Central Italian 'Tabernacula': a Survey (original ) (raw )Review of Beth Williamson Reliquary Tabernacles in Fourteenth Century Italy Image Relic and Material Culture, Boydell 2020
Michela Young
Peregrinations: Journal of Medieval Art and Architecture, 2021
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Movement on the Altar: Gothic Tabernacle-altarpieces in the Crown of Aragon (and Their Context)
Alberto Velasco Gonzàlez
Medievalia, 23/1, 2020, pp. 331-393 (ISSN: 2014-8410 digital)
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The Altar and its Environment, 1150-1400 (Cover, Index, Intro)
Victor M . Schmidt , Justin E A Kroesen
(with V.M. Schmidt, as ed.) The Altar and its Environment, 1150-1400, Turnhout: Brepols, 314 pp., 2009
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'What was the Castilian Tabernacle-altarpiece in the Met Cloisters? Proposals for Its Function and Context'
Fernando Gutiérrez Baños
Journal of the British Archaeological Association, 2023
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Hangings, curtains, and shutters of sixteenth-century Lombard altarpieces
Alessandro Nova
Italian Altarpieces 1250–1550. Function and Design, ed. by Eve Borsook & Fiorella Superbi Gioffredi, Oxford 1994, pp. 177-199, 1994
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Tabula picta. Some distinguished Italian panels from the Trecento to the early Cinquecento
Mauro Minardi
Tabula picta. Italian Paintings from the Late Gothic Age to the Renaissance, 2018
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The altars of the martyrial sanctuary of Cimitile (4th-10th century), in «Hortus artium medievalium. Journal of the International Research Center for Late Antiquity and Middle Ages», XXV (2019), pp. 300-311
Carlo Ebanista
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Devotion by Design: Italian Altarpieces before 1500, exh. cat. National Gallery, London, 2011
Scott Nethersole
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From the Chapel to the Gallery: The Aestheticization of Altarpieces in Early Modern Italy (Ph.D. Diss.)
Sandra Richards
2013
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Tabernacle-altarpieces in Central Europe: Examples, Types, Iconography
Stephan Kemperdick
Medievalia
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Set in stone: monumental altar frames in Renaissance Florence
Donal Cooper , Meghan Callahan
Renaissance Studies, 2010
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Fourteenth-Century Italian Altarpieces
Keith Christiansen
The Metropolitan Museum of Art Bulletin , 1982
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Review of Pamela M. Jones, Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni (Sixteenth Century Journal, XLI, 2010)
Steven Ostrow
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Historical context for the development of altarpiece types: Some notes - 2016
Cecilia Frosinini
in Structural Conservation of Panel Paintings at the Opificio delle Pietre Dure in Florence: Method, Theory, and Practice, ed. by Marco Ciatti and Cecilia Frosinini, Florence 2016, pp. pp. 15-25, 2016
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Bolgia C., ‘The Felici Icon Tabernacle (1372) at S. Maria in Aracoeli, Reconstructed: Lay Patronage, Sculpture, and Marian Devotion in Trecento Rome’,
Claudia Bolgia
Journal of the Warburg and Courtauld Institutes 68 (2005), pp. 27-72
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Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni â By Pamela M. Jones
Meredith Jane Gill
Religious Studies Review, 2009
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R. Balzaretti, J. Barrow y P. Skinner (eds.), Italy and Early Medieval Europe. Papers for Chris Wickham
Gisela Ripoll
Hortus artium medievalium, 2019
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The Tuili Altarpiece’s Tabernacle-Niche: Theology, Science and Religious Practices in a Late-Medieval Sardinian Retablo
Alberto Virdis
RiMe : rivista dell'lstituto di Storia dell'Europa Mediterranea, 2013
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An early medieval Insular reliquary fragment from Rome
Dieter Quast , Norbert Franken
Journal of the Royal Society of Antiquaries of Ireland, 2020
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Marian Tabernacles on Main Altars: Norwegian Thirteenth-Century Altar Decorations in their European Context
Stephan Kuhn
Medievalia 23/1, 2020
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Reliquaries and other liturgical vessels in late medieval and early modern Venice: circa 1320-1475. Università degli Studi di Padova. Dipartimento dei Beni Culturali
Manlio Leo Mezzacasa
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PRELIMINARY NOTES ON THE WARE DEPICTED ON THE CEILING OF THE CAPPELLA PALATINA IN PALERMO
Ida Materia
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Decorating the House of Wisdom: Four Altarpieces from the Church of Santo Spirito in Florence (1485-1500)
Antonia Fondaras
2011
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The reliquary altar of S. Maria del Priorato in Rome
Stefano Riccioni
Early Medieval Rome and the Christian West. Essays in Honour of Donald A. Bullough, edited by Julia M.H. Smith, Leiden, Brill Academic Publishers, 2000
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An Attribution of the Florentine portable triptych (tabernacle) to
Ivonka Ciepielak
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"The St. Victor Altarpiece in Siena Cathedral: A Reconstruction"
Judith Steinhoff
Art Bulletin, co-authored with E. Beatson and N. Muller, 1986
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A 'Lost' Panel and a Missing Link: Angelos Bitzamanos and the Case of the Scottivoli Altarpiece for the Church of San Francesco delle Scale in Ancona
Margarita Voulgaropoulou
Arts (SI: A 10-Year Journey of Arts), 2021
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Closing the Tabernacle: European Madonna Tabernacles c. 1150- c. 1350
Elisabeth Andersen
Medievalia , 2020
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Adornment and Decorum at SS. Annunziata: the Tabernacle of the Virgin as Shrine
Paul Davies
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Cat. nos. 103, 104, 116, 119, 120, 121, 122, 124, 125 & 127, in: Bastian Eclercy (ed.): Maniera. Pontormo, Bronzino and Medici Florence. Exh. Frankfurt, Städel Museum, February 24 – June 5, 2016. Munich, London & New York: Prestel 2016, pp. 234–35, 258–59, 262–69, 272–75 & 278–79
Fabian Jonietz
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The altarpieces of Della Robbia atelier in Marche region: investigations on technology and provenance
Maria Letizia Amadori
Applied Physics A, 2013
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Divine Splendour. Relics, reliquaries and liturgical vessels in Venice, ca. 1300-1475, Centro Studi Antoniani, Padova 2019
Manlio Leo Mezzacasa
2019
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Lateran and Vatican altar dispositions 2005
Sible de Blaauw
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A Florentine Portable Triptych (Tabernacle) Change in the attribution from Jacopo del Casentino to Bicci di Lorenzo (1373-1452) Collection of the Huis Bergh, s’Heerenbergh, the Netherlands
Ivonka Ciepielak
The Florentine Triptych, 2018
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D. Quast – N. Franken, An Early Medieval Insular Reliquary Fragment from Rome, Journal of the Royal Society of Antiquaries of Ireland 150, 2020, 41–62.
Norbert Franken
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