Performative Wokeness/White Victimhood: The Hypocrisy of Celebrity Villainization of Paparazzi (original) (raw)
Abstract
This commentary contrasts the gender and racial politics of celebrity input on the current uprising in comparison with the gender and racial politics in celebrity media production. On June 11, 2020, a video of an all-white cast of celebrities vowing to “take responsibility” for racism was released. It garnered millions of views within hours. Such exhibitions of white celebrity solidarity and empathy in response to the current uprising contrast deeply with exhibitions of white victimhood within the context of the Hollywood-Industrial Complex, even by the very celebrities featured in the video. For example, Kristen Bell, who is featured in the video, has been a leader in anti-paparazzi initiatives in California, thus targeting and criminalizing the work of paparazzi photographers, who my work has shown are predominantly Latinx. Bell was an outspoken advocate for a California law that made photographing a person’s child “because of that person’s employment” punishable by up to one year in prison. In her comments in support of the law she repeatedly used the term “pedorazzi” to describe paparazzi photographers, thus insinuating that non-consensual pictures of her children are akin to their sexual molestation. Jennifer Garner similarly testified before the California State Assembly in support of the anti-paparazzi laws, using highly racialized language to describe the photographers. She stated in tears, “Large, aggressive men swarm us…I don’t want a gang of shouting, arguing, law-breaking photographers to camp out everywhere we are.” This commentary will juxtapose the self-righteous performance of white celebrity "wokeness" with their own practice of racial aggression toward the laborers who work at the bottom of the Hollywood hierarchy. Ultimately this commentary will be a critical look at celebrity involvement in social justice that underscores their will to ignore their own involvement in systematic oppression, racism, and racialized violence.
Loading Preview
Sorry, preview is currently unavailable. You can download the paper by clicking the button above.
References (16)
- of a Nation. Directed by D. W. Griffith and Thomas Dixon, Jr. David W. Griffith Corp., 1915. Carroll, Bret, editor. American Masculinities: A Historical Encyclopedia. Sage, 2003.
- Coley, Jordan. "'I Take Responsibility' and the Limits of Celebrity Activism." New Yorker, 12 June 2020, https://www.newyorker.com/culture/cultural-comment/i-take-responsibility-and-the- limits-of-celebrity-activism. Accessed 15 Aug. 2020.
- Delgado, Richard, and Jean Stefancic, editors. Critical Race Theory: The Cutting Edge. Temple UP, 2000.
- D ıaz, Vanessa. "At the Margins of Celebrity Culture: Criminalizing the Latina/o Paparazzi of Los Angeles." Anthropology News, vol. 56, no. 11-12, 2015, pp. 31-32.
- ---. "Latinos at the Margins of Celebrity Culture: Image Sales and the Politics of Paparazzi." Contemporary Latina/o Media: Production, Circulation, Politics, edited by Arlene D avila and Yeidy Rivero, New York UP, 2014, pp. 125-45.
- ---. Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood. Duke UP, 2020. The Greaser's Revenge. St. Louis Motion Picture Company, 1914.
- Hit, Tarpley. "No One Will Take Responsibility for Hollywood's Embarrassing #ITakeResponsibility PSA." Daily Beast, 22 July 2020, https://www.thedailybeast.com/no-one- will-take-responsibility-for-hollywoods-embarrassing-itakeresponsibility-psa. Accessed 15 Aug. 2020.
- Holbrook, Colin, Daniel M. T. Fessler, and Carlos David Navarrete. "Looming Large in Others' Eyes: Racial Stereotypes Illuminate Dual Adaptations for Representing Threat versus Prestige As Physical Size." Evolution and Human Behavior, vol. 37, no. 1, 2016, pp. 67-78.
- Ledbetter, James. Unwarranted Influence: Dwight D. Eisenhower and the Military Industrial Complex. Yale UP, 2011.
- Lipsitz, George. The Possessive Investment in Whiteness: How White People Profit from Identity Politics. Temple UP, 2006.
- The Mask of Fu Manchu. Directed by Charles Brabin. Metro-Goldwyn-Mayer, 1932.
- Parada, Henry. "The Mestizo Refuses to Confess: Masculinity from the Standpoint of a Latin American Man in Toronto." Troubled Masculinities: Reimagining Urban Men, edited by Ken Moffatt, U of Toronto P, 2012, pp. 21-41.
- Rosa, Christopher. "Twitter Users Are Cringing at the 'I Take Responsibility' Campaign Featuring White Celebs Calling Out Racism." Glamour.com, 12 June 2020, https://www.glam- our.com/story/twitter-is-cringing-at-the-i-take-responsibility-campaign. Accessed 15 Aug. 2020.
- Rosa, Jonathan, and Vanessa D ıaz. "Raciontologies: Rethinking Anthropological Accounts of Institutional Racism and Enactments of White Supremacy in the United States." American Anthropologist, vol 122, no. 1, 2020, pp. 120-32.
- $ellebrity. Directed by Kevin Mazur. Run Rampant, 2012. The Sheik. Directed by George Melford. Paramount Pictures, 1921.
- Stern, M. @MarlowNYC. "Regret to inform you the celebs are at it again." Twitter, 11 June 2020, https://twitter.com/MarlowNYC/status/1271083755915149312?s=20\. Tony the Greaser. Directed by William F. Haddock. American Wild West Compamy, 1911. The Yellow Menace. Directed by Aubrey M. Kennedy. Serial Film Corporation, 1916.