The Application of Local Concepts on Herman Thomas Karsten's Town Planning (original) (raw)
Related papers
The role of localities in karsten’s works in architecture and city of Semarang
IOP Conf. Series: Earth and Environmental Science, 2018
Herman Thomas Karsten architectural masterpiece becomes objects of cultural heritage that must be appreciated, it covers town planning and architectural design. On progress, Karsten's masterpiece hasn't changed much as a result of globalization that hits Semarang city; his masterpiece is considered well, valued by the society, it is possibly because of the conceptual approach that prioritizes and blends the local aspects of wealth. Collecting data including literature study, synchronic and diachronic method, will produce a red thread ideology that influences Karsten's way of thinking. History shows, the architectural work that survives is that have the local aspect in the concept of planning. Through the literature review of the Theory of the City and Local Aspects, and by taking the case on the cities of Karsten design, there will be a relation between the Local Aspect and the Concept of Town Planning by Karsten. Case Study in Semarang city, which is also the best or the most completed masterpiece of Karsten, becomes a reference that corresponds to the literature study, so we get the scope of the local aspect that consists of Place, People and Period always related with cultural, social and economic aspect, and all of these have correlation with the town planning and architectural work of Karsten. Keywords: town planning, architectural design, local aspect.
Karsten’s Work as a City Branding Strengthener for The Semarang City, Indonesia
Journal of Architecture and Human Experience
Currently the City of Semarang, Indonesia, is trying to have a BRAND which is expected to be able to show the potential of Semarang city. Semarang city is one of the cities in Indonesia which in planning the development of the form of town planning, was planned by a city planner who is also an architect named Ir. Herman Thomas Karsten. Karsten has a lot of architectural works in Semarang city, ranging from buildings that function as houses, offices, to other public buildings such as schools, markets, theater, office building, housings, and hospitals. Karsten's architectural works are known to be comfortable to view or use for their activities. This is shown by the many works of Karsten which are still being used well by building users. This study aims to reveal the potential of the city of Semarang related to the urban cultural heritage of Karsten's work. This research will provide benefits for the stakeholders of the Semarang City in determining the city branding of Semaran...
Historic urban fabric : source of inspiration for contemporary city form
1995
Our approach to the crises in the contemporary city is architectural understanding: the 'essence' of the historic urban fabric as a determinant, an inspiration-source for design and future city form. The aim of this study is to give a new perspective to the question of design in the contemporary context of the historic city with reference to Istanbul and especially its suburb, Eyup (Holy Shrine). In relatively recent times, the historical symbiosis between man and his environment; both natural and built, has been disregarded in the process of city making, which has caused catastrophic environmental problems in varying degrees in different countries. We discuss that, among many problems, the degradation of architectural quality and vision accompanied by the dilemma of cultural identity is one of the major aspects of historic Turkish cities, like many others in the developing world, and apparently will continue into the future. This phenomenon is investigated in Istanbul, the ...
Sustainability, 2023
This study problematizes a case where the interpretation of local architectural types by a designer forms a new vernacular architecture that shapes the sphere of a newly developing small town towards one that became sustainable. The house built by Nail Cakirhan for himself in Akyaka (Turkey) opens up a new future in front of the small village of then, towards becoming a touristic center with a specific architectural language of its own. Cakirhan designs his house by interpreting the traditional houses of his hometown, Ula, which is only a few kilometers away from the village of Akyaka. The design of the house initiates the formation of a unique architectural language for Akyaka, which gradually evolves into a new vernacular architecture. Since then, this invented architectural tradition has both transformed the village into a popular touristic town and also initiated a sustainable approach due to its sensitivity for the cultural and natural assets of the context. This architectural language is protected by the master development plan now, and the town is declared as a ‘slow-city’ due to its culturally and environmentally sensitive character. In order to portray this development, this study will first examine Cakirhan’s house in relation to its referential and actual contexts, then it will observe the development of the town of Akyaka by means of looking at Cakirhan architecture in Akyaka, the master development plan of Akyaka that protects the architectural language, and the development of the town as a sustainable, slow-city. The portrayal of the architectural development of Akyaka could demonstrate how a fairly recent architectural practice can today result in the development of a sustainable and harmonious architectural environment.
