OLD (NEW) FINDS OF THE ENCRUSTED POTTERY FROM THE COLLECTION OF THE NATIONAL MUSEUM IN BELGRADE (original) (raw)
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ROMAN ENAMELLED FIBULAE IN THE BELGRADE CITY MUSEUM
JOURNAL OF THE SERBIAN ARCHAEOLOGICAL SOCIETY 38 , 2022
In this paper, we have analysed Roman fibulae with enamelled decoration archived in the Collection of Antiquities of the Belgrade City Museum. The Collection includes 18 fibulae made of bronze and characterised by the two-part construction and three pin-catch types (Types I–III). We have placed them into 8 main classes based on their forms, which have been securely identified in the relevant typo-chronological systems (Fig. 8). We have attempted to arrive at a more precise chronological determination of the fibulae through a detailed analysis of the decoration patterns and techniques; this approach has proved successful, especially in the cases of very rare or so far unique forms of fibulae. As expected, the regional distribution of the identified types of fibulae shows that these are mainly specimens produced in the workshops in Gaul, located along the “Germanic” Limes on the Rhine, or in Pannonia, from which they spread through trade or movements of people. However, some of the examples have unique or very rarely observed shapes (Cat ID. 2, 4, 6, 16 and 17; Fig. 2/1, 3, 3/2, 7/2, 3). Their appearance may indicate that, already from the beginning of the 2nd century, there were craftsmen in the area of Singidunum who were wellacquainted with different enamelling techniques. Based on the two fibulae discovered in archaeological layers within the Singidunum military camp, and as many as five from the site of Ušće (municipium Spodent?), it seems that they mostly occurred in military contexts, in fortifications and towns or near large settlements. On the other hand, the specimen from the site of Kaluđerske Livade, along with a number of chance finds from the Zemun area, suggest that these fibulae were popular among the sub/non-urban population as well. However, given the still insufficient research level of tombs from the early imperial and imperial period in Singidunum and its surroundings, it is not possible to determine with certainty the extent to which the local population accepted them in everyday costumes.
Vestnik drevney istorii / Journal of Ancient History, 2023
The article publishes and analyzes six pottery vessels found by the Nubian Expedition of the Academy of Sciences of the USSR in 1962 at the site of Khor Daoud (Southern Egypt) and subsequently transferred under the agreement with the Egyptian government to the Pushkin State Museum of Fine Arts in Moscow. Four jars are Egyptian in shape and are typical for the Naqada culture; the other two can be characterized as Nubian; the dating of this group of pottery fits into the interval of Naqada IIB–IIIA (3600–3200 BC). Taking into account the nature of finds in Khor Daoud, which is located within the area of the Nubian A-Groups Culture, the site should be interpreted as a trading post where goods from Egypt, the region of the middle reaches of the Nile and the Nubian Desert were exchanged
Thirty-nine iron arrowheads from the collection of Kotel Historical Museum are subject to this study. They were bought from private persons and are found in the region of the Kotel Mountains; some of them are of unspecified location. Most of the arrowheads were found in the fortresses “Rimskoto Kale” and “Vida”, guarding the ancient road through the Kotel Pass as well as the fortresses along the passes in the Varbishka Mountains. The arrowheads are typical of the Late Antiquity, the Early Byzantine Period and the Middle Ages. Some of the arrowheads have parallels with finds from exactly-dated archaeological complexes of the First Bulgarian State as well as ones from the Avarian necropoleis in modem Serbia and Hungary.
The paper is devoted to the composition with three-dimensional images of animals on a silver beaker (fig. 1–2), found in 2004 г. in the cache of tomb 3235 from the royal necropolis of Gonur-depe (South Turkmenistan). The analysis of the available evidence leads to the conclusion that the composition reflects quite a real environmental situation that existed in the Caucasus in the III–II mill. BC. At the same time, the shape of the vessel and technology of its manufacture and ornamentation are typical for the Bactria-Margiana archaeological complex. It is suggested that the artisan partly reproduced a scene from some composition he had seen before, using the artistic style characteristic of ancient Bactria and Margiana. However, it is possible also that he could personally see the animals depicted on the beaker, if he visited Caucasus or was born there.
POTTERY FROM A CLOSED COMPLEX OF THE LATE 17th CENTURY IN KAMYANETS-PODILSKY (Polish market, pit 2)
Archaeology and Early History of Ukraine, 2018
In 2016 Kamianets-Podilsky Architectural and Archaeological Expedition of the Protective Archeology Department of the Institute of Archeology NUAS discovered remains of the construction on the stone foundation on the south-east part of the Polish Market Square. The big amount of clay pipes, painted porcelain, earthenware and clay coffee cups, architectural peculiarities of the building and literary pieces of evidence let interpret the remains as a coffee house. Findings from the pit 2 are introduced as the new types of ceramics. The majority of the pottery discussed: pots, jugs, «makitras», bowls, and plates — is of the local origin. The analogies to these types of pottery are largely represented in the 17th century material complexes on the territory of Ukraine. Bowls and bailers are of the Turkish origin. These types of pottery are found among the artifacts excavated on the territories of the Ottoman Empire fortresses in Belgrad, Akkerman, and Izmail. The article uncovers the pecu...
BRONZE THYMIATERION FROM THE NATIONAL MUSEUM IN BELGRADE / КАДИОНИЦА ИЗ НАРОДНОГ МУЗЕЈА У БЕОГРАДУ
This paper is dedicated to an object made from copper alloy which has been kept in the Late Roman Collection of the National Museum in Belgrade since 1961. It is not a Late Roman candelabrum, as it was initially identified to be, but a special type of censer (thymiaterion) that was characteristic of the period between the late 4th and early 3rd century BC (type Ambrosini ZL5). The thymiaterion from the National Museum in Belgrade was made from three separately cast parts – a tripod base with lion paws and three-lobed leaves, a spirally shaped part, and the top part in the form of a calotte-shaped bowl, with a rectangular rim to which plastically modelled bird figures were applied. Frankincense (olibanum) imported from the East was burned in the calotte-shaped recess of the recipient. Thymiateria were also household items, intended primarily for burning frankincense and other aromatic substances in various circumstances, from the daily purification of the living space, the neutralisation of unpleasant odours and as an insect repellent, to worshipping the ancestral cults or family deities in the household shrines. The burning of frankincense was most often practiced during important and festive events, like funerals, weddings and other celebrations that included a feast – symposion. Besides the pleasant fragrance, the reasons for the practice of incense burning spreading were the biochemical effects of particular psychoactive substances present in the frankincense smoke, which incited a good mood, and often ecstatic states of the participants in religious rituals, celebrations or feasts.