DIGITAL PERSPECTIVES: RELATIONSHIPS BETWEEN VISUAL AND PERFORMING ARTS. From Virtual Reconstruction to the Interactivity of the Exhibition Design (original) (raw)
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Digital Perspective: Relationships between Visual and Performing Arts
This international workshop aims to advance the contemporary discussion of Digital Humanities. It will offer to the scientific community – and also to interested guests – the opportunity to learn more about some of the newest digital tools used by researchers. The workshop will also present a significant number of innovative projects related to the research programme ART-ES: Appropriations and Hybridizations of Visual and Performing Arts (https://artes.hypotheses.org/). With a focus on festivals, performances, urban spaces and artworks from the early modern period in Europe, the main interest is to study transfer processes and common sources shared between visual and performing arts. The results of this workshop will be included in a digital exhibition which will be launched in 2019.
2019
The possibilities offered by digital technology nowadays allow us to advance even more in the knowledge and, particularly, in the transmission to society of aspects related to artistic culture between the 16th and 18th centuries. This symposium connects with some of the current debates on the use of digital technology in the field of cultural heritage in general and, in particular, on its application to the analysis and transmission of Modern Age material or ephemeral culture. The aim is to offer to the scientific and academic community, as well as to the interested public, the opportunity to learn about some of the most recent digital tools used in the museum field in order to disseminate cultural contents related to the collections they keep. To this end, prestigious institutions worldwide, among others, the Prado Museum (Madrid) - Princess of Asturias Award for Communication and Humanities 2019-, the Kunsthistorisches Museum (Vienna) or the Städel Museum of Frankfort will present the projects and the achievements from their respective digital development departments. On the other hand, with regard to advances in knowledge and dissemination of European culture between the 16th and 18th centuries, this symposium will present current projects developed by humanists who have applied digital technology for the virtual re-construction and / or re-creation of the artistic culture of those centuries. The research that, in this line, will be presented at the symposium comprises real novelties in relation both to the disciplines that converge in this event, and to the field of humanities in general and digital humanities in particular. ......... Las posibilidades que a día de hoy ofrece la tecnología digital nos permite avanzar aún más en el conocimiento y, particularmente, en la transmisión a la sociedad de aspectos relacionados con la cultura artística de los siglos XVI-XVIII. Este simposio enlaza con algunos de los debates actuales en torno al uso de la tecnología digital en el ámbito del patrimonio cultural en general y, en particular, en su aplicación al análisis y transmisión de la cultura material o efímera de la Edad Moderna. El propósito es ofrecer a la comunidad científica y académica, así como al público interesado, la oportunidad de conocer algunas de las más recientes herramientas digitales utilizadas en el ámbito museístico de cara a la difusión de contenidos culturales relacionados con las colecciones que atesoran. A tal fin, instituciones de reconocido prestigio a nivel mundial, entre otros, el Museo Nacional de El Prado (Madrid)-Premio Princesa de Asturias de Comunicación y Humanidades 2019-, el Kunsthistorisches Museum (Viena) o el Städel Museum de Frankfort expondrán los proyectos y los logros obtenidos desde sus respectivos departamentos de desarrollo digital. Por otro lado, en lo que respecta a los avances en el conocimiento y difusión de la cultura europea de los siglos XVI-XVIII, este simposio dará a conocer actuales proyectos desarrollados por humanistas que han aplicado la tecnología digital para la re-construcción y/o re-creación virtual de la cultura artística de aquellas centurias. Las investigaciones que, en esta línea, serán presentadas en el simposio constituyen auténticas novedades en relación tanto a las disciplinas que confluyen en este evento, como al ámbito de las humanidades en general y las humanidades digitales en particular.
Advances in Social Science, Education and Humanities Research, 2021
The currents of the industrial revolution 4.0 and society 5.0 have changed the world order from computerization to digitalization. One of them that was seriously affected was the world of dance, because dance artists (choreographers) had to keep up with the times. Plus the Covid-19 pandemic which forced the world to completely change the order of life from manual to digital. The COVID-19 pandemic requires choreographers to be more creative in packaging works from creation to showing the work in digital form. This makes the choreographer work more extra because it no longer just stops until the work is performed in front of an audience on a 'stage' but until the work is digital. In this condition, there are still many artists who try to keep working but still rely on live performances even with health protocols, but have not produced significant results. Thus the digitization of dance works becomes something very urgent. This article tries to analyze how the form of dance performances during the pandemic is a challenge and opportunity for artists to keep the dance world alive. This study uses a qualitative descriptive method, with data collection of observations, documentation, and literature studies. The results showed that during the pandemic, dance works were in digital form using social media as a 'stage'. The challenges that must be faced by choreographers are not only having to work extra but also having competence and/or knowledge of video editing and social media management so that dance works can be appreciated to the maximum. Opportunities that are obtained with the form of digital dance works, namely creative social media management, will bring a lot of appreciation to bring commercial benefits.
EVA-Berlin-Konferenzband_Documenting Media Art And Beyond.pdf
The article explores both the challenges and possibilities for art online exhibitions. Based on an analysis of the relationship between born-digital art works and traditional art works, their differential mediality, and the interpretations of the physical exhibition space with current methods of internet presentation forms, we investigate how digitised objects can profit from the possibilities of their online presentation in comparison to physical exhibitions. As a case study, the first online exhibition of the Archive of Digital Art CODEDOC REMEDIATED is presented and analysed.
Arte Pública na Era da Criatividade Digital. Atas do Colóquio Internacional, 2017
New supports, technical means, production methods and presentation spaces have contributed to an enlargement of the range of possibilities regarding artistic creation. They no longer just dilute and complicate frontiers between artistic disciplines. They now help to problematize and question the artist’s status, redefining what, in that context, can be considered an artwork, questioning what the contribute of the public – a public eager for experiencing the amazing world of techno-magnificence – can be regarding the foundations and paths of art itself. Technological mutations and cultural uses which have been conditioning artistic creation demand, therefore, a systematic, broad and crossed thinking enhanced by reflections and practices originating from distinct modalities of artistic creation and consolidated through different fields of scientific research. Structurally oriented towards undertaking that wide crossroad, CITAR calls upon itself the initiative of promoting a broad discussion on the Public Art phenomenon, considered by Javier Maderuelo as “the one that characterizes best the manifestations of the last third of the 20th century”, although acknowledging that “neither historical, nor critical articles […] seem to mind this importance” (Maderuelo 2000, 240). Aware of the complexity of the theme, but certain about the benefits of the crossing of perspectives which it congregates, the International Conference Public Art in the Digital Creativity Era aims at debating the questions concerning artistic creation and its public reception and interaction, bringing together researchers, artists and experts pursuing the following objectives: - seek and elucidate the contemporary frame of artistic creation, discussing the changes introduced by digital culture and open possibilities; - reflect upon and debate the questions regarding the conservation of art pieces within the public space, regardless of their chronology and their material and formal nature; - discuss the problematics regarding the relationship between art, memory and heritage, bearing in mind the social and communitarian bonds inherent to every artistic project, regardless of its nature. The International Conference Public Art in the Digital Creativity Era is, therefore, composed of wide thematic areas, each of which may be addressed from different perspectives: - artistic creation - critical discourse - historical study - theoretic reflection.