A DOCUMENTATON AND EXPLORATION OF MUKKE-KA-KAAM: THE METAL EMBROIDERY OF RAJASTHAN (original) (raw)
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Since olden times, before 1948, Hill states of Punjab have been famous for its textile industry. The tradition of rumal (coverlet) embroidery was prevalent throughout this region. The most popular article made was embroidered coverlets and hangings known as dhkanu (square coverlets) or chhabu (circular coverlets) used for covering the ceremonial gifts as well as offerings made both for gods and rulers(1). In the first half of 19 th century, the embroidery activities declined in this region on withdrawal of patronage and radical political changes in the region. However, the tradition of embroidery was still continuing in Chamba but it lost its artistic element and reduced to mere embroidery (2). One of the significant factors declining the quality of embroidered products was deviation from traditional technique and decorative features seen in earlier artifacts. In present paper attempt was made to identify important characteristics of craft with respect to rumal and other articles made in embroidery. The significant findings were studied from photographs of museum pieces and personal collections. Technique was classified and studied with respect to stitch direction, filling stitches and outline stitches. Furthermore, ornamental features were also studied which were integral part of embroidery.
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Artisanal skills in India are recognized as beautiful reflection in hand made arts and crafts. The present study was an attempt to document the history, origin, motifs, tools, and equipment's used for embroidery practiced by Meghwal Community residing in Gujarat and Rajasthan. This type of embroidery is rare in its being; hence the main analysis of the study was to make people aware about Meghwal embroidery from the embroideries practiced by different communities. At present embroidery is mainly being practiced in two districts Bikaner (Rajasthan) and Kutch (Gujarat). A total sample comprised of 110 artisans of which 55 were from each district along with two NGO were selected one from each district. The sample selection criteria was determined by keep in view their involvement with Meghwal embroidery. According to the artisan, there was no significant difference in the embroidery practiced in Rajasthan and Kutch. The details of traditional style embroidery, as well as other information like existing motifs colour combinations, stitches, threads, and other raw materials was studied. According to the artisans and review of literature, Meghwal embroidery can be identified by its motifs and method of execution and motif development. The stitches are the same, but the identity of the embroidery practiced by the community is reflected in the methods of motif's development, the fabric and colour combination was changed according to the market demand.
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One of the most important elements that give the insight to ensure identity and dimension to the societies is the tradition of handicrafts. These valuable traditions, which have been inherited from generation to generation until today, are now on the verge of extinction because of globalization and developments in production technologies. Local, national and international precautions have been taken by today's societies to sustain and protect these valuable traditions. The purpose of this study is to analyze the past, present, and future of the art of thread-breaking (a specific type of metallic embroidery named 'Bartın işi') which is one of the valuable Turkish traditional handicrafts. For this purpose, five embroidery masters who perform this traditional art were interviewed with semi-structural interview forms. According to the findings obtained through these processes: Metallic embroidery masters learnt this art out of curiosity with internal motivation, they performed this art within the frame of neighborhood culture, the art is usually learnt through observations and trial-and-error processes rather than master-apprentice relationship and there have been changes over time in the variety of the instruments and motifs used in the making of these embroideries and the areas of use. On the other hand, it was observed that the art of metallic embroidery has been mostly performed by individuals over middle age and today the young show little interest in this art. Participants of the study emphasized that it is necessary to support and increase the local and international advertising and educational activities to popularize this valuable art tradition.
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India is a country with rich heritage of traditional textiles. It is a cluster of art and crafts of various communities and tribes. Tribal textiles are distinguished by their one-of-a-kindness, which reflects racial feelings and cultural identity. “Dongria Kondh” is a tribe from Odisha, lives on the hills of Niyamgiri, particularly on Rayagadha district. The importance of this community is that their arts and crafts reflect the importance of the mountains strain. The triangular design on the walls of the village and the colourful cloth embroidery they wear called "Kapda Gonda”. The design for adornment of kapda gonda reflects with the ethnic identity. The research process includes ethnographic investigation to profile social and cultural importance of Kapda Gonda in the form of interview of artisans for the process and embroidery involved in “Kapda Gonda”. The main purpose of the study is to provide training to the artisans to explore new ways of design intervention in the patt...
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