“Democracy, Performativity and Public Space in Mexico, 1968-2008-2012,” (original) (raw)
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Como resultado del desarrollo de tecnologías digitales, la producción, edición y publicación de fotografías está plenamente incorporada a nuestra vida diaria. Cotidianamente, usamos las imá- genes como lenguaje para describir, comentar, interpretar, reír, cautivar o ridiculizar a otros. Sin embargo, se ha prestado poca atención a la forma en que estas tecnologías se han incorporado a los métodos de investigación. La palabra sigue siendo la fuente hegemónica de los códigos y de las categorías usadas para analizar y debatir en la comunidad académica. Durante nuestra investigación sobre prácticas performativas descubrimos en el Desfile del Orgullo Gay de Santia- go un fenómeno visual que es imposible de describir sólo con palabras. Esto nos llevó a abordar metodológicamente nuestro campo de estudio utilizando el diseño, los medios digitales y foto- grafías. Creemos que un fenómeno eminentemente visual, como la apropiación performativa de los espacios públicos, debe ser estudiado con un método que preserve la riqueza del espectáculo y que permita la coherencia narrativa.