Review (2008) of Governing Sound: The Cultural Politics of Trinidad’s Carnival Musics, by Jocelyne Guilbault
Benjamin Fraser
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Callaloo or Tossed Salad?: East Indians and the Cultural Politics of Identity in Trinidad
viranjini munasinghe
Contemporary Sociology, 2003
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Introduction: Power, Performance and Play: Caribbean Carnival and the Cultural Politics of Emancipation
Emily Zobel Marshall
Caribbean quarterly, 2019
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(2017) ‘Popular Political Culture and the Caribbean Carnival’. Zobel Marshall, Emily, Farrar, Max & Farrar, Guy. Soundings, Issue 67 (Lawrence and Wishart).
Emily Zobel Marshall, max farrar
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Modern Blackness in Jamaica
Christopher A . D . Charles
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(2019) 'It's not all Sequins and Bikinis? Power, Performance and Play in the Leeds and Trinidad Carnival'. Turning Tides: Caribbean Intersections in the Americas and Beyond. Heather Cateau and Milla Riggio, eds. (Kingston, Jamaica: Ian Randle Publishers).
Emily Zobel Marshall
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Questioning the Complexity of Carnival- Is it an Afro-Trinidadian or National Event
Amanda Zavitz
2008
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Review essay: Caribbean Popular Culture: Everyday Lives, Racial Politics and Transnational Movements
Emiel Martens
European Review of Latin American and Caribbean Studies, 2016
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Transnational spirituality, invented ethnicity and performances of citizenship in Trinidad
Gabrielle Hosein
Citizenship Studies, 2012
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Processional Dérive: Review of New Orleans Black Masking Indian Parading as Psychogeographical Praxis
thomas mouton
2024
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From Rhythm and Blues to Grime; Black Atlantic Exchanges and the Performance of Identity
Joy White
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Narratives of Resistance in Trinidad’s Calypso and Soca Music
Meagan Sylvester
Cultural and Pedagogical Inquiry
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Just below South: Intercultural Performance in the Caribbean and the U.S. South, eds. Jessica Adams, Michael P. Bibler, Cécile Accilien
Maritza Stanchich
Sargasso 2007-2008 II
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Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power in
Silvia Roca
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Radical Moves: Caribbean Migrants and the Politics of Race in the Jazz Age
Winston James
The Journal of American History, 2013
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Consuming Slavery, Performing Cuba: Ethnography, Carnival and Black Public Culture
Lisa Knauer
Ethnicity and Race in a Changing World, 2011
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(2020) Carnival, Calypso and Dancehall Cultures: Making the Popular Political in Contemporary Caribbean Writing
Emily Zobel Marshall
Caribbean Literature in Transition, vol 3, edited by Ronald Cummings and Alison Donnell (Cambridge University Press: 2020), 2020
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Everybody Jumping on the Savannah Grass: How Carnival Became a Symbol of Trinidad and Tobago’s National Culture
Brittney Bahadoor
Caribbean Quilt
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Popular Political Culture and the Caribbean Carnival
max farrar
2017
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Lara Putnam, Radical Moves: Caribbean Migrants and the Politics of Race in the Jazz Age. E.I.A.L, vol. 26 (2) June-December 2015
Atalia Shragai
E.I.A.L, 2015
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Black Freedom, Black Markets: Notes on New Orleans Black Masking Indian Tradition
Marc D . Perry
Journal for the Anthropology of North America, 2021
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Dancehall Forever - Exploring The Politics Of Identity and Cultures Of Resistance in Jamaican Dancehall Music and Culture
Rubie Clarke
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Love for Mas: State Authority and Carnival Development in San Fernando, Trinidad.
Gabrielle Hosein
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Review of Carnival and National Identity in the Poetry of Afrocubanism, by Janet N. Gold
Thomas F Anderson
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A Ghetto Education Is Basic": (Jamaican) Dancehall Masculinities As CounterCulture
Agostinho Pinnock
2007
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Negotiation of Trinidadian identity in ragga soca music
Glenda-Alicia Leung
2009
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Modern Blackness: Nationalism, Globalization, and the Politics of Culture in Jamaica
Anita Waters
Journal of Anthropological Research, 2006
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(2016) Resistance through 'Robber-Talk': Storytelling Strategies and the Carnival Trickster in Caribbean Quarterly: A Journal of Caribbean Culture. 62:2, pp. 210-226,
Emily Zobel Marshall
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Jep Sting Radica with Rum and Roti: Trinidadian Social Dynamics in Chutney Music
Darrell G Baksh
2014
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At Home in the Caribbean Diaspora: " Race " and the Dialectics of Identity
Anton Allahar
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Danced Nations, Performed Identities: Ethnographic Perspectives on Power and Performance in Africa
Yolanda Covington-Ward
Transforming Anthropology, 2010
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Passa Passa: Interrogating Cultural Hybridities In Jamaican Dancehall
Professor Donna P Hope
Small Axe: A Caribbean Journal of Criticism, 2006
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Carnival, Calypso and Dancehall Cultures: Making the Popular Political in Contemporary Caribbean Writing
Emily Zobel Marshall
2020
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Caribbean Popular Culture: Power, Politics and Performance
Marsha Pearce
Caribbean Quarterly, 2017
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Unruly Virtues of the Spectacular: Performing Engendered Nationalisms in the UNIA in Jamaica
Honor Ford-Smith
Interventions: International Journal of Post-colonial Studies, 2004
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