From catch-up TV to online TV: Digital broadcasting and the case of BBC iPlayer
Paul Grainge
Screen, 2018
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Interstitials: How the ‘Bits in Between’ Define the Programmes
John Ellis
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The BBC'S Second-Shift Aesthetics: Interactive Television, Multiplatform projects and Public Service Content for a digital era
niki strange
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Elvis Sings for the BBC: Broadcast branding and digital media design
Paul Grainge
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Public Service Broadcasting in the online television environment. The case for PSB VoD players and the role of policy focusing on the BBC iPlayer
maria michalis
International Journal of Communication, 2022
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In Plain Sight: Online TV Interfaces as Branding
Mike Van Esler
Television & New Media, 2020
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iVision and the BBC: building public value
Michael Klontzas
Observatorio (OBS*), 2008
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Emerging Trends in TV Studies - Interactive Audiences, Advertising, Globalization and Post Network TV
Tanner Mirrlees
The Television Reader: Critical Perspectives in Canadian and US Television Studies, 2013
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DIGITAL SPRAY: Channel 4, innovation and youth programming in the age of new technologies
Michael O'Neill
2014
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Formatted spaces of participation Interactive television and the changing relationship between production and consumption
Aliaksandra Makas
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Bennett and Strange - The BBC's Second Shift Aesthetics
James Bennett
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Web-TV as a backstage activity: Emerging forms of audience address in the post-broadcast era. Text and Talk Vol 39 (1) (2019) Eriksson and Fitzgerald
Richard Fitzgerald
Text and Talk, 2019
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'New Technologies; Increased Polarisation; New Role of the Audience': Implications of Audience Media-Related Practices in an Increasingly Digitalised Age
Snir Levi
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The Intermediality of Cross-Media Audiences: The Case of Digital Television
Seppo Kangaspunta
2014
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Graeme Turner. 2016. Re-Inventing the Media. London and New York: Routledge
Emma Mesikämmen
MEDIANZ: Media Studies Journal of Aotearoa New Zealand, 2016
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Digitalisation and the BBC: The net effect
Michael Klontzas
2006
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The hollowing out of public service media: a constructivist institutionalist analysis of the commercialisation of BBC’s in-house production
Alessandro D'Arma
Media, Culture & Society, 2017
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Web-TV as a backstage activity: Emerging forms of audience address in the post-broadcast era
Göran Eriksson
Text & Talk, 2018
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Advertising at the Threshold: Paratextual Promotion in the Era of Media Convergence
Chris Hackley
Marketing Theory, 2018
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Accumulation by symbolic dispossession: the Digital Terrestrial Television transition in
Jane Duncan
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Transmedia: By Any Media Necessary_In Reimagining Communication vol 3 Action Routledge
Raul Rodriguez-Ferrandiz
Transmedia: By Any Media Necessary , 2020
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Watch, Go, Now: "TV Everywhere" and the Promotion of Liveness
Carter Moulton
The Popular Culture Studies Journal, 2019
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The revival of live TV: liveness in a multiplatform context
Inge Sorensen
2012
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’The Continuity of ‘Continuity’: flow and the changing experience of watching broadcast television’
Catherine Johnson
Key Words: A Journal of Cultural Materialism, 2013
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Legitimising the BBC in the Digital Cultural Sphere
Lilie Chouliaraki
Javnost - The Public, 2010
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Up All Night: The Shifting Roles of Home Media Formats as Transmedia Storytelling
William Proctor
DVD, Blu-ray and Beyond, 2017
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Brennan, E. 2012. ‘A Political Economy of Formatted Pleasures’, pp. 72–89 in Oren, T and S. Shahaf (eds), 2012. Global Television Formats Circulating Culture, Producing Identity. London: Routledge.
Edward Brennan
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From Couch Potatoes to Cybernauts? The Expanding Notion of the Audience on TV Channels' Websites
Eugenia Siapera
New Media & Society, 2004
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Contemporary meanings and experiences of television in the digital age
Eugène Loos
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Television channel identity: the role of channels in the delivery of public service television in Britain, 1996-2002
Julie Light
2004
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Public Service Goes to Market: British Children's Television in Transition
Ken Jones
Media International Australia incorporating Culture and Policy, 1999
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On Streaming-Media Platforms, Their Audiences, and Public Life
Andreas Treske
Rethinking Marxism
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Re-imagined Communities? Ireland, Europe and the Web as Shifting Sites of Television Discourse
Maeve Connolly
Irish Communications Review, 2003
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"Born Risky/Dying Risk-free?" The dissonance between televisual past and promotional present signals Channel 4's uncertain multiplatform future.
Michael O'Neill
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Don't apologize for your commercial. The discourse on the content of television advertising during the early years in Britain and the Netherlands (2014)
Wilbert Schreurs
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