Third-millennium BC clay figurines from Tell Djassa el Gharbi, Tell Abu Hafur and Tell Rad Shaqrah (Syria) (original) (raw)
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Middle Bronze Age (hereafter MBA) clay figurines from inner Syria represent a valuable chronological indicator, since they are one of the most typical classes of Old Syrian material culture, besides representing a mean of visual communication. After the recent study and classification of Old Syrian choroplastic, they can now be dated within narrow relative chronological limits. In the present paper, only those clay figurines from excavations in Syria and northern Palestine which are useful, on the basis of their retrieval context, for building a detailed relative stratigraphy have been taken into consideration, details about their dating and description having been discussed elsewhere, together with a complete catalogue of the choroplastic assemblages from north Syrian sites. 1
Polish Archaeology in the Mediterranean 22 (Research 2010)
The collection of 2nd millennium BC anthropomorphic figurines from Tell Arbid, a site in the Khabur river basin in northern Mesopotamia, comprises just eight specimens, but it introduces some new types of representations that have not been attested so far in the region. A comparison with figurines of the 3rd millennium BC illustrates changes in the anthropomorphic minor arts of the time. Finally, some of the figurines seem to attest to the presence of motifs deriving from outside of Mesopotamia, from the Levant and Anatolia, in the iconography of the region.
2017
This is a study concerning the Iron Age coroplastic production in the Northern Levant. The research is mostly based on new data gathered from the Joint Turco-Italian Expedition at Karkemish (Gaziantep, Turkey). Figurines presented in this study are limited to the 2011-2015 excavation seasons and they are analyzed from a range of aspects. The work in fact primarily focuses on contextual data, being the starting point for the research. A preliminary typological and chronological framing is also provided, while a tentative functional interpretation is suggested by means of a careful examination of the local iconographic and written repertoires. Furthermore, ethnographic comparisons are sometimes used in order to better define the semantic meaning beyond this production. Comparisons with other key sites located in the Middle Euphrates basin are also presented with the main aim to define a peculiar regional pattern. A minor part of this dissertation is also dedicated to the study of the coroplastic art in the entire northern Levantine region. The aim, in this case, is evidently that of identifying different regional productions, which at the state of the research could be traced back just for a few regions. Thus new important data are provided for the Amuq Plain, the Islahiye Valley and the rest of Inner Syria.
The collection of clay zoomorphic figurines from Tell Arbid, a site in the Khabur river basin in northern Mesopotamia, comprises nearly 600 specimens, dated mainly to the 3rd and first half of the 2nd millennium BC. It consists of solid figurines and the much less numerous wheeled figurines and hollow figurines/zoomorphic vessels, as well as a single rattle in the form of a zoomorphic figurine. The animals represented include chiefly equids, sheep, goats, cattle, dogs and birds. The find context usually does not permit anything but a very broad dating, but an analysis of details of execution makes it possible to establish the chronology of particular objects. Identified chronological assemblages illustrate the character of zoomorphic representations in particular periods. A comparative analysis reveals, among others, diachronic changes in the popularity of representations of particular kinds of animals. These changes are considered in comparison with the results of an examination of the osteological material in an effort to observe whether they could reflect processes taking place in the animal economy of Tell Arbid.