INFLUENCE OF SOCIO-CULTURAL FACTORS ON CRAFT SKILLS OF PATTU WEAVERS OF BARMER, RAJASTHAN (original) (raw)

Pattern Language: Indigenous Textile Traditions - Traditional Aal Dyeing and Pata Weaving of the Pankas20200203 100732 1mh9tq8

10th International Shibori Symposium, 2017

Traditional Natural Aal Dye or the Red Madder extract is derived from the root of the Madder plant and is used for patterning of textiles around the World. This paper reviews the traditional Aal dyeing technique of the Bastar region of Chattisgarh in India and the pit loom, supplementary extra weft weaving technique of the Pata Sari woven by the Pankas, a weaver community of this region. It further reports how the design and motif inspiration from the nature and daily life of the tribal's are adapted and woven as flowers, stars, birds, animals, butterflies, crab, turtle, temple, pot, axe, and tree motifs in the textile piece. It further reports that there is a symbiotic relationship shared by the tribes, the nature and the weavers. This also reflects in the design elements of the hand woven textiles that are simple, raw and naive, yet aesthetically beautiful. Tribal rites and rituals demand for the textile pieces ensures sustainable earning for the Pankas. This beautiful interdependence and choice of using locally available resource and know how to create for consumption is an elementary connect of the craft and artisan towards a sustainable existence.

Sustaining the Traditional Paithani Saree Weaving of Maharashtra , India

2014

Among the hand woven sarees of India, Paithani is famous and has played a significant role in weaving together the socio-cultural fabric of Maharashtra since it is traditionally a part of the trousseau of every Maharashtra bride. The aim of the study was to document the existing weaving traditions of Paithani and explore the possibility of weaving Paithani as a yardage with different product layout. To achieve the formulated objectives a descriptive cum exploratory study was planned. Data collection was done through observation and interview schedule during field visits in Bhandge Lane, Yeola. The weavers were selected through purposive random sampling. Adaptation of Paithani saree layout on handloom was done for selected product range to unearth new opportunities for a local craft and help them expand their market. Data analysis indicated that the younger generation was involved in the traditional weaving of Paithani saree. The weavers were training their children in traditional we...

Anthropology of Arts: An Analysis of Samabalpuri Textile in Odisha

IJRA, 2017

This paper specifies propositions to explain the occurrence of Anthropology of Arts specifically Sambalpuri Ikat Textile in Odisha. It focuses one specific category of antecedents-Sambalpuri Ikat textile-Technique, Motifs and Designs and method of production of Ikat in Odisha. It covers five broad aspects work-related to Sambalpuri Ikat Textile in Odisha. These are History of Ikat Technique in Odisha , Specific Motifs and designs, weavers and their Background, Ikat Technique used for weaving Sambalpuri Fabrics, Uniqueness of Sambalpuri Fabrics. It specifies an integrated model that provides a comprehensive representation of Sambalpuri Ikat Textile in Odisha.

An Insight Into of Traditional Textile Legacy of Rajasthan

International journal of scientific research, 2016

Rajasthan is among the culturally richest states in the country creating the most brilliant art works in Traditional Textiles. Rajasthan has many richest traditional textiles to its credit in form of printed and resist textiles. This work was an endeavor to expand in-depth knowledge of some of these traditional textiles by analyzing the artifacts in terms of origin, articles, fabric, colour, motifs and style of printing and literature support. The artifacts kept in the “Textile Art Museum”, Department of Clothing and Textiles, Faculty of Family and Community Sciences, The Maharaja Sayajirao University of Baroda were used for the study. This meticulous depiction will be of help to historians, textile designers, fashion designers, students and researchers.

Introduction of Indian Textiles

All through the ages, all the world over, we find vivid examples of man's strong urge to express his creative and aesthetic instincts in visual form. As his home was the centre of his activities, and his way of life and thoughts sprang from within this protective shelter, man from earliest times appears to have begun at first to paint and draw simple pictures on the inside and outside walls of his dwelling to satisfy his inner creative artistic impulse--the love of the beautiful. The early instinct for decoration therefore seems closely bound up with structure-the abode of the human creature whatever mode or shape it took. Archaeological finds of great historical, artistic, and sociological interest have revealed drawings and designs of animals and birds on the walls of early primitive homes.

