New Kingdom Textile Decoration Techniques and Significance: Evidences from the Egyptian Textile Museum in Cairo (original) (raw)
Related papers
A Study on the Characteristics of the Designs on Coptic Textiles of Ancient Egypt
Journal of Fashion Business, 2011
Textile and clothing in Ancient Egypt have carried long history and tradition. Especially, Egyptian textile culture, created mostly by the Copt, has the originality of weaving technology and the artistic beauty of the weaving motifs, making the textiles comparable to modern textiles. The purpose of this study is to research on the characteristics of Coptic textile designs of ancient Egypt and the tunic, a basic garment made of Coptic textiles, and offer materials for the development of the textiles and designs with artistic values which can be shared in the modern era, not just for the research of the relics of the past. Therefore, this study will follow the historical background of Coptic textiles and the process of the development, and look into the distinct features under the categories of material, colors and motifs. In addition, the tunic and its weaving technology will be explained and this will help understand the originality of Coptic textiles. The scope of this study is lim...
Conservation and Restoration of Archaeological Textile at Coptic Museum, Cairo
this research present a very unique piece of archaeological textile called tapestry or" KABATY" according to the way of manufacturing at Coptic museum, Cairo. The object was found at one of the historical monasteries at sohag in Upper Egypt. It is performed by non woven technique, and considered the decorative parts of the Coptic tunic. The object was in a very bad state: fading in dyes, tears, missing parts and high drying of fibers. many archaeological samples were collected from many parts of object.. Treatment procedure was performed by several stages; firstly, Dating by comparing the decoration technique, the type of material and the decorative motifs existed in the object with another one known its date. Then samples taken from object were examined by optical microscope, scanning electron microscope to identify type of fibers and surface morphology, FTIR analysis to identify dyes in dyed samples. Then, stages of the treatment of tapestry were determined by testing sensitive of fiber to water, mechanical cleaning and chemical cleaning to remove stain, washing stage using distilled water, and finally consolidation the object by fixed on support of natural linen which was stretched on wooden frame treated by anti-fungal substance .archeological and technical studies was discussed besides photographs
My thesis focuses on the analysis of two Late Antique Egyptian textiles:mInstitute of Egyptian Art and Archaeology UM/IEAA 2004.1.4 and Victoria and Albert Museum, London 294-1887. Using stylistic, iconographic, and technical analyses, I was able to match these two fragments, in addition to identifying their probable location of manufacture and date. The IEAA textile contains three separate pieces, a neckband and two clavi, sewn together. Observations revealed that these decorative elements were recycled from earlier garments and were reused together based on pomegranate imagery. The IEAA clavi employ an unusual motif, which I identified as a composite representation of the pomegranate flower. Based on acquisition date, technical attributes, stylistic elements, and comparable fragments, I propose that the IEAA and V&A pieces were manufactured in Akhmîm, Egypt, during the 5th- 8th centuries A.D. This study enabled me to reweave the history of these two textiles.
2020
Utilization from ancient to contemporary Egyptian of OYA in Mahalet Marhoum city for clothes and curtains fringe and passementerie of lace design the impulse to beautifying clothing through acts of contemporary Egyptian of OYA adornments or embellishments is an innate characteristic of humans. The added decorative details are used for identification and visual communication by the wearer and comprehension and visual appreciation by the viewer. This utilization from ancient to contemporary Egyptian of OYA investigates the recent attention to female Fashion trends, labeled as the Fashion trends Movement the community that has developed around the apparel segment of the Movement and the framework of the behavior encompassing the participants within Movement. Additionally, the utilization from ancient to contemporary Egyptian of OYA focuses on adornment through the lens of textile/surface design embellishment specific to the Greater Middle East and the northern provinces of India and its application to Fashion trends apparel. Surface design is defined as manipulation of a textile beyond the woven construction, in this context it is applied to women's apparel that covers the head and chest. Through a series of experiments using light, sound and motion the utilization from ancient to contemporary Egyptian of OYA examines how the use of adornment simultaneously conveys identity and conceals the wearer.
