Can art contribute to the research on multisensory processes (original) (raw)
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In Search of the 'Third Form' - the Use of Multimodal Perception in Artworks
Presented at Sight, Sound Space and Play 2011, DeMontfort University Leicester, 7-10 June 2011. Gallery art has traditionally focussed on a single sensory modality; hearing in the case of music, vision in painting and in sculpture, sometimes with the addition of touch (when the guard is in the other room). This paper considers a number of artworks which use audio and visual modalities simultaneously, so called 'multimodal' or 'multisensory' works; how the senses are combined, and more importantly what is achieved by doing so.
Perceptual Processes and Multisensoriality
Projective Processes and Neuroscience in Art and Design
Perception seems to be an overly discussed subject in theories of Art, giving us the impression that there is nothing new to add. So much research and so many conceptions have been developed on the subject. Nevertheless, many holes can be perceived in these theories with regard to the mental process that operates in the perception phenomena. We have chosen to look to neuroscience for possible answers to these holes. In this paper, based on the knowledge of Vilayanur S. Ramachandran and António Damásio, among others, we focus on that which we are emphasizing as “perceptual processes”. We will restrict ourselves herein to the perceptual processes of a multisensory nature that take place in the perceivers' relationship with the artworks, which contain multimodal stimuli, promoted by physical and digital interfaces of an assistive nature. Said perceivers, however, are both people with severe motor and vocal disabilities as well as those without these restrictions.
Two sciences of perception and visual art
Two kinds of vision science are distinguished: a representational versus a nonrepresentational one. Seeing in the former is conceived of as creating an internal replica of the external world, while in the latter seeing is taken to be a process of active engagement with the environment. The potential of each theory for elucidating artistic creation and aesthetic appreciation is considered, neces- sarily involving some comments on visual consciousness.
With a Call for Essays, the special issue Multimodality sought contributions that accept not only the material but also the body-bound dependence of media perception and understanding. To this end, contributions were included that shed light on both the structural and signifying potential of artistic works through multimodal analysis. Particular attention was paid to contributions that clarify how the structural features - the modes - of the arts, their perception, and their signifying potential in terms of content are interrelated and how they are to be understood in communicative and thus socioculturally relevant terms. Thus, in addition to neuroscientific contributions, those from cultural anthropology, art history, image and art studies, and literary studies were included.
"Haptic Optic" and Non-visual Perception in Art of the 20th and Early 21st Centuries
American Journal of Art and Design, 2022
Multisensory approaches to contemporary art have become more popular in museums, galleries, and independent projects. This tendency indicates that in the arts, vision is losing its position at the head of the hierarchy of senses. Now, every sense can provide a conceptual message. This paper explores the relationship between visual and non-visual perception in a historical context. Starting with the revolutionary experiments of Dada, Surrealism, Futurism, and the Russian avant-garde, the first experiments in the 20th century were connected with the search for a new vision, helped along by critics of "retinal" art.
The perception of art and the science of perception
For many centuries, artists have studied the nature of visual experience and how to convincingly render what we see. The results of these investigations can be found in all the countless artworks deposited in museums and galleries around the world. Works of art represent a rich source of ideas and understanding about how the world appears to us, and only relatively recently have those interested in the science of vision started to appreciate the many discoveries made by artists in this field. In this paper I will discuss some key insights into vision and perception revealed by artists, and show how they can help current thinking in science and technology about how best to understand the process of seeing. In particular, I will suggest some artistic ideas continue to present fundamental challenges to conventional ideas about the nature of visual experience and how it is represented.
The Art and Philosophy of Perception
Pencilbrains,llc, 2020
Abstract The Art and Philosophy of Perception: Empirical Observation, Information Conservation, and Consciousness explores the intricate relationship between perception, art, and philosophy through a multidisciplinary lens. This book delves into the role of empirical observation and the fluidity of behavior as foundational elements in both artistic creation and philosophical inquiry. It examines how these concepts shape our understanding of reality and influence our interpretation of art. The book starts with a discussion on the vital role of empirical observation in capturing the essence of human experience and how it impacts behavior in artistic and philosophical contexts. It then highlights the influence of African art on Picasso's work, illustrating the significance of empirical observation in the acquisition of knowledge and artistic innovation. A key focus of the book is the principle of information conservation, which underscores the importance of preserving and interpreting information across different mediums and contexts. This leads into a broader discussion on the relationship between perception, time, information, and symbolism in shaping our understanding of reality. Further, the book explores speculative thought as a means of accessing and analyzing human consciousness, and concludes with an examination of the Axial Age—a period of profound transformation in religion, philosophy, and cultural exchange. By weaving together these themes, the book offers a comprehensive analysis of how perception and information shape both artistic expression and philosophical thought, providing valuable insights into the nature of consciousness and reality.