Breadfruit, time and again: Glissant reads Faulkner in the World Relation (original) (raw)
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William Faulkner and the oral text
2004
Professor Charles Shindo. In addition, I would like to thank my professors in the English Department as well as in the Comparative Literature Department for their insightful teaching and care for my progress as a student. Special thanks go to Professors Becky Crump and Jim Babbin, under whose guidance I gained valuable teaching experience. To my peers in the doctoral program, especially my office mate Dan Gonzalez, and classmates Kale Zelden, Rosemary and Kristen Sifert, and Bob Beuka, thanks for the camaraderie. To Richard Lynn and Brian "Peter" Miller and the folks at Ivy Tech, thanks for your help. To those who went before me, especially Eamon Halpin and Gregory and Kathleen Marks, your friendship and advice is cherished. I owe a debt of gratitude to my family-my parents, brothers and sisters, their spouses and children-for faith, encouragement and support. Finally, I wish to thank by children, Elizabeth, Grace, Eamon, and Liam for your love and patience during the years that "daddy was writing his book," and my beautiful bride, Sheila, without whose sacrifice I could not have accomplished anything.
No More a Walking Shadow: William Faulkner and the Fight Against Modernism
Tragedy is the highest expression of the infinite value of human life. -G.K. Chesterton "I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet"s, the writer"s, duty is to write about these things," declared William Faulkner in his Nobel Prize acceptance speech (120). In a time when two World Wars had created fear in the hearts of all, and the question of man"s continued existence was on the minds of many, Faulkner reminded the artist that he must not content himself with writing about the current cultural climate but must plumb the depth of man"s soul and write about the timeless qualities that make up the essence of our humanity. He feared that because of the excessive concern for the present, mankind had forgotten the "courage and honor and hope and pride and compassion and pity and sacrifice that have been the glory of his past" . And once he has forgotten this, he is in danger of losing his humanity.
"The New Portable Faulkner: A Proposal for a 21st Century Anthology Revision."
Malcolm Cowley's 1977 anthology "The Portable Faulkner" has earned its place in the syllabi of students of Faulkner's literature for more than three decades. In this proposal, I outline an updated anthology of Faulkner's writings that, without diluting Faulkner's disjointed narrative style, thematically lays out a foundational understanding of Faulkner's works.
2016
These essays examine issues across the wide arc of Faulkner's extraordinary career, from his aesthetic apprenticeship in the visual arts, to late-career engagements with the Cold War, the civil rights movement, and beyond, to the place of death in his artistic vision and the long, varied afterlives he and his writings have enjoyed in literature and popular culture. Contributors deliver stimulating reassessments of Faulkner's first novel, Soldiers' Pay; his final novel, The Reivers; and much of the important work between. Scholars explore how a broad range of elite and lowbrow cultural forms--plantation diaries, phonograph records, pulp magazines--shaped Faulkner's capacious imagination and how his works were translated into such media as film and modern dance. Essays place Faulkner's writings in dialogue with those of such fellow twentieth-century authors as W. E. B. Du Bois, Ernest Hemingway, Richard Hall, and Jayne Anne Phillips; locate his work in relation to ...