Slovenské Spevy Online: Project Ľudo Slovenský and the Crowdsourced Digitization of a Folk Song Collection (original) (raw)
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DIGITIZATION OF BULGARIAN FOLK SONGS WITH MUSIC, NOTES AND TEXT The Project
2011
A digitization project for Bulgarian folk songs Information technologies for presentation of Bulgarian folk songs with music, notes and text in a digital library was started last year, joining the efforts of various experts from three institutes of the Bulgarian Academy of Sciences, Sofia University and New Bulgarian University. The research that is carried out under this project is aimed at the development of a technology and corresponding supporting software tools for the creation and usage of heterogeneous institutional digital libraries. The tools will satisfy the needs of the researchers for information technologies in the fields of ethnology, ethnomusicology and folkloristic. In the project frame a technological environment for digitization of notations is created, specially adapted for Bulgarian folk songs. Now a database with notes, lyrics and music is under development. An initial digitization and preservation of the Bulgarian cultural heritage will be carried out by means ...
Digitization of Bulgarian folk songs with music, notes and text
2010
A digitization project for Bulgarian folk songs Information technologies for presentation of Bulgarian folk songs with music, notes and text in a digital library has been started last year, joining the efforts of various experts from three institutes of the Bulgarian Academy of Sciences, Sofia University and New Bulgarian University. The research that is carried out under this project aims at the development of a technology and corresponding supporting software tools for the creation and usage of heterogeneous institutional digital libraries. The tools will satisfy the needs of the researchers for information technologies in the fields of ethnology, ethnomusicology and folkloristic. In the project frame a technological environment for digitization of notations is created, specially adapted for Bulgarian folk songs. Now a database with notes, lyrics and music is under development. An initial digitization and preservation of the Bulgarian cultural heritage will be carried out by means...
The paper presents the main aspects of an ongoing project aimed at the development of technologies for digitization of Bulgarian folk music and building a heterogeneous digital library with Bulgarian folk songs presented with their music, notes and text. The digitization of sound recordings and notations of folk music will facilitate the access to them, will provide their preservation in another quality and will present the opportunity for these recordings and notations to be used by a greater number of users through web-based access. The digital library will provide both digital preservation of the sound recordings and notations of Bulgarian folk songs and a possibility for new interpretations of the archaic Bulgarian folklore heritage. Information technologies for presentation of Bulgarian folk songs is an interdisciplinary project, which imposes a specific research approach, combining the plurality and dialogue of a multitude of viewpoints, positions and perspectives.
Bulgarian Folk Songs in a Digital Library
2011
The paper presents the main results of an ongoing project aimed at the development of technologies for digitization of Bulgarian folk music and building a heterogeneous digital library with Bulgarian folk songs presented with their music, notes and text. An initial digitization and preservation of the Bulgarian cultural heritage starts by means of digitization and insertion into the library of over 1000 songs that were recorded and written down during the 60s and 70s of XX century. Also we present a full text search engine in a collection of lyrics (text of songs) and coded notes (symbolic melody). Some perspectives for future projects are also discussed.
A digital map of folk songs from the collection of Adolf Dygacz
Literatura Ludowa, 2021
| cc by-nd 3.0 pl Digitization of archival folklore collections has become extremely popular in the last decade. Thanks to that, materials with limited access gain a wider group of recipients, and the previously disorderly resources are described and systematized. An example of such activities is the digitization of Oskar Kolberg's Dzieła wszystkie (Collected works), carried out by the National Library on the occasion marking the Kolberg Year (2014). These collections were made available in the Polona Digital Library in March 2015. In many cases, music collections are also digitized. In 2018, The Upper Silesian Ethnographic Park in Chorzów launched a multi-stage project entitled "The digitization of the collections of Adolf Dygacz" (Krajewska 2020: 75). The aim of this project is to prepare documents related to the field activities of the aforementioned ethnomusicologist, including manuscripts with music notations of songs, typescripts with texts and audio recordings from reel-to-reel tapes (Krajewska 2020: 76). The author of the project reviewed here, a researcher associated with the University of Silesia in Katowice-Agata Krajewska-used these materials in her work. The website called Adolf Dygacz: The history of the musical journey is the result of the creative scholarship of the Minister of Culture and National Heritage, which she received in 2020. The project consisted of the creation of an interactive map of the places where Dygacz had recorded folk songs. As the author herself recalls, her main goal was to outline the scope of his research, which took place in the 50-70s of the 20th century, in unfavorable conditions, due to the fact that the researcher was struggling with numerous logistical and technical problems at that time. Krajewska's task was not easy also due to the fact that Adolf Dygacz was a scientist known for his diligence.
