Cinema and Its Representations (original) (raw)

This paper explores the discourse surrounding fidelity in adaptation studies, particularly in the context of novel-to-film adaptations. It highlights the shift from fidelity criticism, which demands exact reproduction of literary texts, to a more nuanced view that recognizes the creative freedom of adapters. Through analyses of adaptations of Ian McEwan's works, it argues for the importance of narrative strategies and character management in successful adaptations, suggesting that the essence of the story, rather than strict adherence to the original, is what ultimately matters.