A Reimagined Beethoven Cycle (original) (raw)

Manchester 1st International Beethoven Conference

Benedetta Saglietti

Martin Harris Centre | The University of Manchester, 2012

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'All Men Become Brothers': The Decades-Long Struggle for Beethoven's Ninth Symphony

Michelle Rasmussen

Executive Intelligence Review, 2015

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Review of Beethoven, Missa Solemnis, Capella Amsterdam and the Orchestra of the Eighteenth Century, Daniel Reuss, cond.

Mark Ferraguto

Nineteenth-Century Music Review, 2019

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EXPERIMENTAL PERFORMANCE PRACTICES: NAVIGATING BEETHOVEN THROUGH ARTISTIC RESEARCH

Paulo de Assis

Music and Practice, 2020

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Historiographical Reflections on the Beethoven Year 250

Rose Mauro

Nineteenth-Century Music Review, 2022

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Manchester International Beethoven Conference

Martin Nedbal

Eighteenth-century music, 2013

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History Under Erasure: Wellingtons Sieg, the Congress of Vienna, and the Ruination of Beethoven's Heroic Style

Nicholas Mathew

Musical Quarterly, 2007

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Performing Beethoven's Musical Dynamics

Mine Dogantan-Dack

Music Performance Research, 2020

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Moonlight Reflections: A Performance History of the First Movement of Beethoven’s Piano Sonata Quasi Una Fantasia, Op. 27 No. 2

Elissa Miller-Kay

Proceedings of PGVIM’s International Symposium, “Music and Socio-Cultural Developments of the ASEAN”, 2016

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Review of Julian Horton (ed.), The Cambridge Companion to the Symphony (Cambridge: Cambridge UP, 2013)

David Larkin

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Beethoven's Symphony No. 1 in C Major, Op. 21: Historical, Theoretical and Performance Interpretations

Nicholas Alexander Brown

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Review of Jeremy Yudkin, From Silence to Sound: Beethoven's Beginnings

Jeffrey Swinkin

Ninetenth-Century Music Review, 2021

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Magnificent landscapes: new Beethoven recordings and the musical sublime

Nancy November

Early Music, 2015

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Beethoven Off-Center: Introduction

Tatjana Markovic

Studia Musicologica, 2021

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Organizing the Musical Canon: The Repertoires of Major U.S. Symphony Orchestras, 1842 to 1969

Timothy J Dowd

Poetics: Journal of Empirical Research on Culture, the Media, and the Arts, 2002

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Beethoven and the Piano: Philology, Context and Performance Practice. Lugano, 4–7 November 2020

Marten Noorduin

Eighteenth-Century Music, 2021

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Beethoven's Erinnerungen: a musical journey from Joseph Haydn to Paul Wranitzky

Leone M. Jennarelli

XHAMUEL Papers (Musicology Series), 2014

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New York City symphonies: Critique and propagation of interwar years modernity

Berkay Hayırlı

Middle East Technical University, 2021

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Beethoven at large: reception in literature, the arts, philosophy, and politics

David Dennis

The Cambridge Companion to Beethoven, 2000

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Commonality and Diversity in Recordings of Beethoven’s Middle-Period String Quartets

Nancy November

Performance Practice Review, 2013

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An Overview of the Changes in Performance Practice and Repertoire of the Symphony in Classical Music Concerts from the 17th till the 21st Century

Rana Gediz Iren

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Text, Sound and the Freedom of Interpretation: Observations on Beethoven's Music (Musiktheorie: Zeitschrift für Musikwissenschaft, 28(4), 2013, 325-350)

Antonio Baldassarre

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Beethoven Symphony No. 1 in C Major, Op. 21: Historical, Theoretical and Performance Interpretations

Evanthia Boulakou

2018

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Beethoven’s oeuvre as an argument: Fidelio Staged by the Municipal Theatre at the End of the 19th Century and its Reception in the Context of the Beethoven Tradition in Pressburg

Jana Laslavikova

Hudební věda, 2020

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Aesthetically Warranted Emotions in the Theme of the Final Movement of Beethoven's Piano Sonata Op.10 No.3

Eray Altinbuken, Kaan Bıyıkoğlu

Musicologist, 2023

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Challenging the Listener: How to Change Trends in Classical Music Programming

Miguel Angel Marin

Resonancias, 2018

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Pour the sweet milk of concord into hell': Theories of Unity and Disunity in Late Beethoven

James Parsons

Music Analysis, 1999

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Sonata Form in the Nineteenth-Century Symphony

Steven Cannon

Empirical Musicology Review, 2017

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An Orchestral Audience: Classical Music and Continued Patterns of Distinction

Gaynor Bagnall

Cultural Sociology, 2014

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Revolutionary Pedagogy: A Historical Perspective on Improvising in Beethoven

Julia Kinderknecht

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Beethoven's Popular Style: "Der glorreiche Augenblick" and the art of writing for the galleries

John D . Wilson

Beethoven und der Wiener Kongress (1814/15) (Schriften zur Beethoven-Forschung 26), ed. Bernhard A. Appel, Joanna Cobb Biermann, William Kinderman, and Julia Ronge , 2016

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An approach to Beethoven's 10th Symphony

Gonzalo Mendez

ArXiv, 2020

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A Musical Life in Two Worlds: The Autobiography of Hugo Leichtentritt ed. by Mark DeVoto

Klara Moricz

Notes, 2015

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Beethoven — the Zeus of Modernity

Helmut Loos

The Culturology Ideas, 2020

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The Cambridge Companion to the Symphony ed. by Julian Horton, and: The Cambridge Wagner Encyclopedia ed. by Nicholas Vazsonyi

David Larkin

Notes, 2015

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