Muzikologija
The Slovenian philologist and folk song researcher Karel Strekelj (1859-1812) was one of the first researchers in Slovenia to recognise the importance and usefulness of a new sound recording method. Based on a detailed study of archival documents and relevant literature, in this article I examine Strekelj?s contribution to folk music research using a new technical device and introducing a new method of sound documentation to field research. By placing his plans and efforts in a broader context of folk song research, one concludes that Strekelj was more ambitious and forward-thinking than many other researchers at the time.
Technical Challenges and Developments in 21st Century Folk Music Archiving, 2008
[Jelena Jovanovic and Rastko Jakovljevic], Project of Digitalization in the Institute of Musicology, Serbian Academy of Sciences and Arts, Belgrade, Institute of Musicology, Technical Challenges and Developments in 21st Century Folk Music Archiving, Budapest, Hungarian Academy of Science, Budapest, 2008. The first to think, quite rightly and with foresight, that Serbia was in need of a phonograph for the purpose of making field recordings of national folk music was the great Serbian composer, folk tunes collector and the author of the first ethnomusicological study in Serbia published in 1902 (though at the end of 19th century some attempts in this direction were made by Tihomir Ostojić, 1865-1921), Stevan Stojanović Mokranjac (1856-1914). As an associate of the Ethnographic Board of the Royal Academy of Serbia, and someone highly experienced in collecting folk tunes, Mokranjac submitted a detailed proposal for the purchase of the phonograph to the Ethnographic Board. He was aware of unreliability of numerous transcriptions sent to the Academy by untrained laymen from villages and small towns around Serbia. Had there been a positive response to his proposal, Serbia would now be in possession of phonographic recordings of its national folk music from the very beginning of the 20th century. At the time he was the only musician in the Ethnographic Board of the Academy and unfortunately his proposal was not accepted.
Versioning Cultural Objects through the Text-Encoding of Folk Songs
Schriften des Instituts für Dokumentologie und Editorik — Band 13, 2019
This paper presents and discusses experiences studying different versions of folk songs as cultural objects, and will investigate how using specific Digital Humanities tools may assist the versioning of intangible oral tradition. This was primarily achieved using The Versioning Machine, a framework and an interface for displaying multiple versions of text and audio encoded according to the Text Encoding Initiative (TEI) Guidelines. Through encoding a set number of songs in The Versioning Machine and displaying the results online, new questions and conclusions could be made to version cultural material with an emphasis on trying to trace the evolution of cultural ideas through subsequent iterations of ideas. Using examples from the project Documenting Transmission: The Rake Cycle1, this paper will examine the effectiveness of using a specific existing versioning tool to model and map the differences between versions of folk songs and examine the intangible nature of performance and oral tradition. How do these digital versions change or reinforce our perception of a song cycle and transmission processes in general? This paper will give a broad overview of the Documenting Transmission project and some of the musicological and technical considerations that were made over the course of the project.
2013
Records of the diverse intangible cultural heritage of the Republic of Croatia are kept in numerous archives and collections. The largest and the most systematic archive of this heritage is situated within the Institute of Ethnology and Folklore Research (IEF) in Zagreb, which has been, since its founding in 1948, steadily increasing its collections of manuscripts and photo, video and audio recordings of the traditional culture of Croats at home, other peoples living in Croatia and of Croats abroad. In keeping with the contemporary trend of opening archives to the public and facilitating access to its archived materials, the IEF is preparing and adapting its archive of intangible cultural heritage for publishing on the Internet. The Institute is working on two large projects in parallel to achieve this goal – the project of digitisation of its archived material and the project of creating a digital repository. Planning and implementing of the repository is conducted within the Insti...
Folk Music Archives on the Way of Becoming Public
Journal of Ethnography and Folklore, 2009
The Folk Music Archives at the Institute for Musicology (ZTI) preserves circa 18,000 hours sound recordings of folk music and audiovisual recordings of folk dance, including the phonograph cylinders of the Museum of Ethnography, the majority -about 70% (12,000 hours) -digitized. One of the most important tasks -beside the proper storage and retrievability -is to enter the data about field collections and sound recordings into a computerized database. This work began in the early nineties with the data processing of the closed and the so-called historical systems separated from the rest of the material, then after the unification of the earlier data input methods, in 1999 we created an interactive and dynamic Internet website-system that provides a database in which the