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PHOTOGRAPHS IN THE WORK OF EDUARDO SOUTO DE MOURA, 2016
O olhar arquitectónico de Luis Ferreira Alves na obra de Eduardo Souto de Moura Sobre o livro Luis Ferreira Alves: fotografias em obras de Eduardo Souto de Moura publicado pela scopio Editions dá início a uma colecção mais centrada na Fotografia de Arquitectura, promovendo uma análise crítica global entre estes dois mundos, procurando estabelecer diversas intersecções entre estes, bem como explorar a singularidade e significado das relações que são estabelecidas entre o fotógrafo e o arquitecto, os seus processos artísticos, as suas memórias colectivas, histórias e outros aspectos relacionados com o trabalho e percursos de vida de ambos. Tudo isto explica o motivo pelo qual a presente publicação integra nos textos manuscritos, histórias pessoais, desenhos e outras imagens para além de imagens fotográficas da arquitectura construída de Eduardo Souto de Moura. O objectivo é marcar a diferença face a outras publicações que mediatizam de forma excessiva a arquitectura através de uma série de imagens independentes e que, com muita frequência, promovem um entendimento muito superficial sobre o que a arquitectura representa, não promovendo uma compreensão profunda dessa prática e disciplina que opera integrada em sistemas mais amplos sócio-culturais, técnicos, políticos e históricos ou que falha na comunicação da importante e singular relação que o fotógrafo pode estabelecer com o arquitecto e com o seu trabalho. Em suma, é possível afirmar que o objectivo desta publicação é revelar o olhar arquitectónico de Luis Ferreira Alves (LFA) no trabalho de Eduardo Souto de Moura (ESM) e assim revelar de que forma a fotografia de arquitectura pode ser simultaneamente documental e poética, comunicando através de um ponto de vista arquitectónico o espaço real e as suas experiências. Isto significa, entre outras coisas, explorar as formas espaciais e os códigos arquitectónicos através da fotografia de uma forma que revele as ideias espaciais significativas do arquitecto e, simultaneamente, ofereça um ponto de vista e entendimento inovador sobre a obra do arquitecto, algo que sabemos ter acontecido com fotógrafos e arquitectos bem-conhecidos e reconhecidos no passado, tais como Lucien Hervé e Le Corbusier, a título de exemplo. 1 Por último, é importante referir que nesta publicação se explorou o potencial específico do livro físico como meio único de comunicação da arquitectura, o que aumenta a sua singularidade e o torna mais um livro de autor do que um tradicional catálogo. Como resultado da significativa colaboração entre autores, editores e designers e uma criteriosa selecção e justaposição de imagens e texto, combinadas com um cuidado layout e design, é possível criar uma narrativa visual na qual a soma é maior do que as partes, algo que acreditamos resultar numa leitura inovadora e num entendimento mais profundo quer da fotografia de LFA, quer da arquitectura de ESM. Por outras palavras, é possível afirmar que, de alguma forma, este livro tentou criar um novo espaço de entendimento da arquitectura de ESM e da fotografia de LFA. Isto apenas foi possível porque houve um esforço para aproximar editores e designers dos autores e também porque a sua realização resulta de diversas reuniões de trabalho, debates e concessões entre ideias divergentes, com vista a dar uma resposta adequada às contingências enfrentadas. scopio© Luis Ferreira Alves Fotografias em obras de Eduardo Souto de Moura Photography of the Architecture of Eduardo Souto de Moura SCOPIO EDITIONS AUTHOR’S BOOK COLLECTION Propriedade | Publishers Cityscoopio – Associação Cultural Rua da Cidreira 291, 4465-076 Porto (Matosinhos), Portugal info@cityscopio.com | www.cityscopio.com Conselho Editorial Científico | Editorial and Advisory Board CCRE - Centro de Comunicação e Representação Espacial Faculdade de Arquitectura da Universidade do Porto Via Panorâmica S/N, 4150-755 Porto, Portugal ccre.arq.up@gmail.com tel: +351 226057100 fax: +351 226057199 Coordenação Editorial | Editorial Coordinator Pedro Leão Neto (FAUP) Assistente Editorial | Editorial Assistant Maria Neto (FAUP) Colaboradores | Collaborators Diana Carvalho Esta obra não está redigida ao abrigo do novo Acordo Ortográfico. Autor do projecto fotográfico | Author of photographic project Luis Ferreira Alves Assistentes Fotográficos | Photographic Assistants David Pires Arménio Teixeira Pedro Nuno Pacheco Marta Maria Ferreira Digitalização e pós-produção | Scanning and post-production Pedro Nuno Pacheco Marta Maria Ferreira Autores de textos | Authors of texts Álvaro Siza Eduardo Souto de Moura Luis Ferreira Alves Nuno Brandão Costa Nuno Grande Pedro Bandeira Pedro Leão Neto Design Director Né Santelmo Tradução | Translation Lisbeth Ferreira Impressão | Printing Maiadouro SCOPIO EDITIONS acknowledges all the support it has received from UP, FAUP, CEAU, CCRE Agradecimentos | Acknowledges Catarina Providência Francisco Morão Dias João Santa-Rita José Fernando Gonçalves Marta Maria Ferreira Pedro Nuno Pacheco Rita Breda Rui Amorim Sandra Bastos Aos colaboradores presentes e passados do atelier do Eduardo Souto de Moura, que tanto nos ajudaram no terreno. Um agradecimento muito especial à Joana Corrêa infalível guardiã do arquivo das imagens. Patrocinadores | Sponsors Fundação Calouste Gulbenkian BPI Ordem dos Arquitectos Cerealis Otiima Legal All rights reserved. No part of this publication may be reproduced, copied or transmitted in any form or by any means or stored in any information storage or retrieval system without the editor’s written permission. All photographs featured in Photographies of Eduardo Souto de Moura’s work are © Luis Ferreira Alves. ISBN: 978-989-99429-2-9 Dep.Legal No 00000000 Junho 2016
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Art/Histories in Transcultural Dynamics
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In recent historiography, there is a consensus that the modernizing reforms promoted in Rio de Janeiro at the beginning of the 20th century have changed the capital's architecture and the relationship between its population and the urban experience, introducing new practices into daily lives of cariocas. Among them was the introduction of sports, with the press being the main vehicle for its dissemination. This article explores the presence of fashion dedicated to sports in chronicles and examines its contribution to the validation of a collective imagination about leisure. The literary representation of sportswear gains complexity in the "civilisation du journal", in which social relations are regulated by the production and reading of magazines. Therefore, the aim is to map out the access to fashion paradigms by readers of periodicals. As a case study, two chronicles of João do Rio on the sports theme are analyzed. Published in the column "A Semana Elegante" in 1916, they focus on the female presence and their clothing in the practice of tennis and sea bathing. We conclude that the importation and representation of sports practices and their fashion acted in the construction of an imaginary of elegance in the city of Rio de Janeiro.
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Umática. Revista sobre Creación y Análisis de la Imagen, 2020
The relationship between an artisan Guaraní-Nhandéva and a visual artist from Sao Paulo, in the Indigenous Reserve of Dourados, spontaneously gave rise to co-authored artistic-cultural projects. In order to reflect on the link that formed an interface, able to interact with both worldviews, an effort is made to apprehend what’s cultural inherence to Guaraní view. This exercise leads to assign socio-political resistance as a conductive element, perceived just as a symptom of an imposed historical conjunction. Even so, discursive content appears as a property more essential to Guaraní culture than style or support, which allows identifying that the backyard farm theme is useful to represent Amerindians Kaiowá and Guaraní cultures in a non-stereotyped way in art projects.
Vista - Revista de Cultura Visual, 2024
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Revista do Patrimônio Histórico e Artístico Nacional
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