(1996) Ancient Pottery of Transjordan: An Introduction Utilizing Published Whole Forms: Late Neolithic Through Late Islamic. Berrien Springs, MI: The Institute of Archaeology, Andrews University. (Co-authored with Ralph Hendrix and Philip R Drey, Andrews University). (original) (raw)
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Pottery of Hasanlu (with a Foreword by Dr. Michael Danti)
Hasanlu Translation Project presents its new book POTTERY OF HASANLU Ancient ceramics are undoubtedly one of our most important sources of information on the ancient Near East: they underpin a substantial part of our chronology and provide much of the basis for defining cultural horizons. One of the great contributions of the Hasanlu Project was the development of a rudimentary ceramic chronology for northwestern Iran that provided the basic framework for later research. The translated works presented in this volume represent key advances in our understanding of ceramic technology, typology, and chronology of Northwest Iran.
Jerusalem Excavations in the Tyropoeon Valley (Givati Parking Lot) Volume II: The Byzantine and Early Islamic Periods, 2020
NEOLITHIC POTTERY FROM THE NEAR EAST. PRODUCTION, DISTRIBUTION AND USE - Third International Workshop on Ceramics from the Late Neolithic Near East 7-9 March, 2019 – Antalya, 2021
The Early Chalcolithic period (end of the seventh–mid-sixth millennium BCE) witnessed the appearance of the so-called “Early Ubaid” pottery assemblage in Southern Mesopotamia. Several studies have recognized different pottery phases (Ubaid 0–2) mainly on the basis of painted decorative styles; each phase labelled with the name of the site in which the “style” was discovered first (respectively “Oueili”, “Eridu”, and “Hajji Muhammad”). However, a broader discussion about “style” has revealed that this concept is related not only to painted designs, but also to technical choices made by potters. In this paper, the autoptic analysis of a selection of sherds from the site of Qal’at Hajji Muhammad (the typesite of Ubaid 2 phase), conducted at the Vorderasiatisches Museum in Berlin, has resulted in: on the one hand, debating the uses of the term “Hajji Muhammad” in the archaeological literature; on the other hand, detecting the manufacturing processes through which the analyzed vessels have been realized to broaden the definition of “style” to include technological aspects. Preliminary results highlight distinctive technological traits of the analyzed repertoire. Ubaid pottery assemblages can be analyzed with this approach, using a technological point of view based on pottery production to detect similarities or differences site by site and region by region within the “Ubaid horizon.” Published in: R. Özbal, M. Erdalkiran, and Y. Tonoike (eds.), Neolithic Pottery from the Near East. Production, Distribution and Use - Third International Workshop on Ceramics from the Late Neolithic Near East 7-9 March, 2019 – Antalya, İstanbul, pp. 117-140. If interested, please email me.
Polish Archaeology in the Mediterranean, 2021
The initial idea for this kind of workshop on “Roman Pottery in the Near East” went back to the conference on Archaeology and Archaeometry in Parma and Pisa in 2008. We became very enthusiastic about the idea to initialise our own series of pottery workshops in which we would strive to connect scholars and researchers currently working on pottery from the Roman period in the Near East, mainly Syria, Lebanon, Jordan, and Israel, hoping to establish an academic network that would provide a platform for discussions for researchers of all levels that might transcend political differences. The 2014 round table in Amman focused on the large number of ceramic research projects from Transjordan and the Nabataean/Roman pottery studies from Middle and Southern Transjordan. The hottest discussion concerns established typo-chronology of Nabataean fine ware in the Petra region, an issue which is crucial for future pottery research in the Nabataean territories. The chronology is questioned by Tal...
Late Neolithic pottery studies in the ancient Near East
Painting Pots Painting People
This book offers a range of perspectives on current research on Neolithic pottery in ancient Mesopotamia. It was produced by members of a working group established during its founding meeting in Brno and Rejvíz (Czech Republic) in January 2012. For this fi rst meeting the group adopted the working title “Painting Pots – Painting People”. Participants attending the workshop personally knew each other from previous work, and represented academic institutions from several countries in Europe, the Middle East and Turkey, the United States and Japan.