"Textos cuneiformes sumerios de la antigua ciudad de Irisaĝrig", V. Revilla Calvo, A. Aguilera Martín, L. Pons Pujol and M. García Sánchez (eds.), Ex Baetica Romam. Homenaje a José Remesal Rodríguez, Col·lecció Homenatges 58, Barcelona 2020, pp. 17-45 (original) (raw)
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In the hill of Cabeza de Griego (district of Saelices, in the Cuenca Province), a town was founded out of a castrum from the Iron Age in Celtiberian territory, whose main economic activity was the exploitation of lapis specularis, a translucent gypsum used as window glass. Its exceptional location at the crossroads of land routes that linked the Ebro Valley with the Betica and the Lusitania and the center of the peninsula with the eastern harbors, especially with Carthago Nova, turned the city into an important trade center with the Mediterranean, where materials and products of different places arrived. Its name, Segobriga, reminded of its mythical foundation by a character named Sego, whose memory had been maintained by oral tradition since the unknown date of its creation. Pliny would be the one to include Segobriga in his lists of tributary cities of the conventus Carthaginensis, as caput Celtiberiae, together with other cities south of the Meseta and in the southeast of the peninsula. As a pilgrim community, the inhabitants of Segobriga named senator L. Livius Ocella their protector, grandfather of Emperor Galba, during Caesar’s or the Second Triumvirate’s era and minted money with the name Segobris on it. In the middle of the 1st century BC, the city started important urbanization works that were planned with orthogonal streets and aligned with the city walls. On the northern side of the hill, the recent archaeological excavations have revealed remains of some insulae of dwellings of the pre-Augustan phase. At the same location, a small temple with an in antis structure and the so-called Theater Baths were part of the urban structure at this time. The granting of the municipal status made possible the construction process of the new urban building plan from the early Augustan period, whose forum was the greatest example. At the end of the 1st Century AD, Segobriga had become a Roman city. It had a theater, an amphitheater, new baths, a building exclusively dedicated to commercial transactions and a large public square surrounded by porticoed galleries near the original temple. Important public works had also been achieved, such as piping drinking water through an aqueduct, paving the streets and installing fountains that improved the life in the city. After the construction ex novo of a circus in the middle of the 2nd Century AD, the public construction program ended, as far as we know today from the excavations.
Estudios Mirobrigenses, 2020
RESUMEN: Presentamos el nuevo yacimiento grá co de La Rivera de Sexmiro (Sexmiro, Villar de Argañán, Ciudad Rodrigo, Salamanca), conformado por un pequeño grupo de motivos abstractos grabados por incisión e inventariados en dos pequeñas covachas y en una roca exenta de pizarras y esquistos. Estos nuevos hallazgos artísticos parietales, acaecidos en el transcurso de una prospección arqueológica acometida por los autores de esta aportación, atesoran, a pesar de su exigua cantidad, signi cativas características formales y técnicas coincidentes con las de otros sitios arqueológicos con arte rupestre en el contexto más inmediato de la cuenca del Duero y atribuibles a un momento crono-cultural entre la Edad del Hierro y la tardoantigüedad. PALABRAS CLAVE: Arte rupestre. Grabados. Incisión. Motivos abstractos. Río Águeda. Tardoantigüedad, Postpaleolítico.