Imitation and Adaptation of the Exotic: The Ottoman Influence on Italian Pottery Production (16th–19th Centuries) (original) (raw)
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Cet article est une courte synthèse de notre étude des productions céramiques à la transition entre périodes by-zantine et turque dans l'Ouest anatolien. Des analyses archéométriques associées aux données archéologiques ont permis de définir des productions, parfois localisées, et d'observer l'apparition de nouveaux types locaux avec l'installation des premières populations turques. L'étude des éléments de décor a permis de caractériser leurs techniques de fabrication, et de montrer que bien que la tradition byzantine locale (glaçure plombifère reposant sur un engobe argileux) soit toujours observée avec les sgraffitos polychromes et les céramiques à décor moulé, de nou-velles recettes sont utilisées pour les céramiques à glaçure turquoise et pour les «Miletus Ware», avec l'apparition de glaçures alcalino-plombifères. Pour ce qui est des engobes, ils deviennent synthétiques avec les «Miletus Ware», préfigurant ainsi les productions plus tardives d'Iznik.
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This paper deals with themes of exchange in ceramic production, between the Islamic world, presented by Iznik in Turkey, and Italy in Europe. This exchange took shape in the emergence of a special form of ceramic plates of Italian tradition in Iznik. This type of ceramic plates known as-Tondino‖ dishes was fashionable in Italy around 1500-1530 A.D. Iznik workshops had produced identical samples in the contemporary period as well. On the other hand, decorative elements of Iznik had greatly influenced Italian maiolica production. Of these spiral scrolls of the-Golden Horn‖, this was applied on Italian maiolica Albarello vessels. Furthermore, decorative elements of Rhodian style with their characterized polychrome design are imitated in Paduan workshops of Italy. In addition, various plates of Iznik production had combined between traditional decorative elements together with European heraldry of Italian families. Thus, such samples specifying a true image of the cross-cultural exchange between the Near East and the West. This paper aims at: I. Shedding light on the role of Muslim artisan in ceramic industry and their effect on the Western civilization, Italy in particular. II. Emphasizing that Muslim artisans had been influenced by the civilization of the West and adapted what suits their tradition and religion as well.
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: F. Yenişehirlioğlu (ed.), Proceedings of the 11th International Congress AIECM3 on Medieval and Modern Period Mediterranean Ceramics, Antalya, 19-24 October 2015. Koç University VEKAM, Ankara., 2018
Cet article est une courte synthèse de notre étude des productions céramiques à la transition entre périodes byzantine et turque dans l’Ouest anatolien. Des analyses archéométriques associées aux données archéologiques ont permis de définir des productions, parfois localisées, et d’observer l’apparition de nouveaux types locaux avec l’installation des premières populations turques. L’étude des éléments de décor a permis de caractériser leurs techniques de fabrication, et de montrer que bien que la tradition byzantine locale (glaçure plombifère reposant sur un engobe argileux) soit toujours observée avec les sgraffitos polychromes et les céramiques à décor moulé, de nouvelles recettes sont utilisées pour les céramiques à glaçure turquoise et pour les «Miletus Ware», avec l’apparition de glaçures alcalino-plombifères. Pour ce qui est des engobes, ils deviennent synthétiques avec les «Miletus Ware», préfigurant ainsi les productions plus tardives d’Iznik.