original ) (raw )“The interplay of media: textiles, sculpture, mosaic,” Designing Norman Sicily. Visual Culture and Society, ed. Emily Winkler, Liam Fitzgerald and Andrew Small, Boydell & Brewer, 2020, 47-59
William Tronzo
2020
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Two Histories of Art History. Review of Christopher Wood's A History of Art History and Eric Michaud's The Barbarian Invasions.
Kamini Vellodi
Art History , 2021
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Medieval art on display, 1750-2010
Julia Snape
PhD Thesis, 2013
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Introduction to Art History
Ömür Harmansah
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11th École de Primtemps organized by the International Consortium on Art History, Norwich, University of West Anglia, May 20-24 , 2013
Alessandra Acocella
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Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture, by Leonard Barkan
Daniel Woolf
Canadian journal of history, 2001
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"Beyond terminology, or, the limits of ‘decorative arts’"
Deborah Krohn
Journal of Art Historiography 11 (December 2014)
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A Wall of Books: The Gender of Natural Colors in Modern Architecture
WILLIAM BRAHAM
Journal of Architectural Education, 1999
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A New Start: Re-thinking the Display and Interpretation ofAfrican Textiles at the Detroit Institute of Arts
Howard Sutcliffe
2008
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Italian Renaissance Art, by Stephen J. Campbell and Michael W. Cole. Interdisciplinary Humanities (Fall 2015)
Caitlin Luetger-Schlewitt
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A Conspicuous Devotion: Mixed-media Sculptural Ensembles in Spanish Naples after Trent (1570-1620)
Gioele Scordella
11th Annual ARDS Conference "Mixed Media: Sculptural Ensembles in Medieval and Renaissance Europe" (London, The Courtauld Institute of Art, 11-13 December 2024), 2024
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PROGRAMME: 'New Dialogues in Art History', Conference, Wednesday 26 September 2018 at The Warburg Institute
Genevieve Verdigel
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The Matter of Art: Materials, Practices, Cultural Logics, c. 1250–1750. Christy Anderson, Anne Dunlop, and Pamela H. Smith, eds. Studies in Design. Manchester: Manchester University Press, 2014. xvi + 340 pp. $29.95
Bonnie J Noble
Renaissance Quarterly
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Revaluing Renaissance Art
Sara James
Revaluing Renaissance Art, 2002
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“Art/ifacts and ArtWorks: De-Colonizing the Study and Museum Display of Ancient and Non-Western Things.” In Art/ifacts and ArtWorks in the Ancient World, ed. Karen Sonik, 1–82. Philadelphia: University of Pennsylvania Press, 2021
Karen Sonik
Art/ifacts and ArtWorks in the Ancient World, 2021
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Leonardo Dal Colle History of Art Dissertation (2020-21) VC53132A
Leonardo Dal Colle
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The 2014 Courtauld Institute of Art Postgraduate Symposium (6 - 7 Mar 2014)
Irene Noy
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Tributes to Jonathan J.G. Alexander: the Making and Meaning of Illuminated Medieval & Renaissance Manuscripts, Art & Architecture (review)
Susan L'Engle
Parergon, 2008
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The Materiality of Color: The Production, Circulation, and Application of Dyes and Pigments, 1400–1800 Ed. by Andrea Feeser, Maureen Daly Goggin, and Beth Fowkes Tobin
Maureen daly Goggin
Early American Literature, 2015
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Book review: Color and Meaning: Practice and Theory in Renaissance Painting
Thomas Willette
Sixteenth Century Journal, 1993
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Introduction: Surveying the Borders of Medieval Art
Linda Safran , Adam S . Cohen , Jill Caskey
2011
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Library Trends 37 (2) 1988: Linking Art Objects and Art Information
Angela Giral
1988
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‘The decorative arts within art historical discourse: where is the dialogue now and where is it heading?’
Christina M Anderson
Journal of Art Historiography, 2014
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co-editor with A. Victor Coonin, Encountering the Renaissance: Celebrating Gary M. Radke and 50 Years of the Syracuse University Graduate Program in Renaissance Art. Ramsey, NJ: The WAPACC Organization, 2016.
Molly Bourne , A. Victor Coonin
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Review of Renaissance Cultural Crossroads Catalog, Ed. Brenda M. Hosington
Joshua Reid
Early Modern Digital Review / Renaissance and Reformation, 2020
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Archaeology of Colour programme
Sara Sá
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The Book in the Renaissance. By Andrew Pettegree. New Haven: Yale University Press, 2010. xvi + 421 p. $40.00 cloth
Francois Dupuigrenet
Church History, 2012
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Art and Identity: Visual Culture, Politics and Religion in the Middle Ages and the Renaissance
Jill Harrison , Sandra Cardarelli
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Tara Hamling and Catherine Richardson, eds. Everyday Objects: Medieval and Early Modern Material Culture and Its Meanings. Burlington, VT: Ashgate, 2010. Pp. 378. $104.95 (cloth)
Julia Lupton
The Journal of British Studies, 2011
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PhD Dissertation: Gems and the Media of Italian Art, ca. 1450–ca. 1550
Jordan Famularo
2020
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Review of Tara Hamling and Catherine Richardson, eds: "Everyday Objects, Medieval and Early Modern Material Culture and its Meanings" (Ashgate, 2010).
Alison C Fleming
Material Religion, 2012
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Like Life. Sculpture, Color, and the Body (1300–Now).
Christina Neilson
The Sculpture Journal , 2019
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[REVIEW, CAA Reviews, May 16 2013] Jill Burke, ed. Rethinking the High Renaissance: The Culture of the Visual Arts in Early Sixteenth-Century Rome Visual Culture in Early Modernity. Burlington, VT: Ashgate, 2012. 402 pp.; 84 b/w ills. Cloth $124.95 (9781409425588)
Kim Butler Wingfield
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MUSE: Art, Culture, Antiquities, Natural History 09, Nov 2014
Michael Turner FSA FLS
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Co-convenor, ‘Sculpture and the Decorative Arts’ session, with Imogen Hart, Association of Art Historians annual conference, 7-9 April 2016
Claire Jones
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