ปี่ขับลื้อ บ้านนายาง เมืองน้ำบาก แขวงหลวงพระบาง สาธารณรัฐประชาธิปไตยประชาชนลาว (original) (raw)

The objective of this paper is to examine the melodic lines of the Pii Khap Lue, in the Tai Lue village of Ban Na Yang, Nambak Districk, Luang Phrabang, Laos P.D.R. The discipline of ethnomusiclogy is used as a fundamental method in this research in order to study the melodic lines, social contexts, and singing examples in music of the Pii Khap Lue. Results of the research show that Khap lue is the primary singing style of Tai Lue people who I've in mainland Southeast Asia. Khap Lue has a variety of melodic patterns, for example yoong phuan muang and young phuu baw phii sao. Khap Lue has three main elements including one or two singers who performs a main melody and communicates with the audience, and two pii players, which is one big and one small pii khap lue. The melodi analyses of pii khap lue shows that the musical system in khap lue has three main melodic lines comprised of: phii lek( small bamboo flute), pii yai (large bamboo flute), and voice. These melodic lines are connected to each other by A# as a tonic center. Also the analyses found that a pentatonic mode based on the pitches A# C D F G is frequently employed. Tjhe passing tomes C# and E are also present. Khap lue are composed in interactive and progressive formal patterns such as: A A A. Tone in Tai Lue language effects tome in pii khap lue melodic lines. For instance, the sound 'h' effects harmonic and vibrato treatment while long and short vowels effect pitch.