original ) (raw )The cold world behind the window: 4 Months, 3 Weeks and 2 Days and Romanian cinema's return to real-existing communism
Constantin Parvulescu
Jump Cut: A Review of Contemporary Media, 2009
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Afterlives of Romanian socialist-era historical film: reruns, story universes, reception
Constantin Parvulescu
Canadian Slavonic Papers, 2021
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Censorship and Mystification in the Romanian Documentary During the Communist Era
Ionut Suciu
2017
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From the Poetry of Late Socialism to the Dogmatism of Democracy: The Cinema of the Former Eastern Bloc before and after the Collapse of Communism
Lucian C Tion
Territories: A Trans-Cultural Journal of Regional Studies , 2020
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Dissent and dissidents in central and eastern european film
Rolf Werenskjold , Bjorn Sorenssen , Tobias Hochscherf
Historical Journal of Film, Radio and Television, 2021
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"Now is the time to include the films produced by the Alexandru Sahia documentary studio in our conversations about the communist past"
Adina Bradeanu
MARTOR Journal of Anthropology, 2019
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The Civil War and Revolution in Stalinist Films. Cult Films, Evasiveness and Clichés
Olga Gradinaru
Ekphrasis. Images, Cinema, Theory, Media, 2014
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Alternative Histories of Communist Past. Typologies of Representation in Romanian Film and Novel after 1989
Andrei Simut
Ekphrasis. Images, Cinema, Theory, Media, 2015
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Beyond resistance and repression: an institutional approach to soviet cinema history
Diana Popa
Studies in Eastern European Cinema, 2019
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Specters of Europe and Anticommunist Visual Rhetoric in Romanian Film of the Early 1990s - Oxford Handbooks preview
Constantin Parvulescu , Claudiu Turcus
The Oxford Handbook of Communist Visual Cultures, 2019
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Youth, Communism and the Cinema – Ways of Depicting the Past in Selected German, Polish and Czech Films Produced after 1989
Marta Brzezińska-Pająk
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The Odyssey of Communism: Visual Narratives, Memory and Culture
Oana Celia Gheorghiu
2021
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Popular historical films as collective memory-work in Eastern Europe: from Polish KATYN to Romanian AFERIM! and Hungarian BET ON REVENGE
Andrea Virginás
Hungarian Studies Yearbook
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Screening the Stasi: the politics of representation in postunification film.
Nick Hodgin
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Book Review: Not according to plan: filmmaking under Stalin by Maria Belodubrovskaya
Claire Knight
Studies in Russian and Soviet Cinema, 2018
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What's wrong with the Romanian New Wave? Auteur Cinema, the communist, and the production of the violent working class
Bogdan Popa
Studies in Eastern European Cinema, 2018
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Cinematic Representations of Post-Socialist East Central Europe in Western Feature Films (or “Dear Sweet Mother of God—We’re in Eastern Europe!”)
Veronika Urbonaitė-Barkauskienė
East / West: The Scholarly Journal for History and Culture. Vol. 16-17, p. 447-459, 2013
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Cultural Opposition and Filmmaking in Communist East Central Europe: Lessons from Poland and the Former Yugoslavia
Mikolaj Kunicki , Dominic Leppla
The Handbook of COURAGE: CULTURAL OPPOSITION AND ITS HERITAGE IN EASTERN EUROPE, 2018
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"For Marx: The New Left Russian Cinema." Cinema: Journal of Philosophy and the Moving Image 8 (2016): 108-130.
Marijeta Bozovic
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Soviet Cinema: Politics and Persuasion under Stalin (review)
James Krukones
Film & History: An …, 2011
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The Civil War and Revolution in Stalinist Films
Olga Gradinaru
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Taking a walk in the SOVIET past: An analysis of representations of the soviet past in films Das Leben der Anderen and Kurpe
Marija Weste
Acta Academiae Artium Vilnensis : Baltic cinemas after the 90s: shifting (hi)stories and (id)entities, 2010
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Review of Evgeny Dobrenko, _Stalinist Cinema and the Production of History: Museum of the Revolution_ (Yale 2008)
Anne Eakin Moss
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Soviet Cinema and the enemies of Soviet values: East-West relations through the lens of Soviet movies
Mariam Zibzibadze
Corvinus Journal of International Affairs
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Developments in Eastern European Cinema since 1989
Joanna Rydzewska
The Routledge Companion to World Cinema. Routledge. R. Stone, P. Cooke, S. Dennison, A. Marlow-Mann (eds), 2018
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Censorship, ideology, and style in Soviet cinema
Ronald Levaco
Studies in Comparative Communism, 1985
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Documentary Filmmakers’ Anti-Communist Manifesto. The Film “Kuldīga Frescoes” (Aivars Freimanis, 1966)
Inga Pērkone
Culture Crossroads
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Countering the Current: The Function of Cinematic Waves in Communist vs. Capitalist Societies
Madison Gwinn
Chapman University, 2019
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Narratives of post-communism: a critical investigation of the Balkan cinema in 1990 – 2010.
Violeta M Valcheva
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Western Cinema on the Pages of the Soviet Screen Magazine (1969-1985): Ideologized Articles Emphasizing Criticism of Bourgeois Cinema and Its Harmful Influence on the Audience
Alexander Fedorov
2024
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‘Veterans’ and ‘Dilettantes’. Film Production Culture vis-à-vis Top-Down Political Changes, 1945–1962. In: Cinema in Service of the State Perspectives on Film Culture in the GDR and Czechoslovakia, 1945–1960. Eds. Lars Karl and Pavel Skopal. New York - Oxford: Berghahn 2016.
Petr Szczepanik
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Communist Authoritarian Discourses and Practices in Romanian New Wave Cinema
Adriana Cordali
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Stalinostalgia: The (Recycled) Historical Index in Recent Polish Film
Thomas Sliwowski
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This Is Not a Pipe: Soviet Historical Reality and Spectatorial Belief in Perestroika and Post-Soviet Cinema
Andrey Shcherbenok (Андрей Щербенок)
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The Internationalized Gaze: Approching Helena Lumbreras’s Militant Factory Films | European University Institute
Pablo La Parra-Pérez
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