Django Unchained, Voyeurism Unleashed... (original) (raw)
Related papers
Genres Unchained: Western, Action, Drama, and Revenge Violently Co-exist in Django Unchained
Response: “Why Slavery Now?” Django Unchained as a History of the Present
Django Unchained and the Neo-Blaxploitation Western
2019
Quarterly Review of Film and Video, 2019
Cowboys in Candyland. Quentin Tarantino's Django Unchained and the Southern Frontier
Violence and Open Spaces: The Subversion of Boundaries and the Transformation of the Western Genre. Ed. Stefanie Müller, Christa Buschendorf und Katja Sarkowsky , 2017
History Unchained (Reflections on 'Lincoln' and 'Django Unchained)
Transition, 2013
An Analysis on Django Unchained - Complex subjects who reproduce and refuse systems of domination
"Theoretical Ramifications of DJANGO UNCHAINED"
Nelson, 'Django' Untangled the Legend of the Bad Black Man - The Chronicle of Higher Education
Chronicle of Higher Education, 2013
Cultural value and Viscerality in Sukiyaki Western Django: Toward a Phenomenology of Bad Film
The Truth in the Script and the Untruth in the Movie: Tarantino's Rewriting of American History
2021
Tarantino's Approach to the Notorious Nazi Past
izlazi u samo elektroničkom izdanju: DA
Directed by Himself: Steve McQueen’s Twelve Years a Slave
Flirting With Empowerment: Quentin Tarantino’s Troubling Depictions of Sexual Assault
2020
‘Life Here is Worth Nothing’: Biopolitical Anti-Vitalism in Django Kill!
2012
Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South
Polish Journal of American Studies, 2019
Inglourious Basterds: Satirizing the spectator and revealing the 'Nazi' within
Bodies In and Out of Place: Django Unchained and Body Spaces
Speck, Oliver C. (ed).: Quentin Tarantino’s Django Unchained. The Continuation of Metacinema, pp. 93-122, 2014
4. Quentin Tarantino in Black and White
Critical Rhetorics of Race, 2011
A Roundtable on Spike Lee's BlacKkKlansman
Response: The Journal of Popular and American Culture, 2019
TARANTINO FILM AND POSTMODERNISM
PEARSON JOURNAL OF SOCIAL SCIENCES , 2022
"Auteurist Socio-Cultural Critique: Quentin Tarantino’s The Hateful Eight as Historical Present"
The Projector: A Journal on Film, Media, and Culture, 2017
Ambivalent Screens: Quentin Tarantino and the Power of Vision
Film-Philosophy, 2015
The Diversity of Intrinsic Ethical Flaws in Fiction
The Journal of Aesthetics and Art Criticism, 2020
What is a Cinema of Jewish Vengeance - Tarantino's Inglorious Basterds
Zayas Unchained: A Perverse God, or Theological Kitsch?
Quentin Tarantino: Life at the Extremes
2009
Inglourious Basterds FInale.doc
Twelve Years a Slave and the ‘Unthinkability’ of Enslaved Autobiography
Biography and History in Film, 2019
The Horrors of Slavery and Crisis of Humanity in Amistad and 12 Years a Slave
Plataforma Revistas Comunicación
2014