The contribution of the "greek" Rome to the formation of post-iconoclastic iconography (original) (raw)

THE EVOLUTION OF CHRISTIAN ICONOGRAPHY IN THE VI-VII CENTURIES

Cristian Gagu

Icoana Credinței, 2024

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From "Icons in Space" to Space in Icons: Pictorial Models for Public and Private Ritual in the Thirteenth-Century Mosaics of San Marco in Venice" in Alexei Lidov. ed., Hierotopy. Comparative Sutdies of Sacred Spaces (Moscow: Indrik, 2009)

Thomas Dale

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Theotokos: Temple of God. A new 18th century Greek icon on the Presentation of Our Lady in the Temple

Miguel Galles Magri

Религија. Зборник на трудови од Осмиот меѓународен симпозиум за византиски и средновековни студии „Денови на Јустиниjан I“, Скопје, 13-14.11.2020 г., 2021

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“Experiencing miraculous icons in Byzantium: the examples of the icon of the ‘Usual Miracle’ and the Hodegetria in Constantinople”

Maria Parani

In Visibilité et présence de l’image dans l’espace ecclésial. Byzance et Moyen Âge occidental, ed. S. Brodbeck and A.-O. Poilpré, with the assistance of M. Stavrou, Byzantina Sorbonensia 30 (Paris: Éditions de la Sorbonne), 2019

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The Images of the Church

Lasse Hodne

The Images of the Church, 2003

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The State of Early Christian Iconography in the Twenty-First Century

Bente Kiilerich

Studies in Iconography, 36, 2015, 99-134.

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Images in Churches in Late Byzantium: Reflections and Directions

Sharon E . J . Gerstel

VISIBILITÉ ET PRÉSENCE DE L'IMAGE DANS L'ESPACE ECCLÉSIAL Byzance et Moyen Âge occidental , 2019

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The Imperial Theotokos: Revealing the Concept of Early Christian Imagery in Santa Maria Maggiore in Rome, Convivium II/2 (2015), pp. 60-81.

Maria Lidova

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The rendering of Christ in the Temple icon of the Theotokos: a gaze from the fourth century. Part two (extended version)

Elena Ene Draghici-Vasilescu (see also Elena Ene D-Vasilescu)

Mirabilia Ars 12/1, pp. 1-9, 2020

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Bolgia C., ‘Icons “in the Air”: New Settings for the Sacred in Medieval Rome’,

Claudia Bolgia

in P. Davies, D. Howard and W. Pullan (eds), Architecture and Pilgrimage, 1000-1500: Southern Europe and Beyond, Aldershott, Ashgate 2013, pp. 114-142

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Out of Necessity comes Virtue: A preliminary Index of "hagiographical Icons" in the Byzantine and Medieval Wall-Painting in Southern Italy

Lorenzo Riccardi

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The Epiphany of the logos in the Ambo in the Rotunda (Hagios Georgios) in Thessaloniki

Nino Zchomelidse

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The Iconography of Text: The Placement of an Inscription on a Middle Byzantine Reliquary

Brad Hostetler

Eastern Christian Art, 2011

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Painted Iconographical Programs in Late Antique and Early Medieval Churches: Continuities and Ruptures with Greco-Roman Decors (3rd century A.D. - 6th century A.D.)

Martijn Stoll

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Revealing the Sacred: the Icon of Christ in the Sancta Sanctorum, Rome

Kirstin Noreen

Word & Image, 2006

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The representation of donors and holy figures on four Byzantine icons

Nancy P . Sevcenko

Deltion of the Christian Archaeological Society 4:17, 157-64, 1994

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Imago Dei: The Byzantine Apologia for Icons. By Jaroslav Pelikan. The A. W. Mellon Lectures in the Fine Arts, 1987. Bollingen Series XXXV.36. Princeton, New Jersey: Princeton University Press, 1990. xii + 196 pp. $39.95

Joseph Trigg

Church History, 1994

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Ἄρατε πύλας (psalm 23[24], 7-10). The Iconography of Christ opening Hades’ Doors. Patterns-Models-Drawings, International Conference Art Readings 2019, 5-7 April, Sofia

Ilias Karalis

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Looking with Words and Images: Staging Monastic Contemplation in a Late Byzantine Church

Rossitza Schroeder

Word and Image 28.2, 2012

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Iconographic Interpretation of the Temple as a Theological Symbol in Images of the Annunciation of the 14th and 15th Centuries

José María SALVADOR-GONZALEZ

Fenestella. Inside Medieval Art, 2020

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The "Double Apostolate" as an Image of the Church. A Study of Early Medieval Apse Mosaic in Rome.