Proceedings the 4th. enternational congress on science and technology..., Cultural Heritage Cairo 2009, 2009
ABSTRACT: The archaeological textiles in the Egyptian Museum in Cairo are considered one of the most important the archaeological treasures from ancient Egypt. This paper aims to study and conserve one of the garments which was belonged Greco-Roman period (according to the museum's records). Because the conservation processes included several stages such as documentation, recording and cleaning processes, in addition to, treatment and display/storage programs, the paper is divided to two parts; the first study includes the scientific documentation and recording strategy in order to get a good diagnosis for this garment by using some of recent techniques (e.g. Energy Dispersive X-ray (EDX), Scanning Electron Microscopy (SEM), stereomicroscope (SM), and polarized microscopy (PM) in order to detect, identify of fibers, weave structure and coloring technique of this garment, as well as interpret a lot of the deterioration aspects found on the garment. This study extracted important results relating type of fibers, weave structure and coloring technique. While treatment and conservation stages such as disinfection, cleaning and supporting processes, in addition to, museum display process which will be studied in the second part.
Investigation and Analysis of Two Coptic Textile Fragments in the Agricultural Museum in Egypt
Shedet, 2020
The present study addressed important investigation and analytical techniques used in assaying the deterioration phenomena and identifying the components of two degraded Coptic textile fragments preserved in the Agricultural Museum in Egypt. The first fragment dates to the 2 nd-3 rd century AD, the second one dates to the 5 th-6 th century AD. The study used stereo microscope (SM), scanning electron microscopy coupled with energy dispersive x-ray spectroscopy unit (SEM-EDXS), high-performance liquid chromatography coupled with diode array detection and mass spectrometry (HPLC-DAD-MS), and Fourier transformer infrared spectroscopy by attenuated total reflection (FTIR-ATR) to examine the objects. The results revealed that the objects were made from natural wool, dyed with natural dyes, namely indigo, madder, and weld, and ornamented with small blank linen threads. The weaving structure is the tapestry technique with a little embroidery lace in the first fragment. The analytical results revealed that the fragments suffered from extensive deterioration, due to dust, soiling matters, stains, holes, missing parts, old adhesive, brittleness, and high acidity.
2010
The present research examines from analytical, descriptive, and taxonomical perspective the crowns and headdresses in Ancient Egyptian art. The study then presents the coronation processions by ancient Egyptians, royal crowns associated with these events, some elements and symbols of sacred head crowns comprised of feathers, skins of animals, birds, reptiles, and plants while making a reference to gods related to such crowns and headdresses (Red crown, white crown, double crown, nose crown, Hum Hum Crown, squirrel headdress, Nefer Titi Turban, blue crown) along with and analysis of selected royal crowns and headdresses. In addition, and experiment has been conducted using some units comprising the crowns, and headdresses in ancient Egyptian art to produce some innovative decorative designs. Key words : - Shape - System - Pattern - Design - Crown - Turban - Head band - Royal head dress - Royal Turban
A developed digital collection of textile patterns is presented Iin the report. As objects in this collection designed modern textile prints developed on the basis of elements of ancient Egyptian costume are included. Software tools are developed to obtain colors, shapes and descriptions of the used ancient Egyptian elements. The resulting elements are in vector format, and can be used in CAD systems and spreadsheets. Descriptions of these motifs can be used for comparison with such elements from other national costumes.
The relations between historical studies and materiality oscillate from precariousness to rejection. The schism between them is ancient, deep-seated, and difficult to overcome. At human needs textile products , we are passionate about creating the world's most comfortable woven textile products, but the secret comfort features we build into every pair will only work if your woven textile products fit correctly and work properly with your body. For Designer to provide a wealth of information about looking after these miracles of biological engineering, wander, stroll or saunter in the utmost comfort. In this article, basic definitions and elements of woven textile products, comfort and understanding comfort of textile materials, its relevance to braided for bodies choice and some assessment methods have been discussed.