Cinema and girl-power: an analysis of female characters in Quentin Tarantino's movies (original) (raw)
Related papers
Redefining Femme Fatales: Psychoanalyzing Female Figures in Quentin Tarantino’s Films
2012
Scratching the Surface: For a reappraisal of Violence in Contemporary French Cinema
The Palgrave Handbook of Violence in Film and Media, 2022
Affect Unchained: Violence, Voyeurism and Affection in the Art of Quentin Tarantino
Eidos, 2020
Aesthetization of violence and contemporary cinema: death meets sensuality
Rosamaria Luiza (Rose) de Melo Rocha
Ghrebh, 2012
Ars Aeterna Vol.8/ No.1, 2016
Negotiating the non-narrative, aesthetic and erotic in New Extreme Gore
2011
Pagello Quentin Tarantino and Film Theory
Palgrave Macmillan, 2020
Violent Women in Contemporary Cinema
2016
Corporeal violence in art house cinema Cannes 2009
Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema
Flirting With Empowerment: Quentin Tarantino’s Troubling Depictions of Sexual Assault
2020
2019
Quentin Tarantino: Life at the Extremes
2009
The Voyeur Effect: Pleasure and Violence in Film and Fiction
Netaji Nagar Journal of English Literature and Language, 2014
HOW DO WE DRAW THE PICTURE OF VIOLENCE? THE PERCEPTION OF SERIAL FILM
The relation between humour and violence within a theoretical frame in regards to Tarantino's films
TARANTINO FILM AND POSTMODERNISM
PEARSON JOURNAL OF SOCIAL SCIENCES , 2022
The Culture of Violence in the New Romanian Cinema: The Influence of Michael Haneke Aesthetics
Balkan Cinema and the Great Wars: Our Story, 2020
Screens of Blood: A Critical Approach to Film and Television Violence
McFarland & Company, Inc., 2014
The Aesthetics of Violence in Colombian Film Rodrigo D: no futuro, Apocalipsur, and Satanás
2012
Natural Born Killers", violence and contemporary culture
1999
Monani_In God’s Land: Cinematic Affect, Animation, and the Perceptual Dilemmas of Slow Violence.pdf
Bodies, Bowels and B-Movies – the grotesque depiction of violence in two plays
'The Dialectics of Cruelty: Rethinking Artaudian Cinema', in Cinema Journal 55:3 (2016), pp.65-89.
See, Seeing, Seen, Saw: A Phenomenology of Ultra-Violent Cinema
Acta Universitatis Sapientiae, Film and Media Studies Journal
Acta Universitatis Sapientiae, Film and Media Studies, 2014
Analysing Media Violence and the Matrix
The Awkward Aesthetics of Violence
symplokē, 2012
2011
New Blood in Contemporary Cinema
2020