Psychological Development of Creative Adolescents through the Theory of Positive Disintegration (original) (raw)
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In Veronika Bohac-Clarke (Ed.) Integral theory & transdisciplinary action research in education, IGI Global, 2018
The purpose of this study was to investigate creativity in adolescents and young adults and its role in psychological development. For this qualitative research, a methodology combining hermeneutic phenomenology/ontology with narrative/biography was chosen. To interpret the data, we created pattern models of creativity by applying the concepts of complexity science, especially self-organization, with the Theory of Positive Disintegration and the Psycho-Evolutionary Theory of Emotions. It was discovered that the process of creativity in young people is intertwined with the strong emotions of passion, curiosity, enthusiasm, and delight. These emotions are the driving forces that generate order and complexity not only in the creative process, but also in overall psychological development. The presence of these strong emotions often contributes to lesser tension in young people’s development, including a greater ability to integrate their experiences, to take their psychological development into their own hands, and to find direction for their future.
Toward the Pattern Models of Creativity: Chaos, Complexity, Creativity
"A Critique of Creativity and Complexity. Deconstructing Cliches," Don Ambrose, Bharath Sriraman and Kathleen M. Pierce (Eds.), 2014
This chapter provides a new approach to the study of creativity of adolescents and young adults by combining the idea of self-organization with theories of emotions. To gather data for this qualitative research, hermeneutic phenomenology/ontology linked with the narrative/biography methods was chosen. As a process of interpretation of the data, pattern models of the process of creativity are designed. There are some unique differences between the models of different participants’ creativity, but in general they share common phases such as differentiation/chaos, integration/complexity, and dissipative structures/creativity (products of creativity in the forms of new movements, new writings, and new paintings). Creativity of young people is intertwined with strong emotions of interest, joy, acceptance, which enhance mental activity to global, open, and exploratory modes of attention, stimulate their thinking and enrich their imagination. These cognitive processes then deepen their emotions to complex emotions such as curiosity, enthusiasm, delight, passion, resourcefulness, and love, which, through a reciprocal reinforcement influence their selves. Creative people become more sensitive, more open, and receptive to the internal and external world. They develop into resourceful, imaginative, empathic, and spiritual human beings.
Creativity as an Order through Emotions
Promontory Press , 2014
The main purpose of this book is to throw light on the role of creativity during the periods of adolescence and young adulthood. I present five life stories of young people who are actively involved in creative pursuits such as music composition, circus arts, painting, journaling, and writing. Then I explore how their creativity helps them to interpret, to understand, and to make meaning out of their internal experiences. The book contains three parts. In the first part, the basic concepts of chaos theory and the idea of self-organization are introduced. Some contemporary approaches to emotions are also discussed. In the second part, the lives of five young people are presented and by applying these theories, their psychological development and creative processes are interpreted and analyzed. Finally, in the third part, a conceptual model of creativity development is discussed. The book encourages parents and educators to look at the creativity of young people much more seriously as a tool for enriching their lives, opening up new possibilities for them, and greatly extending their vision of themselves and the world they live in.
Journal of Intellectual Disability - Diagnosis and Treatment, 2020
Objective: In the process of creativity, the child develops intellectually and emotionally, determines its attitude towards life and its place in life, acquires the experience of collective interaction, improves its skills in working with various tools and materials. Background: At present times, which most researchers refer to as the era of "creative information culture", the potential for creative development of students is of interest to both scientists and teachers. This paper considers creativity as a child's sense-creating ability, as a student's ability to form a model of the surrounding microcosm in the consciousness, which most often develops based on reading and processing information. This feature determines the uniqueness of the value-semantic attitude of children with inclusion to the world in general and to information, in particular. Method: The study used materials from textbooks and manuals. Learning programs for children with developmental standards were studied. The level of students' creative thinking was tested. Methods for its development are derived. Results: Various sources of information make up such a picture of the child's world in which a certain value-semantic core is gradually formed. On extensive material through comparative analysis it is proved that the creative component is characterised by the manifestation of fantasy and imagination in all the diverse informational aspects; the need for new information; dedication to the process of cognition; the desire to master the basics of creative search activity; manifestation of independence in the selection of means and methods of cognition; desire for co-creation with adults. In the process of creativity, the child develops intellectually and emotionally, determines his attitude to life and his place in it, acquires the experience of collective interaction, and improves his skills in working with various tools and materials. Conclusion: According to the author, it is an artistic and creative activity that actualises the inner potential of the child, reveals his creative abilities, allows us to define the artistic and creative self-realisation of a pre-schooler as an organised process of targeted pedagogical.