I Kadek Pranajaya, 2019
Architecture is an expression of the culture of the community in which they are located. In development, there will be changes in concepts, forms, materials and technology. Architecture combines a variety of contradictory things, or other diversity between nature and technology, the past with the future. Every place and region has different characteristics because it accommodates diversity by maintaining the locality that has been inherited by our predecessors is a must for architects. The locality of ethnic architecture that we have makes it the basis for us to learn what lies behind the formation of the architecture, so that it can survive until now and in the future. There needs to be a way to bridge differences in regional, cultural and other characters. Hybrid Balinese and modern architecture is a combination of something that has a difference or the result of architectural crossing. This paper will look at and reveal some forms of hybrid architectural work between Balinese and Modern Architecture in Denpasar City as a manifestation of current cultural developments and how to do so that the principles of Traditional Balinese architecture can be maintained. The research method used is deskritif-qualitative method. Data collection is done by direct observation in the field, then a literature review and documentation are carried out to obtain accurate, clear and accurate data. Methods of data analysis with data reduction, presentation and conclusion. Data presentation techniques are carried out in a narrative and descriptive manner in the form of images, photos and maps
ARCHITECTURE HERITAGE and DESIGN WORLD HERITAGE and KNOWLEDGE Mercanti Vie Le dei
The borough of Bromley located in the south-east of cen¬tral London is one of the thirty-seven Opportunity Areas that the London Plan of 2011 identifies as the new places for urban planning. The territorial development strategy proposed by the plan aims to recompose the urban fa¬bric through the design and the construction of new public spaces. A systematic and careful urban planning of these places was the starting point for the design choices and allowed to identify the key elements for the definition of the masterplan for the Bromley Borough. The urban de¬sign proposed aims to promote a landscape project that can be both innovative and replicable and that, through the configuration of a “green district”, gives the possibi¬lity to increase the values of natural biodiversity within the urban space recovering and regenerating empty and abandoned places and creating a network of relationships between the green, blue and red infrastructures and the complex system of public spaces. A city drawing/design aimed at the achievement of the principle of urban resilience, whose ecological and anthropogenic components are essential and interconnected between them.
bib.irb.hr
Probably, the greatest and gravest change in the recent past that deserves attention is the destruction of urbanism. Therefore, the crucial question is how to achieve urban context value that would both enhance local character and reinforce a sense of community. The context value refers to preservation of urban spaces i.e. the urban culture of the city that enables continuity which is proven to be desirable characteristic of cities. Nevertheless, urban problems cannot be solved exclusively by architecture (or urban design) as a medium of direct communication but more likely by a social and economic process of which architecture is only a part. Today, we are aware that the idea, the concept, is more important than physical form. The fact is that architecture and urbanism form a part of "living" heritage areas that calls for a highly developed heritage protection and management systems in place. Perhaps concentrating on «material evidences» to be «preserved» is an inappropriate appraoch to a theme chiefly characterized by its volume of output. Instead, might it not be better to consider its residue as «resources» to be «revalued»? Along with the weak legal protection and under representation of the urban tissues of our cities, other threats such as environmental degradation, pollution, infrastructural development continue to affect the state of its conservation. We should move away from revering buildings and cities as vessels of culture towards revaluing them as a social resource, thereby aquiring more, and firmer, handholds on the realities of urban life. So much depends upon how we see, and with to see, our towns and cities. The representation of the contemporary city is no longer determined by a succession of streets and avenues. The critical issue is: How much of the original needs to be retained in order to preserve the integrity of the urban landscape as originally realized?