre - Islamic Visual Industries
2008
هديكچ نه راثآ رد هتشرف و لاب هقباس يسررب هب هلاقم نيا يم ملاسا زا لبق ير دزادرپ . هنومن يسررب ددـعتم يريوصـت ياـه هب و رادلاب تاناويح زا هدنام اج هب روط يم ناشن ؛رادلاب ناسنا صخا طقف هتشرف مسجت هك دهد هب تروص رادلاب ناسنا يمن تسين يناريا دامن كي طقف و دشاب . تردـق داـمن ،دراوم رثكا رد ملاسا زا لبق رد لاب ،تروص ره رد تـملاع و تسا يدزيا . دشاب نيرهنلا نيب زا دياب ،ليلاد و دهاوش ساسا رب لاب و هتشرف ْاشنم ،يوق لامتحا هب . لاـب لكش اـه راكب يادتبا رد نآ يريگ اه هرازه ينعي موس ي ق . م ) . يميدق ساسا رب هنومن نيرت هرود هـب هـك ،رادـلاب ناسنا ي ي يم زاب دكا ددرگ ( اما ؛تسا هداس يلكش نآ هـك تسا يتمسق هس ركيپ و صاخ يلكش يشنماخه يتمسق هس لاب نارود رياس زا ار يم ادج اه دنك .