Tradition anew! The Biennale of Western Balkans (catalogue publication) (original) (raw)

2020, Tradition anew! Biennale of Western Balkans

The first catalogue publication of the Biennale of Western Balkans and the initiation of its publication by the History of Art Laboratory, School of Fine Arts in the University of Ioannina, Greece. The catalogue includes curatorial texts from the exhibitions, conferences and events that took place in October 2018 in Ioannina, as well as reflections and documentation by artists, participants, volunteers and organisers. It has been published in English and is available in digital format under an open license (CC BY-SA 4.0), uploaded to the open-access repository Zenodo. In addition, you can access the Biennale's 2018 stationery, including booklets, posters, banners and invitations in the following link www.bowb.org The illustrations and catalogue layout have been designed by Markos Karellas and Christos Kotsinis. The publication has been realised with the support of the School of Fine Arts, University of Ioannina and the Hellenic Ministry of Culture and Sports. We warmly thank everyone taking part in the publication and invite you all to check it out and experience tradition anew once again.

Beyond Blood and Honey:Re-Imagining the Balkans through Travelling Exhibitions

Études Balkaniques, 2018

From 2002 to 2015 a considerable number of large-scale, geopolitical bannered exhibitions have been dedicated to the ‘the Balkans.’ This article aims to analyze and compare two types of regional, large scale exhibitions from/on the Balkans: contemporary art exhibitions and interpretative (dedicated to historical and ethnographic themes) exhibitions. The pervasiveness of the stereotypical visual representations of ‘the Balkans’ – called by the Bulgarian artist Luchezar Boyadjiev the ‘Balkan blue’ – as a region of everlasting conflicts and binary oppositions coincides with the birth of contemporary Balkan art. By attempting to overcome the stereotypical images of the Balkans (‘the Balkan ethos’) still prevalent in our days, the travelling exhibition ‘Imagining the Balkans: Identities and Memory in the Long 19th Century’ – opened in Ljubljana (Slovenia) at the National Museum of Slovenia, in April 2013 and then displayed in other national museums of history from the Balkan region – endeavors to place national histories in a perspective where they interact.

VISUAL CULTURE OF THE BALKANS: STATE OF RESEARCH AND FURTHER DIRECTIONS, Belgrade 2014, pp. 1-52.

VISUAL CULTURE OF THE BALKANS: STATE OF RESEARCH AND FURTHER DIRECTIONS In recent decades there has been a significant change in observing art and culture of the Balkans. One of the current issues is the study of visual culture of the Balkans. While in the Balkan countries the national historiographies still dominate, it is becoming quite obvious that the common social, political, artistic and cultural frameworks influence the creation of all forms of cultural life in entire Balkans. The Ottoman Empire, in which had lived majority of Balkan nations; formation of a Yugoslav state, as well as the similarity of political systems in Southeastern Europe all together have resulted in establishing a common Balkan culture. In these processes, visual culture has had a prominent place because it contributed to the creation of private and collective identity, and represents one of the most powerful communication tools between different ethnic, religious and social communities. Nenad Makuljević Department of Art History Faculty of Philosophy Belgrade University

4 TH INTERNATIONAL BALKAN STUDIES CONGRESS BOOK OF ABSTRACTS 2024 Concession Holder on Behalf of Balkan Studies Foundation

The Skopje Academy serves as a hub for academic activities and intellectual exchange and provides a platform for researchers and students to engage in interdisciplinary discussions, conferences, and seminars. The Skopje Academy views training distinguished people who have internalized what is good, true, and beautiful as the solution to the deep crises the Balkans has experienced for two centuries. The academy aims to develop a perspective on the world, the Balkans, cities, societies, and people through the programs it has developed by prioritizing the actions of people shaped by knowledge, morality, values, and competence along this axis. It aims to reach these goals by listening, reading, and writing from an interdisciplinary perspective focused on the social sciences. The Abdulfettah Rauf Research Center is another integral part of the Foundation. Named after the association' s initial formation, this center carries out studies on the personality, life, and works of Abdulfettah Rauf, an important poet and thinker from Skopje. By exploring the rich heritage of the Balkans, the center seeks to preserve and promote the region' s cultural diversity. Lastly and in affiliation with the foundation, IDEFE Publications plays a crucial role in disseminating knowledge and research findings. Through its publishing activities, IDEFE Publications ensures that the valuable research conducted by the foundation and its partners reaches a wider audience. Through its research centers, training centers, and publishing houses, the Balkan Studies Foundation is committed to promoting academic excellence, fostering interdisciplinary research, and advancing our understanding of the Balkan region. By engaging in a wide range of activities, the foundation aims to contribute to the social, cultural, and economic development of the Balkans and toward strengthening the bonds between its diverse communities.

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