PhD Art History & Biblical Studies, and Fine Art (original) (raw)

Externally Examined Doctoral Students: Kathryn Hughes, ‘Bio-rhythms/Digi-rhythms: Synthesizing the Digitally-Mediated Body Through Performative Methodologies’, University of Wales Trinity St David, (2020) (PhD); Shoena Beaumont, ‘The Bible in/as Photography: Towards a Photo-Biblical Hermeneutic’, University of Cheltenham and Gloucester, (2017) (PhD); Richard Monahan, ‘‘Drawing Conclusions: An Investigation into the Possibility of Discernible Influence of Drawing Within Other Art Practice’, Trinity College St David’s, Swansea (2016) (PhD); Philip Jacob’s, ‘Reception History of Joseph the Carpenter’, Department of Theology and Religious Studies’, Bangor University, (2013) (PhD); Geraint Davies, ‘Numbers, Dimensions, Perceptions: Resonances from Dürer’s Melencholia I’, School of Art, University of Newport, (2012) (PhD); Su-Lien Hseih, ‘Buddhist Meditation as and in Art Practice’, Department of Art, University of Northumbria, (2010) (PhD); Benjamin Morse, ‘The Bible and Its Modern Methods: Interpretation Between Art and Text’, Department of Theology and Religious Studies, University of Glasgow, (2008) (PhD); Donald Orr, ‘Into the Light’, Department of Theology and Religious Studies, University of Glasgow, (2008) (PhD)