Potential Areas for Design and Its Implementation to Enable the Future Viability of Weaving Practices in Northern Thailand

2020

This paper examines traditional chok weaving in Northern Thailand and makes recommendations about how design can contribute to its viable future while maintaining its cultural significance. This research is the culmination of extensive field research, comprising interviews, observations, and follow-up validations. The following includes background and context, especially with respect to the relationships between craft, design, and sustainability, looking specifically at the Quadruple Bottom Line of Design for Sustainability, which takes a holistic approach to the issues. The specific area for the fieldwork is also identified and described. Following this, the methodology is introduced along with the development of criteria for selecting case studies. After describing the data collection, analysis and validation, these findings are developed, and key recommendations are described and presented as components within an overall framework. This leads to a series of outputs in the form of...

EMERGING TRENDS IN WOVEN TEXTILE FABRICS DESIGNS OF TRIBAL MISING COMMUNITY IN ASSAM

The textile designs and motifs have symbolic significance and they indicate a heritage of people and their beliefs. The Mising people are the second largest tribe population in Assam.The art of ornamenting handloom fabric of the Mising community is an age-old traditional technique and custom from time immemorial. Symbols in textile motifs play an important role as a mirror of human cultural tradition. The Mising weavers portray their dreams into reality on various dress items with color threads. These designs can be categorized broadly as floral, plant, animals, structures and geometrical. The most attractive point of Mising textile design in fabrics is the contrast and combination of different colors chosen, expertly with significant meaning attached to such designs. The woven designs of the Mising textile design are almost exclusively of an angular geometrical type and there occur formal arrangement of lines and bands to elaborate patterns of diamonds or triangular decorations. However, there is a tremendous wave of change in the Mising textile design in the last few decades, in order to meet the changing demands and lifestyles. An attempt has been made to study the Mising textile design in woven fabric and its emerging trends in present status.

A GLANCE AT AN EXTINCT CRAFT OF COTTON LOIN CLOTH PRODUCTION AND ZARI BORDER WEAVING AT MANDVI, SURAT

Balram S. had affirmed that the one of India's strength is its enormously rich tradition. A wealth of knowledge, distilled through generations of evolution, exists but is not apparent because of the oral nature of Indian society in which written records are not kept. Traditions simply were passed on by word of mouth, from generation to generation, and this practice continues to this day. Gujarat is a state of many traditional crafts nurtured by generations of skilled artisans. One such craft was of tarap weaving practiced by khatris in Mandvi, a small town near Surat in South Gujarat. The textile once formed an important part of cultural attrire of the Chodhary and Gamit tribes of South Gujarat. The craft has been given out now but the local practioners have inducted means for executing their innate skills to develop products that have lucrative market in the nearby hub Surat. Fields visits were paid and interview method was implemented in order to comprehend this craft culture of earthy genre. Oral histories were recorded and the data was supported by only literature available in the form of monograph published by Gujarat Vidyapith which was timely authored by Shri Haku Shah and Eberhard Fischer in 1979.

Kani Shawl: A Case Study of a Milestone in the Art of Weaving

Scope International Journal of Science, Humanities, Management and Technology, 2015

The northernmost state of India Jammu and Kashmir is famous for its shawls, many kinds of shawls are woven in the Kashmir valley. The loom woven Kani shawls are famous for their intricate patterns. Artisans of tremendous patience and skill go to the loom and create the most cherished Kani shawls. The Kani shawls are quite expensive as it takes a lot of time, patience and good quality raw material to produce a Kani shawl. As a symbol of Kashmiri craftsmanship, it is housed in the world's finest museums. In order to protect the Kani Shawl, Jammu and Kashmir government has been able to register it under Geographical Indications Act in order to provide it legal protection all over the world. It has been just three decades ago, Kani weaving was on the verge of disappearing for various reasons, but because of timely intervention of government today, it's on a clear revival track. This paper is an attempt to study the contribution, survival and revival of Kani shawls.

Study of Traditional handloom weaving by the Kom tribe of Manipur

2014

In the present paper traditional weaving and related knowledge system of purposively selected villages are discussed, and in this connection eight plant species are reported, which are used in weaving handloom. Kom tribe of Manipur has very rich traditional knowledge of crafts. These are the living testimonies of their traditional knowledge and aesthetic value, which they have inherited from their predecessors. The art of handloom weaving and the techniques they use are indeed admirable. But the Kom like any other tribal society has also been subjected to the challenges of modernization and open market. As a result many of their indigenous artistic works in making tools are now in danger. Therefore, every effort must be made to preserve this traditional knowledge so that they can carry on with their aesthetic beauty & knowledge into prosperity.