Performing the King Divine: The Early Modern Spanish Aulic Festival by Lucas A. Marchante Aragón (original) (raw)
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This paper explores the intricate relationship between early modern Spanish court theater and the processes of legitimizing monarchal power, focusing particularly on the role of the Habsburg dynasty. By analyzing performance spaces, architectural design, and theatrical productions, it argues that these elements were not merely entertainment but key components in crafting a divine narrative around the monarchy. Such performances and associated ceremonies served to reaffirm dynastic succession and present the king as a divinely ordained ruler, thereby permanently altering perceptions of royal authority in Spain.
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