Lasse Hodne

Acta ad archaeologiam et artium historiam pertinentia, No. 20/6, pp. 143-162, 2007

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THE ART OF ICON IN THE CONSTANTINIAN ERA -PATRISTIC FOUNDATION OF THE ICON

Cristian Gagu

Icoana Credinței, 2024

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The Acropolis Basilica church, Sparta: the broader research issues

Rebecca Sweetman

Sparta and Laconia: from prehistory to pre-modern, 2009

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"Icons in the Devotional Practices of Byzantium" in Anastasia Drandaki et al. (eds), Heaven and Earth: Art of Byzantium from Greek Collections, exh. cat. The National Gallery of Art, Washington and the J.P. Getty Museum, Los Angeles (Athens 2013), pp. 109-114

Anastasia Drandaki

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The Virgin of the Passion: Development, Dissemination and Afterlife of a Byzantine Icon Type

Matthew Milliner

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Placing Martyrs in the Apse: Visual Strategies for the Promotion of Saints in Late Antiquity, in Interacting with Saints in the Late Antique and Medieval Worlds, ed. by Robert Wiśniewski, Raymond Van Dam and Bryan Ward-Perkins (Turnhout: Brepols, 2023), pp. 47-78..

Maria Lidova

2023

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"A Monument of His Own? An Iconographic Study of the Wall Paintings of the Holy Trinity Parakklesion at the Monastery of St. John Chrysostom, Koutsovendis (Cyprus)", Studies in Iconography 39 (2018), 1-85.

Maria Parani

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[with T. Papamastorakis], Picturing the Spiritual Protector: from Blachernitissa to Hodegetria, in M. Vassilaki (ed.), Images of the Mother of God. Perceptions of the Theotokos in Byzantium (Ashgate: Aldershot 2005)

Christine Angelidi

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12.2.1 The Representation of Christ in the Apses of Early Christian Churches, Gesta 37, 1998, 63-73

Jean-Michel Spieser

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THE ICONOGRAPHY OF MIRACLES IN CHURCHES IN THE PREFECTURE OF KOZANI DURING THE 18 TH AND 19 TH CENTURY

Maria Tsiapali

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Disturbed Orders. Architectural Representations in Saint Mary Peribleptos as Seen by Ruy González de Clavijo

Mabi Angar

O. Heilo/I. Nilsson (eds.), Constantinople as Center and Crossroad (Uppsala, 2019), 116-141, 2019

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The Mosaic at the Entrance of the Episcopal basilica in Heraclea Lyncestis: Its Didactical Charge and Ritual Impact over the Congregation, Folia Archaeologica Balkanica III, Faculty of Philosophy Publishers, Skopje 2015

Elizabeta Dimitrova

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Transcendental Byzantine Body: Reading Dionysius the Pseudo-Areopagite, Gregory of Nyssa and Plotinus in the Unfolded Marble Panels of Hagia Sophia

Ouresis Todorovich / (Uros T. Todorovic)

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Decoration and Display in the Roman Civic Basilicas, in A. Dell’Acqua, O. Peleg-Barkat (eds.), The Basilica in Roman Palestine. Adoption and Adaption Processes, in Light of Comparanda in Italy and North Africa, Quasar, Roma 2021, pp. 19-44

Matteo Cadario

The Basilica in Roman Palestine. Adoption and Adaption Processes, 2021

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Displaying an Icon: The Mosaic Icon of Saint Demetrios at Sassoferrato and its Frame

Martin Dennert

Antje Bosselmann-Ruickbie (ed.), New Research on Late Byzantine Goldsmiths’ Works (13th-15th Centuries) / Neue Forschungen zur spätbyzantinischen Goldschmiedekunst (13.-15. Jahrhundert), Byzanz zwischen Orient und Okzident 13 (Mainz 2019) 43-53

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