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Nicolino Applauso, PhD
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Laura Jacobus
Art History, 2010
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The Comic Dynamic in Italian Renaissance Literature
Laurie Shepard
Incontri, 2024
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Punishing God: Politically Motivated Blasphemy in the Italian Comic Poetry of the Fourteenth Century
Fabian Alfie
Medievalia et Humanistica, 2003
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The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque (review)
Antonio Rossini
Renaissance Quarterly, 2007
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Beauty and Ugliness in Italian Renaissance Art: Antithesis, Paradox, Oxymoron and Coincidence of Opposites
Olivier Chiquet
Actual Problems of Theory and History of Art: Collection of articles. Vol. 11. Eds A. V. Zakharova, S. V. Maltseva, E. Iu. Staniukovich-Denisova. — St. Petersburg: St. Petersburg Univ. Press, 2021, pp. 618–625, 2021
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Curses and Laughter in Medieval Italian Comic Poetry: The Ethics of Humor in Rustico Filippi’s Invectives (2010)
Nicolino Applauso, PhD
Laughter in the Middle Ages and the Early Modern Age: Epistemology of a Fundamental Human Behavior, Its Meaning, and Consequences. Ed. Albrecht Classen. Fundamentals of Medieval and Early Modern Culture 5. New York: Walter de Gruyter, 2010. 383-412.
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Tragic Eikonografy: A conceptual history of mimesis, from Plato to T. S. Eliot
Eric Woehrling
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Arno Vaxtenbrook
Quaderni d'Italianistica, 2003
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Angelo Poliziano’s De poesi et poetis (BNCF Naz. II.I.99) and the Development of Ancient Dramatic Criticism
Giulia Torello-Hill
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'Poetics and Painting in Late-Medieval and early Renaissance Italy' Art History 33/5 (2010), 910-915
Laura Jacobus
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Comparative Critical Approaches to Renaissance Comedy
Massimo Ciavolella
Renaissance and Reformation, 1969
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Lingua spagnola e italiana a confronto nelle antologie poetiche del secondo Cinquecento, in «Philologia Hispalensis», XIX, 2005, pp. 51-71.
Matteo Lefèvre
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Li pittori parlano con l'opere: Visualizing Poetry in Practice in Early Modern Italian Art
James Hutson
Athens Journal of Humanities and Arts, 2021
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Characters and comic situations in Roman comedy: the Atellanfarce and Mime
Šárka Hurbánková
2010
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Fine Arts and Epic Poetry: Mimesis of Mimesis?
János Nagyillés
Acta Classica Universitatis Scientiarum Debreceniensis, 2012
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“‘Miracol’ novo et raro’: Two Unpublished Contemporary Satires on Bandinelli’s Hercules and Cacus,” Mitteilungen des Kunsthistorischen Institutes in Florenz, XXXVIII (1994), pp. 419-427.
Louis Alexander Waldman
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2023. Review of: Daniela D’Eugenio. 2021. Paroimia: Brusantino, Florio, Sarnelli, and Italian Proverbs From the Sixteenth and Seventeenth Centuries (Purdue Studies in Romance Literatures, 83). West Lafayette, Indiana: Purdue University Press. Published in: Renaissance Studies. 37(3): 439-441.
Joshua Brown
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The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque by Patrizia Bettella
Victoria Kirkham
Renaissance Studies 21.2, 2007
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Wit and Humor in Ugolino di Prete Ilario’s Life of the Virgin at Orvieto
Sara James
Source: Notes in the History of Art, 2017
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Anzichè allargare, dilaterai!': Allegory and Mimesis from Dante's Comedy to Pier Paolo Pasolini's La Divina Mimesis
Davide Luglio
2010
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Bellori's art: the taste and distaste of a seventeenth-century art critic in Rome
Hans Raben
Simiolus: Netherlands Quarterly for the History of Art, 2006
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Between Intertextuality and Interrelationship: Vestiva i colli parodies (1566-1613)
Tommaso Maggiolo , Roberta Vidic
10th European Music Analysis Conference (EuroMAC10), Moscow, 20-24 September, 2021
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‘Renaissance Conspiracies in Nineteenth-century Italian Art: The Rediscovery of History between Literature and Visual Culture’, Comitatus. A Journal of Medieval and Renaissance Studies, 48 (2017), pp 161-184.
Marta Celati
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The Vase as a Stage? Assteas' Calyx-Krater from Buccino and the Importance of Visual Parody in Paestan Vase-Painting
Federico Figura
Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung, 2022
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Beyond Mimesis: Aristotle’s Poetics in the Medieval Mediterranean
Karla Mallette
Pmla-publications of The Modern Language Association of America, 2009
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Dante, Michelangelo, and What We Talk about When We Talk about Poetry
Leonard Barkan
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Aristotle's Critique of Mimesis: The Romantic Prelude
Terryl Givens
Comparative Literature Studies, 1991
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Pessimi poeti: tradizione antica e criteri di selezione
Marco Pelucchi
Prolepsis' Third Postgraduate Conference: "Optanda erat oblivio. Selection and Loss in Ancient and Medieval Literature", Università degli Studi di Bari "A. Moro", 20–21/12/2018
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Alessandro Barchiesi
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A. Moroncini, The Perfect Genre. Drama and Painting in Renaissance Italy, by Kristin Phillips-Court, Modern Language Review, 107. 2, 632-34
Ambra Moroncini
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“Words and Images in Late Medieval Drama and Art.” Mediaevalia 28.1 (2007): 25–55.
Véronique Plesch
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(Quick)Silver Masters: Modern and Post-Modern Revivals of Quattrocento Chivalric Poems, «Italian Studies» 74.2 (2019) pp. 1-11
Alessandro Giammei
Italian Stduies, 2019
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« Semiotic elements of the grotesque “Italian” practice », in Tanz in Italien, Italienischer Tanz in Europa 1400-1900 Für Barbara Sparti (1932-2013) Symposion für Historischen Tanz n. 4, edited by Uwe Schlottermüller, Howard Weiner and Maria Richter, 2016, p. 57-74.
Arianna Beatrice Fabbricatore
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‘Text, Artefact and the Creative Process: the Sad Bewildered Quills of Guido Cavalcanti’
David Bowe
MHRA Working Papers in the Humanities, pp. 9-20, 2015
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