Crisis, violence and hope in the global spectacle (original) (raw)

Maska

Abstract

The analysis of selected works of the 56th Venice Biennale places these works in contemporary social reality and reflects on the importance of contemporary curating practices. The paper finds that the 56th Biennale has demonstrated a diminishing faith in progress and in the weakening emancipatory power of art. At the same time, it has also undermined the domination of the Western view because the exhibition began to open to non-European perspectives, too.

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