original ) (raw )The reception of French opera in Amsterdam (1830-1839)
William Osmond
The reception of French opera in Amsterdam (1830-1839), 2023
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Did Men of Taste and Civilization Save the Stage? Theater-Going in Rotterdam, 1860-1916. A Statistical Analysis of Ticket Sales
Marius Ooms
Journal of Social History, 2003
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Review of Paul Nolte (ed.), Die Vergnügungskultur der Großstadt. Orte – Inszenierungen – Netzwerke (1880–1930), Köln 2016 and Len Platt, Tobias Becker, David Linton (eds.), Popular Musical Theatre in London and Berlin 1890–1939, Cambridge 2014.
Antje Dietze
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Review of Local Glories: Opera Houses on Main Streets, Where Art and Community Meet. By Ann Satterthwaite
Charlotte Bentley
2017
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Sarah Hibberd and Richard Wrigley, eds. Art, Theatre, and Opera in Paris, 1750-1850. Surrey, England: Ashgate, 2014 - H-France Review July 2016.pdf
Therese Dolan
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« The Orchestras of the Paris Operas in the Nineteenth Century », The Opera Orchestra in 18th- and 19th-century Europe. Geography and Institutions, ed. Niels Martin Jensen et Franco Piperno, Berlin : Berliner Wissenschafts-Verlag, 2007, 217-258
Hervé Audéon , Damien Colas Gallet
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Opera and Society in Italy and France from Monteverdi to Bourdieu
Naomi Andre
2007
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Genre, Identity, and Institutional Authority at the Paris Opéra in the "Age of Gluck," 1770–1781
Annalise Smith
2020
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Grand Opera Outside Paris: Opera on the Move in Nineteenth-Century Europe, Ed. by Jens Hesselager. Pp. 236. Ashgate Interdisciplinary Studies in Opera. ( Routledge, Abingdon and New York, 2017)
Mark A. Pottinger
Music & Letters, 2018
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VLADO KOTNIK: Opera as Social Status: The Private Teatro Sociale as a Reproduced Disposition to Mantua’s Cultural Habitus
Lia Lola Vlado Kotnik
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Performance of the self in the theatre of the elite - The King’s Theatre, 1760–1789:The opera house as a political and social nexus for women
Joanna Jarvis
2020
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“Opera Production and Civic Musical Life in 1870s Montreal.”
Brian C Thompson
Nineteenth-Century Music Review, 2014
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'City of wealth. Urban governance and culture in the nineteenth century', in: Leo Lucassen and Wim Willems (eds .), Living in the city. Urban Institutions in the Low Countries, 1200-2010 (New York/London: Routledge 2012) 129-146.
Jan Hein Furnee
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Building an opera repertoire : the example of the Festival d'Aix-en-Provence (1948-1964)
Apolline Gouzi
Tosc@ - Junior Scholar Opera Conference (University of Bayreuth), 2021
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Theaters, market and canonic implications in the Italian opera system, 1820-1880
Carlotta Sorba
in Oxford Handbook of the Operatic Canon, ed. by C. Newark and W.Weber, 2020
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Opera as Social Status: The Private Teatro Sociale as a Reproduced Disposition to Mantua’s Cultural Habitus
Lia Lola Vlado Kotnik
Italian Sociological Review, 2017
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The formation of an urban audience and the establishment of evening entertainment in the nineteenth-century cultural markets of the Levant (London, May 2019)
Avra Xepapadakou
Workshop: 'It sounds Greek to me'. Greek Art Music since the Nineteenth Century | King's College London, 2019
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From the Metropolis to the Provinces: Theatre Companies as a Medium of Musical Networking in the Habsburg Empire at the End of the Nineteenth Century
Jana Laslavikova
MUSICAL NETWORKING IN THE ‘LONG 19TH CENTURY’, 2023
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Vloga nacionalnih opernih gledališč v 20. in 21. stoletju – The Role of National Opera Houses in the 20th and 21st Centuries
Gregor Pompe
2019
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Operatic Productions in the Netherlands, 1886–1995: From Printed Annals to Searchable Performance Data
Rutger Helmers
Research Data Journal for the Humanities and Social Sciences, 2020
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Spectators, Who are They? : A demographic analysis of theatre audiences in four European cities
Joshua Edelman
2015
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Urban Politics and Cultural Capital. The Case of Chinese Opera, by Ma Haili. Farnham: Ashgate, 2015, 2172pp. ISBN: 9781472432285.
Dafne Muntanyola-Saura
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English Theater Audiences: Crowds and Publics, 17th and 18th centuries in Participations v 7 n 1
Richard Butsch
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The Orchestras of the Paris Opera Houses in the Nineteenth Century
Alessandro Profio
The Opera Orchestra in 18th- and 19th-Century Europe, 2008
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Opera as Social Showcase: Rituals of “Magic Mirrors” at the Margravial Opera House in Mid-Eighteenth-Century Bayreuth
Lia Lola Vlado Kotnik
Issues in Ethnology and Anthropology, 2016
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Cambridge Opera Journal
John Romey
Cambridge Opera Journal, 2024
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“Sketches toward an Operatic Sociology.” European Journal of Sociology 50 no. 3: 555- 560. 2010
Claudio Benzecry
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Opera History, the Travel Edition
Jonathan Hicks
Cambridge Opera Journal, 2021
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IS OPERA ATTENDANCE FASHIONABLE? THE CASE OF PERM OPERA AND BALLET THEATRE
Papushina Iuliia
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toward a comparative approach of musical institutions
Christophe Charle
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VLADO KOTNIK: The Adaptability of Opera: When Different Social Agents Come to Common Ground
Lia Lola Vlado Kotnik
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Resituating Transatlantic Opera: The Case of the Théâtre d'Orléans, New Orleans, 1819-1859
Charlotte Bentley
2018
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Cultural Colonialism: A comparison of the Palais Garnier and the Khedivial Opera House through Haussmannization
Bisher Tabbaa
Cultural Colonialism: A comparison of the Palais Garnier and the Khedivial Opera House through Haussmannization, 2019
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Opera in Warsaw: A City of the European Enlightenment
Anna Parkitna
Cambridge Elements in Music and the City, ed. Simon McVeigh and Abigail Wood, 2024
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Opera and Music Drama (1850-1900)
Thomas Grey
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