Raza Rabbani 'The Smile Snatchers' (original) (raw)
« Social Tragedy in Amma Darko’s Faceless: The Plight of Street Children» Alizés (Revue Angliciste de la Réunion) N° 39, 2014, pp. 27-38.
Etsè AWITOR
Alizés (Revue Angliciste de la Réunion), 2014
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"Smile!" A Polemic on Fine Art Portraiture in Photography by Stephanie Dean
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Social Tragedy in Amma Darko’S Faceless: The Plight of Street Children
Etsè AWITOR
Research on Humanities and Social Sciences, 2014
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IN THE BOOK ``CENA DE RUA``, KIDNAPPED CHILDREN'S LIVES: IS IT POSSIBLE TO RESIST? (Atena Editora)
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Le Centre pour la Communication Scientifique Directe - HAL - SHS, 2014
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Cruel Visions: Reflections on Artists and Atrocities
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The Uncanny Valley, 2022
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Iconoclash : art that creates and destroys / by Rachel Ray. El Palacio. volume 110, number 2 (Summer 2005), pages 32-37.
LOA Library (Museum of New Mexico - Museum of Indian Arts and Culture)
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The Torturer's Smile as the Stain of Enjoyment
Matthew Flisfeder
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Natalie Ferris
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Open Secrets and Knowing Smiles by Alena Ledeneva
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Shilpa Gupta - The Artist and the Dangers of the Everyday - March 2011
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Holding a mirror to society. Works by Santiago Sierra as a voice against racism.
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A Black Gaze: Artists Changing How We See, by Tina Campt; and White Sight: Visual Politics and Practices of Whiteness, by Nicholas Mirzoeff
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The Art Bulletin, 2023
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Scars and Scratches: A Collection of Protest Artworks
sayan dey, Ph.D.
Convivial Publishing , 2022
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The Creative Rebellion of Ghada Amer, Canvas magazine 2010
Maymanah Farhat
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Facing the Faceless: Modernism, War, and the Work of Disfiguration (2021)
Tomáš Jirsa
Disformations: Affects, Media, Literature (New York: Bloomsbury, 2021), 23-42.
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Spectrality and Dark Humor in Artistic Engagements with Refugee Mobilities: Incoming (2017) and Homeland (2016)
Nilgun Bayraktar
The Screen City Biennial Journal , 2017
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Create Dangerously: The Immigrant Artist at Work
Tomaz Cunningham
2011
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Rina Arya and Nicholas Chare, eds., Abject Visions: Powers of Horror in Art and Visual Culture, Manchester: Manchester University Press, 2016, 208 pp. 7 b/w illus., $ 31.31 (paper) ISBN 978-0-7190-9629-7
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RACAR : Revue d'art canadienne, 2018
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Aesthetic Affect of Anger: Omair Ahmad's Jimmy the Terrorist and the Possibilities in Raudra Rasa
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JCLA, 2022
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BOXED IN: DES FACES, DES VISAGES ET DES SURFACES. The Exhibition "Passages de l'image" at the Ohio State University's Wexner Center for the Arts / L’exposition « Passages de l’image » présentée au Wexner Center for the Arts de l’Université d’Ohio State
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Patterns of symbolic violence: The motif of ‘gypsy’ child-theft across visual media
radmila mladenova
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Images of Oppression Vehbi Koca
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Images of Oppression, 1996
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Examining Legal and Illegal Articulations of Protest through Tatyana Fazlalizadeh’s Stop Telling Women to Smile Project
Kat Zagaria
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Saurashtra Series: Raza's Metaphysical Journey towards Indigenous Self
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Art & Deal Magazine, 2020
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Reflections on Art and Genocide
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Violated: Women in Holocaust and Genocide, 2018
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Embodying Affect: The Stolen Generations, the History Wars and PolesApart by Indigenous New Media Artist r e a
Christine Nicholls
2010 14th International Conference Information Visualisation, 2010
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Oh no, it's not like that..." : a portrait series
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2018
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"The Aesthetics of Terror: Constructing 'Felt Threat' in _Those Bones are not My Child_ and _Leaving Atlanta_" (2014)
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Distant Smiles: Painting of Yishai Jusidman
Ken Gonzales-Day
2000
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a/b: Auto/Biography Studies Refugee Comics and Migrant Topographies
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