Breaking the Mirror Refractions of Kingliness in Shakespeares Second Tetralogy (original) (raw)

This essay explores the theme of imaging as realized through the concept of mirrors in Shakespeare's second tetralogy, from Richard II to Henry V. The narrative arc corrects the disequilibrium caused by Richard's abdication, with various characters including Henry IV, Prince Hal, and Hotspur serving as reflections of kingliness. The analysis highlights how the symbol of mirrors encapsulates both the ideal and reality of kingship, as well as the restoration of order through the divine sanction achieved by Henry V.