The contribution of the "greek" Rome to the formation of post-iconoclastic iconography (original ) (raw )THE EVOLUTION OF CHRISTIAN ICONOGRAPHY IN THE VI-VII CENTURIES
Cristian Gagu
Icoana Credinței, 2024
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From "Icons in Space" to Space in Icons: Pictorial Models for Public and Private Ritual in the Thirteenth-Century Mosaics of San Marco in Venice" in Alexei Lidov. ed., Hierotopy. Comparative Sutdies of Sacred Spaces (Moscow: Indrik, 2009)
Thomas Dale
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Theotokos: Temple of God. A new 18th century Greek icon on the Presentation of Our Lady in the Temple
Miguel Galles Magri
Религија. Зборник на трудови од Осмиот меѓународен симпозиум за византиски и средновековни студии „Денови на Јустиниjан I“, Скопје, 13-14.11.2020 г., 2021
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“Experiencing miraculous icons in Byzantium: the examples of the icon of the ‘Usual Miracle’ and the Hodegetria in Constantinople”
Maria Parani
In Visibilité et présence de l’image dans l’espace ecclésial. Byzance et Moyen Âge occidental, ed. S. Brodbeck and A.-O. Poilpré, with the assistance of M. Stavrou, Byzantina Sorbonensia 30 (Paris: Éditions de la Sorbonne), 2019
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The Images of the Church
Lasse Hodne
The Images of the Church, 2003
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The State of Early Christian Iconography in the Twenty-First Century
Bente Kiilerich
Studies in Iconography, 36, 2015, 99-134.
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Images in Churches in Late Byzantium: Reflections and Directions
Sharon E . J . Gerstel
VISIBILITÉ ET PRÉSENCE DE L'IMAGE DANS L'ESPACE ECCLÉSIAL Byzance et Moyen Âge occidental , 2019
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The Imperial Theotokos: Revealing the Concept of Early Christian Imagery in Santa Maria Maggiore in Rome, Convivium II/2 (2015), pp. 60-81.
Maria Lidova
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The rendering of Christ in the Temple icon of the Theotokos: a gaze from the fourth century. Part two (extended version)
Elena Ene Draghici-Vasilescu (see also Elena Ene D-Vasilescu)
Mirabilia Ars 12/1, pp. 1-9, 2020
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Bolgia C., ‘Icons “in the Air”: New Settings for the Sacred in Medieval Rome’,
Claudia Bolgia
in P. Davies, D. Howard and W. Pullan (eds), Architecture and Pilgrimage, 1000-1500: Southern Europe and Beyond, Aldershott, Ashgate 2013, pp. 114-142
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Out of Necessity comes Virtue: A preliminary Index of "hagiographical Icons" in the Byzantine and Medieval Wall-Painting in Southern Italy
Lorenzo Riccardi
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The Epiphany of the logos in the Ambo in the Rotunda (Hagios Georgios) in Thessaloniki
Nino Zchomelidse
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The Iconography of Text: The Placement of an Inscription on a Middle Byzantine Reliquary
Brad Hostetler
Eastern Christian Art, 2011
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Painted Iconographical Programs in Late Antique and Early Medieval Churches: Continuities and Ruptures with Greco-Roman Decors (3rd century A.D. - 6th century A.D.)
Martijn Stoll
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Revealing the Sacred: the Icon of Christ in the Sancta Sanctorum, Rome
Kirstin Noreen
Word & Image, 2006
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The representation of donors and holy figures on four Byzantine icons
Nancy P . Sevcenko
Deltion of the Christian Archaeological Society 4:17, 157-64, 1994
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Imago Dei: The Byzantine Apologia for Icons. By Jaroslav Pelikan. The A. W. Mellon Lectures in the Fine Arts, 1987. Bollingen Series XXXV.36. Princeton, New Jersey: Princeton University Press, 1990. xii + 196 pp. $39.95
Joseph Trigg
Church History, 1994
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Ἄρατε πύλας (psalm 23[24], 7-10). The Iconography of Christ opening Hades’ Doors. Patterns-Models-Drawings, International Conference Art Readings 2019, 5-7 April, Sofia
Ilias Karalis
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Looking with Words and Images: Staging Monastic Contemplation in a Late Byzantine Church
Rossitza Schroeder
Word and Image 28.2, 2012
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Iconographic Interpretation of the Temple as a Theological Symbol in Images of the Annunciation of the 14th and 15th Centuries
José María SALVADOR-GONZALEZ
Fenestella. Inside Medieval Art, 2020
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The "Double Apostolate" as an Image of the Church. A Study of Early Medieval Apse Mosaic in Rome.
