Giovio's Puns and Vasari's Curly Tuft, in "Renaissance Studies in Honor of Joseph Connors", Villa I Tatti Series 29, 2013 (original) (raw)

Related papers

«Vasari, Paolo Giovio, le collezioni di ritratti e la retorica delle immagini», Giorgio Vasari e la nascita del museo, Atti del Convegno, Edifir, Florence (2012), pp. 61- 69 (in english, in Giorgio Vasari and the birth of the Museum, London, Ashgate, 2014)

Review of Gregorio Comanini, The Figino, or On the Purpose of Painting: Art Theory in the Late Renaissance, trans., with introduction and notes, by Ann Doyle-Anderson and Giancarlo Maiorino (Toronto, 2001), in: Renaissance Quarterly, LVI (2002), pp. 773-774.

Renaissance Quarterly, 2002

Collecting Titian, Tintoretto, and Veronese in Sixteenth- and Seventeenth-Century Venice: Originals, Copies, and “Maniera di”, in Titian, Tintoretto, Veronese. Rivarly in Renaissance Venice, catalogue of exhibition, ed. by F.Ilchmann, Boston 2009, pp. 61-71 e 268-271