"The Aesthetics of Scholarship: Weng Fanggang and the Cult of Su Shi in Late Eighteenth-Century Beijing" (original) (raw)

The Story of a Stone: Mi Fu's Ink-Grinding Stone and its Eighteenth-Century Replications

Michele Matteini

Arts Asiatiques, 2017

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Ming Palace and Tomb in Early Qing Jiangning: Dynastic Memory and the Openness of History

Jonathan Hay

1999

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“Han Steles: How To Elicit What They Have to Tell Us.” In Cary Y. Liu ed., Re-Envisioning Culture: Ideals, Practices, and Problems of the ‘Han Dynasty Wu Family Shrines.’” (Princeton: Princeton Art Museum, 2008). 180-195.

Miranda Brown

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A Forgery and the Pursuit of the Authentic Wang Xizhi

Hui-Wen Lu 盧慧紋

Visual and Material Cultures in Middle Period China, edited by Patricia Ebrey and Shih-shan Susan Huang, 2017

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"The Anxiety of Influence: (Mis)reading Chinese Art in Late Chosŏn Korea (1700–1850)," Art Bulletin 97, no. 3 (2015): 301–322.

J.P. Park

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Early-China-Magi.pdf

Mind Space Apocalypse

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The Inscription of Remnant Things: Zhang Dai’s “Twenty-Eight Friends”

Tom Kelly

Late Imperial China, 2021

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Travel Writing and Cultural Memory in Late-Ming Beijing: The Case of A Sketch of Sites and Objects in the Imperial Capital (Dijing jingwulüe, 1635)

Naixi Feng

Journal of the American Oriental Society , 2022

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BURIED AND CAMOUFLAGED WRITING IN EARLY CHINA

Haicheng Wang

The Hidden Language of Graphic Signs, 2021

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Inscriptions from Zhongshan: Chinese Texts and the Archaeology of Agency

Haicheng Wang

Agency in Ancient Writing, 2013

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Yunchiahn C. Sena, Bronze and Stone: The Cult of Antiquity in Song Dynasty China

Ya Zuo

East Asian Science, Technology, and Medicine, 2022

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The Yi'nan Tomb: Narrative and Ritual in Pictorial Art of the Eastern Han (25-220 C.E.)

Lydia Thompson

1998

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David Schaberg A Patterned Past: Form and Thought in Early Chinese Historiography,

James A Benn

Journal of the Royal Asiatic Society, 13/3, 419–21., 2003

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Workshop Report: “On Commemorative Inscription”: Fourth Workshop of the New Frontiers in the Study of Medieval China, Reed College, May 17–19, 2018. Tang Studies 36 (2018): 150–154.

Jessey J.C. Choo 朱雋琪, Alexei Ditter 迪磊

Tang Studies, 2018

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Ritual, Text, and the Formation of the Canon: Historical Transitions of "Wen" in Early China

Martin Kern

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Lin, Li-chiang, “A Study of the Xinjuan hainei qiguan, a Ming Dynasty Book of Famous Sites,” in Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, ed. Jerome Silbergeld, Dora C.Y. Ching, Judith G. Smith, and Alfreda Murck (Princeton: P.Y.and Kinmay W. Tang Center for East Asian Art, Princeton University in association with Princeton University Press, 2011), pp.779–812.

Li-chiang LIN 林麗江

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" Patterning Meaning " : A Thick Description of the Tsinghua Manuscript " *Tang zai Chi/Di men " (Tang was at the Chi/Di Gate) and What It Tells Us about Thought Production in Early China

Dirk Meyer

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Workshop Report: Sixth Workshop of the New Frontiers In the Study of Medieval China: on Commemorative Inscriptions, Rutgers University, May 17–18, 2024

Jessey J.C. Choo 朱雋琪

T'ang Studies, 2024

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“Texts and authors in the Shiji.” In Nylan, Michael, and Michael Loewe, eds. China’s Early Empires: A Re-appraisal, 461-79. University of Cambridge Oriental Publications 67. Cambridge: Cambridge University Press, 2010.

Griet Vankeerberghen

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Review of The Social Life of Inkstones: Artisans and Scholars in Early Qing China

Lin Hang

Material Culture, 2019

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Dorothy Ko: The Social Life of Inkstones: Artisans and Scholars in Early Qing China. (A William Sangki and Nanhee Min Hahn Book.) xii, 315 pp. Seattle and London: University of Washington Press, 2017. $45. ISBN 978 0 295 99918 0

Dagmar Schäfer

Bulletin of the School of Oriental and African Studies, 2019

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Review of Nick Pearce and Jason Steuber, eds., Original Intentions: Essays on Production, Reproduction, and Interpretation in the Arts of China (Gainesville, FL: University Press of Florida, 2012) in Journal of Asian Studies 73, no. 1 (2014), pp. 223–25.

Cary Liu

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Dorothy Ko, The Social Life of Inkstones: Artisans and Scholars in Early Qing China. Seattle: University of Washington Press, 2016. xii, 330 pp. Illustrations (color and b/w), Maps, Tables, Bibliography, Glossary, Index. US$ 45 (HB). ISBN 978-0295999180

Dagmar Schäfer

Monumenta Serica, 2018

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Dagmar Schäfer

East Asian Science, Technology and Society: An International Journal , 2011

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Special Topics in/Introduction to Dunhuang Studies and Art, Graduate Seminar, Peking University, Department of South Asian Studies, Fall/Spring, 2021-2022

Michael Cavayero

Peking University, 2021

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Two Studies in Shang Chronology and Warring States Historiography

Jao Tsung-I Academy of Sinology HKBU

關於商代年代學和戰國史學的兩個問題

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Luke Waring

T'oung Pao , 2020

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Let the dead bury their dead: the confinement of the tomb in the Eastern Han Period

Marianne Bujard

Collège de France eBooks, 2023

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Paolo Santangelo

MING QING STUDIES, 2018

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A Translation and Analysis of the Shanghai Museum Manuscript Wu Wang Jian Zuo

Boqun Zhou

Monumenta Serica, 2018

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Writing and Materiality in the Three Han Dynasty Tombs at Mawangdui

Luke Waring

PhD dissertation, Princeton University (Department of East Asian Studies), 2019

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The Death of an Artisan: Su Shi and Ink Making

Tom Kelly

Harvard Journal of Asiatic Studies, 2020

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Exploring China's Past: New Discoveries and Studies in Archaeology and Art

Sajid Rizvi

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Introducing The *Wu ze you xing tu Manuscript from Mawangdui

Luke Waring

Early China, 2020

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The Substance of Fiction: Literary Objects in China 1550-1775 by Sophie Volpp

Wenting Ji

Journal of Chinese History, 2023

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