Media’s Law From Representation to Affect (original) (raw)

Bioscope: South Asian Screen Studies, 2011

Abstract

This article explores the relationship between law, aesthetics, and film theory with a particular focus on how affective relations and intensities define the encounter between law and cinema. It considers the longer history through which law has come to deny the significance of emotions, sense-perception, aesthetic discernment, and sexuality in its deliberations. It challenges such a disavowal in several ways,

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