Beaker with apes, c. 1425-1450 (original) (raw)
Related papers
ROUSSEL B. et ROSSONI E. , 2010
Stanislas Bonfils (1823-1909) was one of the first archaeolo-gists to have taken an interest, as early as 1850, in the Grimal-di or Balzi Rossi Caves at Ven-timiglia, Italy. In particular, he excavated the Barma Grande, Florestan and Cavillon Caves and also la Grotte des Enfants where he made numerous dis-coveries. In 1872, he published his only written work: “Recher-ches sur les outils en silex des troglodytes et sur la manière dont ils les fabriquaient” ( Bonfils and Smyers, 1872 ) (An inquiry into cave dwellers’ flint tools and their production), in which he showed a special interest in the raw materials and tech-niques used to manufacture the tools. Previously, he had begun the experimental production of several series of objects with a view to comprehending, “la manière dont les races préhis-toriques fabriquaient les outils et les armes que la science leur a attribués ” (how prehistoric man manufactured his tools and the weapons science that made them) ( Bonfils and Smy-ers 1872 , p. 6). ese objects which were written about by Commandant Octobon ( 1938 , p. 89) [1] and more recently were the subject of a publication by Pierre-Elie Moullé and Almud-eña Arellano ( Moullé and Arel-leno, 2008 ) are in the safekeep-ing of the Regional Museum of Prehistory at Menton. Bonfils featured several of these piec-es in the photographic plates of his 1872 publication. By all accounts, the collection of ex-perimental objects to be found at Menton match descriptions of experiments known to have been carried out by Bonfils prior to 1872. To add a further dimension to the research of Moullé and Arellano (2008), we would like to present the study of a hitherto unpublished series of experimental objects by Bon-fils which are part of the collec-tions of the Museum of human Palaelontology of Terra Amata (Nice, France). Bonfils and Smyers, 1872 ) (An inquiry into cave dwellers’ flint tools and their production), in which he showed a special interest in the raw materials and tech-niques used to manufacture the tools. Previously, he had begun the experimental production of several series of objects with a view to comprehending, “la manière dont les races préhis-toriques fabriquaient les outils et les armes que la science leur a attribués ” (how prehistoric man manufactured his tools and the weapons science that made them) ( Bonfils and Smy-ers 1872 , p. 6). ese objects which were written about by Commandant Octobon ( 1938 , p. 89) [1] and more recently were the subject of a publication by Pierre-Elie Moullé and Almud-eña Arellano ( Moullé and Arel-leno, 2008 ) are in the safekeep-ing of the Regional Museum of Prehistory at Menton. Bonfils featured several of these piec-es in the photographic plates of his 1872 publication. By all accounts, the collection of ex-perimental objects to be found at Menton match descriptions of experiments known to have been carried out by Bonfils prior to 1872. To add a further dimension to the research of Moullé and Arellano (2008), we would like to present the study of a hitherto unpublished series of experimental objects by Bon-fils which are part of the collec-tions of the Museum of human Palaelontology of Terra Amata.
Lambayeque Silver Beakers: Further Considerations
Ñawpa Pacha, 2020
Two silver beakers now in the collection of the Denver Art Museum bear some of the most complex iconography known from the ancient Andes. The vessels are stylistically associated with Lambayeque, a culture that at its greatest extent thrived in the coastal valleys between Chicama and Piura from the 8th–14th centuries. Based on recent technical and iconographic studies of the vessels, this paper sheds light on metalworking, ceremonial behavior, cosmology, and funerary practices in the centuries between the fall of the earlier Moche culture and the rise of the Chimú state. Dos vasos de plata ahora en la colección del Denver Art Museum poseen una de las más complejas iconografías conocidas de los antiguos Andes. Estos vasos están estilísticamente asociados con Lambayeque, una cultura que en su mayor expansión prospero entre los valles costeños de Chicama y Piura desde los siglos VIII al XIV. Basado en recientes estudios técnicos e iconográphicos de estos vasos, este articulo arroja luz sobre el trabajo en metales, comportamiento ceremonial, cosmología, y prácticas funerarias en los siglos entre la caída de la cultura Moche y el levantamiento del estado Chimú.
A TENTATIVE RECONSTRUCTION OF TWO DISPERSED SETS OF 17TH CENTURY BEAKERS
Marisia, 2021
The Mureș County Museum’s collection holds two stacking beakers, one of them was part of chancellor Miklós Bethlen of Bethlen’s (1642–1716) collection, the other belonged to Sára Göcs (–1700), burgher of Cluj. One of the most frequent pieces of 17th century goldsmith’s and representation was the stacking beaker. This was always part of a larger set of six, twelve or twenty-four pieces. Our study attempts to reconstruct two series. It describes through the surviving items of the scattered sets, the circumstances of their production and their history, thus providing an insight into the material culture of the 17th century Transylvanian nobility and bourgeoisie.
A Lost Fragment of a Cage Cup Discovered in Prague by a Lucky Coincidence
Journal of Glass Studies, 2022
Cage cups are among the masterpieces of antiquity, which is why even their fragments are highly esteemed today. A fragment of a diatretum with a dark-blue glass net was discovered in 2020 in the depository of the Národní Muzeum in Prague by a lucky coincidence by one of the authors. Incredibly, it is the very fragment Constanze Höpken wrote about in the 2018 Journal of Glass Studies, its whereabouts at that time being unknown. By comparing it with a drawing from 1820, the authors verified that it is in the same condition as two hundred years ago and completely intact. In this follow-up to Höpken’s article, we try to reconstruct the cup’s journey through history and to find possible analogies. Non-destructive scientific analyses confirm the use of natron glass, produced during the Roman imperial period, and they also yielded further interesting discoveries with regard to the blue colorant used.
Unpublished experimental objects from the Museum of human palaeontology of Terra Amata, Nice (FR)
euroREA, 2010
Stanislas Bonfils (1823-1909) was one of the first archaeolo-gists to have taken an interest, as early as 1850, in the Grimal-di or Balzi Rossi Caves at Ven-timiglia, Italy. In particular, he excavated the Barma Grande, Florestan and Cavillon Caves and also la Grotte des Enfants where he made numerous dis-coveries. In 1872, he published his only written work: “Recher-ches sur les outils en silex des troglodytes et sur la manière dont ils les fabriquaient” ( Bonfils and Smyers, 1872 ) (An inquiry into cave dwellers’ flint tools and their production), in which he showed a special interest in the raw materials and tech-niques used to manufacture the tools. Previously, he had begun the experimental production of several series of objects with a view to comprehending, “la manière dont les races préhis-toriques fabriquaient les outils et les armes que la science leur a attribués ” (how prehistoric man manufactured his tools and the weapons science that made them) ( Bonfils and Smy-ers 1872 , p. 6). ese objects which were written about by Commandant Octobon ( 1938 , p. 89) [1] and more recently were the subject of a publication by Pierre-Elie Moullé and Almud-eña Arellano ( Moullé and Arel-leno, 2008 ) are in the safekeep-ing of the Regional Museum of Prehistory at Menton. Bonfils featured several of these piec-es in the photographic plates of his 1872 publication. By all accounts, the collection of ex-perimental objects to be found at Menton match descriptions of experiments known to have been carried out by Bonfils prior to 1872. To add a further dimension to the research of Moullé and Arellano (2008), we would like to present the study of a hitherto unpublished series of experimental objects by Bon-fils which are part of the collec-tions of the Museum of human Palaelontology of Terra Amata (Nice, France).