“Imaging the Divine: Idolatry and God’s Body in the Book of Acts.” New Testament Studies 65 (2019): 353-70. (original) (raw)

The God of glory: Explicit references to God in discourses in the Acts of the Apostles (7:2–53; 14:15–18; 17:22–31)

STJ | Stellenbosch Theological Journal

This essay offers insight into Luke’s concept of God by analysing three sections in which God is explicitly a topic of discussion. These sections are Stephen’s apology (Acts 7:2–53), the account of Paul’s and Barnabas’ mission in Lystra (Acts 14:8–18), and the Areopagus speech (Acts 17:22–31). Because these texts share similar motifs, they can be said to constitute an argumentative series. In these sections, Luke provides a coherent concept of God comprised of many motifs from Luke-Acts. The central motif is that God created the world, which results in God’s self-sufficiency. Therefore, a worship with neither sacrifices nor temple is the appropriate response to God as a selfsufficient, transcendent, spiritual, and perfect being that is completely different from every mortal being on earth.

Artist to the Gentiles: Literary Theology in Luke-Acts

Postaugustum, 2019

Luke-Acts demonstrates a theological concern with Jesus as Redeemer of the outcasts (whether they be within Israel or Gentiles), and a literary concern with Greco-Roman modes of presentation. In both these respects, Luke-Acts is unique among the rest of the New Testament. In this paper, I review the specific Greco-Roman literary techniques that Luke-Acts exploits, as well as evidences of its theological concerns. Ultimately, in this paper I assert that the unique literary concern of Luke-Acts serves its unique theological concern: that is, the texts demonstrate Greco-Roman modes of artistic presentation, especially epic and epic history, in order to make a theological point about the universality of the Gospel message and the endless dominion of Jesus as King, as well as to present Christianity so as to be compelling to Gentiles.

Mark Beumer (Review) Marlis Arnhold, Harry O. Maier, and Jörg Rüpke (eds.), Seeing the God. Image, Space, Performance, and Vision in the Religion of the Roman Empire (Mohr Siebeck 2018) in: Kleio-Historia, nr. 14. (2021)

The first inter-disciplinary and crossdisciplinary work of its kind, this book focuses on the importance of visual culture in the study of classical, Roman, and Christian Antiquity. It explores the role of the visual in helping to create a vision of the gods and how commitment to the visibility of the divine affected ancient religious practices, rituals, and beliefs. The essays deploy a wide range of disciplines that include archaeology, iconology, cultural studies, visual anthropology, the study of ancient rhetoric, and the cognitive sciences to consider the visual aspects of ancient religion from a variety of angles. The contributors take up the role of the visual in multiple contexts including domestic art, the imperial cult, martyrology, ritual practice, and temples. This book, which includes essays by classicists, Roman historians, archaeologists, biblical scholars, and scholars of ancient Christian iconography, promises to advance the discussion of the importance and role of visual culture in shaping the religions of Antiquity in significant new ways. This book encompasses three sections and a total of twelve chapters, preceded by an introduction and closed by an index.

The Image of God in Old Testament Theology

Stone-Campbell Journal, 2018

Though rarely mentioned in the Hebrew Bible, the imago Dei has long been a key—if highly debated—theological concept for both the western and eastern church. An examination of the Hebrew text, especially Gen 1:26 and Ps 8:1,5, along with the historical, literary, and cultural contexts offers insight into the meaning of this important concept, which opens the Torah and sets the tone for the canon.