Een vaderland voor vrouwen / A fatherland for women. The 1898 Nationale Tentoonstelling van Vrouwenarbeid in retrospect. Eds. Maria Grever and Fia Dieteren (Dutch and English articles) (original) (raw)

Women workers contested: Socialists, feminists, and democracy at the National exhibition of women’s labour in The Hague, 1898

Gender and Activism: Women's Voices in Political Debate, 2015

The Dutch social democratic party SDAP seized upon the National exhibition of women’s labour to attract female followers by presenting its position on the woman question. It followed the German socialist course set by Clara Zetkin, constructing and denouncing the women’s movement as ‘bourgeois feminism’. A reassessment of these Dutch socialist diatribes against feminism demonstrates that they were founded on an undemocratic disdain for female labourers, very similar to the patronizing attitude displayed by the organizers of the Exhibition’s Industry Hall towards the women working there. Of the contemporary women’s movement as a whole, the section closest to women workers were the radical egalitarian feminists who were the special target of socialist vilification for allegedly being selfish individualists. Thus, these feminists proved more democratic than the social democrats themselves.

Elise van Nederveen Meerkerk, Women, Work and Colonialism in the Netherlands and Java: Comparisons, Contrasts and Connections, 1830-1940. Palgrave Studies in Economic History

BMGN - Low Countries Historical Review, 2021

Recent studies about colonialism tend to focus on processes of knowledge production, racism, identity formation, and violence. These themes are to a large extent informed and defined by anxieties which emerged in postcolonial metropoles. At the same time, they are only loosely connected with debates in former colonies. This book brings us back to the basics of colonialism: economic exploitation. Women, Work and Colonialism in the Netherlands and Java: Comparisons, Contrasts and Connections, 1830-1940 is a milestone in the field of comparative social economic history. Supported

Elizabeth Alice Honig, Judith Noorman, and Thijs Weststeijn, eds., Women: Female Roles in Art and Society of the Netherlands (Netherlands Yearbook for History of Art, 74), Leiden: Brill, 2024.

Long overdue in the history of the Netherlands Yearbook for History of Art, this volume foregrounds women as creators, patrons, buyers, and agents of change in the arts of the Low Countries. Venturing beyond the participation of ‘exceptional’ individuals, chapters investigate how women produced paintings, sculptures, scientific illustrations, and tapestries as well as their role in architectural patronage and personalized art collections. Teasing out a variety of socio-economic, legal, institutional, and art-theoretical dimensions of female agency, the volume highlights the role of visual culture in women’s lived experience and self-representation, asking to what extent women challenged, subverted, or confirmed societal norms in the Netherlands.

Women: Female Roles in Art and Society of the Netherlands

Nederlands Kunsthistorisch Jaarboek, 2024

Long overdue in the history of the Netherlands Yearbook for History of Art, this volume foregrounds women as creators, patrons, buyers, and agents of change in the arts of the Low Countries. Venturing beyond the participation of ‘exceptional’ individuals, chapters investigate how women produced paintings, sculptures, scientific illustrations, and tapestries as well as their role in architectural patronage and personalized art collections. Teasing out a variety of socio-economic, legal, institutional, and art-theoretical dimensions of female agency, the volume highlights the role of visual culture in women’s lived experience and self-representation, asking to what extent women challenged, subverted, or confirmed societal norms in the Netherlands.

12. Becoming a Woman in the Dutch Republic

The Youth of Early Modern Women

In the Dutch Republic, female youths could turn to advice literature for help. These conduct books focused on young women's behaviour towards the other sex. A close reading of two widely distributed works reveals continuity: both Jacob Cats in the seventeenth century and Adriaan Loosjes in the eighteenth try to instil a specific habitus in the reader rather than instruct her on what (not) to do. Yet the analysis also highlights change. Cats admonishes attractive but vulnerable female readers to exercise restraint in their dealings with men, while the Enlightenment philosophe Loosjes instead emphasizes young women's freedom, urging his readers to live up to an ideal notion of femininity. Not the guidelines themselves, but the authors' perceptions of the young woman changed.

Women’s History Behind the Dykes: Reflections on the Situation in the Netherlands

1991

In the Netherlands questions about the history of women and about the male-dominated traditional version of history were first raised by students around 1974. In the fifteen years since then, women’s history has developed a strong ‘infrastructure’. This infrastructure and its history are described in the first part of the article. Debates and developments in Dutch women’s history in the 1980s will be described in the second part.