Lasse Hodne
Acta ad archaeologiam et artium historiam pertinentia, No. 20/6, pp. 143-162, 2007
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THE ART OF ICON IN THE CONSTANTINIAN ERA -PATRISTIC FOUNDATION OF THE ICON
Cristian Gagu
Icoana Credinței, 2024
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The Acropolis Basilica church, Sparta: the broader research issues
Rebecca Sweetman
Sparta and Laconia: from prehistory to pre-modern, 2009
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"Icons in the Devotional Practices of Byzantium" in Anastasia Drandaki et al. (eds), Heaven and Earth: Art of Byzantium from Greek Collections, exh. cat. The National Gallery of Art, Washington and the J.P. Getty Museum, Los Angeles (Athens 2013), pp. 109-114
Anastasia Drandaki
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The Virgin of the Passion: Development, Dissemination and Afterlife of a Byzantine Icon Type
Matthew Milliner
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Placing Martyrs in the Apse: Visual Strategies for the Promotion of Saints in Late Antiquity, in Interacting with Saints in the Late Antique and Medieval Worlds, ed. by Robert Wiśniewski, Raymond Van Dam and Bryan Ward-Perkins (Turnhout: Brepols, 2023), pp. 47-78..
Maria Lidova
2023
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"A Monument of His Own? An Iconographic Study of the Wall Paintings of the Holy Trinity Parakklesion at the Monastery of St. John Chrysostom, Koutsovendis (Cyprus)", Studies in Iconography 39 (2018), 1-85.
Maria Parani
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[with T. Papamastorakis], Picturing the Spiritual Protector: from Blachernitissa to Hodegetria, in M. Vassilaki (ed.), Images of the Mother of God. Perceptions of the Theotokos in Byzantium (Ashgate: Aldershot 2005)
Christine Angelidi
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12.2.1 The Representation of Christ in the Apses of Early Christian Churches, Gesta 37, 1998, 63-73
Jean-Michel Spieser
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THE ICONOGRAPHY OF MIRACLES IN CHURCHES IN THE PREFECTURE OF KOZANI DURING THE 18 TH AND 19 TH CENTURY
Maria Tsiapali
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Disturbed Orders. Architectural Representations in Saint Mary Peribleptos as Seen by Ruy González de Clavijo
Mabi Angar
O. Heilo/I. Nilsson (eds.), Constantinople as Center and Crossroad (Uppsala, 2019), 116-141, 2019
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The Mosaic at the Entrance of the Episcopal basilica in Heraclea Lyncestis: Its Didactical Charge and Ritual Impact over the Congregation, Folia Archaeologica Balkanica III, Faculty of Philosophy Publishers, Skopje 2015
Elizabeta Dimitrova
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Transcendental Byzantine Body: Reading Dionysius the Pseudo-Areopagite, Gregory of Nyssa and Plotinus in the Unfolded Marble Panels of Hagia Sophia
Ouresis Todorovich / (Uros T. Todorovic)
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Decoration and Display in the Roman Civic Basilicas, in A. Dell’Acqua, O. Peleg-Barkat (eds.), The Basilica in Roman Palestine. Adoption and Adaption Processes, in Light of Comparanda in Italy and North Africa, Quasar, Roma 2021, pp. 19-44
Matteo Cadario
The Basilica in Roman Palestine. Adoption and Adaption Processes, 2021
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Displaying an Icon: The Mosaic Icon of Saint Demetrios at Sassoferrato and its Frame
Martin Dennert
Antje Bosselmann-Ruickbie (ed.), New Research on Late Byzantine Goldsmiths’ Works (13th-15th Centuries) / Neue Forschungen zur spätbyzantinischen Goldschmiedekunst (13.-15. Jahrhundert), Byzanz zwischen Orient und Okzident 13 (Mainz 2019) 43-53
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