Editorial introduction: Gender in Southeast Asian Art Histories (original) (raw)
Related papers
Art on the Back Burner: Gender as the Elephant in the Room of Southeast Asian Art Histories
Southeast of Now: Directions in Contemporary and Modern Art in Asia, 2019
Despite the operative skepticism about the way compensatory art history appears to have reduced the feminist project to merely expanding rather than challenging the canon, the assertion here is that still too scant attention has been paid to studying the critical role that primarily woman artist-organisers have played in shaping narratives of practice. In focusing on their visible tasks through variable degrees of sublimating art practice in deference to less visible tasks like archiving, art education, organising and publication, the research also privileges the aspects of circulation and reception as it revisits the shaping of artworlds in stories that have ironically kept such 'maintenance' tasks virtually off the record. It is telling that certain visual correlatives for the woman in Southeast Asia continue to circulate: from Garuda's wing in Indonesia to an elephant's hind legs in Thailand, we find amidst these variably poetic depictions an emplacing that literally decentres women from the pivotal junctures of action. In either case, women are not entirely effaced, just playing less visible
ASIANetwork Exchange , 2016
Editors' Introduction to ASIANetwork Exchange 23(1). Special Section: Researching Gender and Ethnography in Asia guest edited by Tami Blumenfield.
IBC Journal of Buddhist Studies IBCJBS International Buddhist College, Thailand
IBC Journal of Buddhist Studies, 2019
Gender equality and the empowerment of women are now widely accepted critical factors for economic, social, and democratic progress of society, yet the status of women is widely varied worldwide, and there is evidence to suggest (Klingarova, 2015) that for the purposes of social geographic investigation, religion may now be a more important variable than race or ethnicity when trying to understand root causes of gender inequality.
International Association of Buddhist Studies - XVIIIth Congress, University of Toronto, August, 2017. Release of A. K. Narain Commemoration Volume: From Local to Global - Papers in Asian History & Culture. Buddhist World Press, Delhi, 2017. Bahen Centre, University of Toronto. 18:00-19:00 pm, Wednesday, August 23, 2017. Professor Awadh Kishor Narain (“AK” to his contemporaries), a noted Indian historian, chaired the founding meeting of the International Association of Buddhist Studies in Madison, Wisconsin, in 1977. He subsequently served as our President and Chief Editor of our Journal. He devoted his lifetime to exploring Buddhism and offering leadership to our academic community, until his passing in 2013. He focussed on India but often stretched it to other areas of Asia reflecting a broader interconnectedness. Buddhism, an international aspect of Indian and of Asian culture and beyond, is a constant topic in all his endeavours. He sees cultural areas, not nation states and boundaries, and Buddhism was a focus of his considerable activities, both organisational and in the field of academic contributions. This brief panel will formally release two publications celebrating his life: • a book entitled From Global to Local: Papers in Indian History and Culture – Prof. A.K. Narain Commemoration Volume, edited by Kamal Sheel, Charles Willemen & Kenneth Zysk (Delhi: B.R. Publishing, 2017); and • a special issue of the Indian International Journal of Buddhist Studies, edited by Roger Jackson. The event is hosted by John Deyell (independent scholar), Monika Zin (Saxon Academy of Sciences), and other contributors. Convener: Kamal Sheel (Banaras Hindu University)