Jähnichen, Gisa (2013). One Song – Two Stories. (Re)Producing Southeast Asian Performing Arts & Southeast Asian Bodies, Music, Dance and Other Movement Arts. Ed. By Mohd Anis Md Nor. Manila: Philippine Women’s University, pp. 42-52. (original) (raw)
Related papers
Destiny of Traditional Folk Arts in Conditions of Recent Society: The Case of Vietnam
Journal of Urban Culture Research, 2010
The Vietnamese nation consists of fifty-four ethnicities where the folk culture and arts have played an important and dominating role in the life of its people. This paper discusses some of the main issues as follows: First, the folk culture and arts are closely linked with the activities of everyday life. When the society changes, its folk culture, the arts entities have to redefine its values. Elements either disappear or participate in the restructuring of contemporary culture. Then secondly, for the cultural heritages we have to preserve and promote them in their original form if they are quintessential and change those that are changeable. Vietnam inherits both of the above two categories and they provide the basis upon which to compose new ones. The necessary actions should include: restoring the heritages forms and transmitting them to younger people, conducting an inventory, establish a databank, and periodically organize festivals and competitions.
UNESCO Collection of Traditional Music: Viet Nam and Korea at Moments of Transition
2015
National representations of Korean and Vietnamese music in the UNESCO Collection of Traditional Music—tellingly, organized and cataloged according to state territories—say much about the context in which these releases were produced. Overall, these releases give fascinating insight to the traditions, sounds, and cultural values of two countries with exceptionally rich histories that were in the midst of tremendous sociopolitical transformations in the mid-twentieth century.
The article studies the reality of practicing and transmitting traditional music within the Southern Khmer community in Vietnamreview from globalization context. This study was conducted in 2018 and 2019, at 10 southern provinces/cities of Vietnam (surveying, interviewing 222 people, artisans and artists) to learn and evaluate the activities of practicing and transmitting traditional music of Southern Khmer of Vietnam. The method of Ethnographic field-visit was mainly used. Research results showed that traditional music genres are still practiced and transmitted in cultural activities of Khmer people in the South of Vietnam, including 3/7 genres of folk songs: ritual music, Chom-Rieng-Cha-Pay, lullaby and 3/12 traditional orchestras: Five-tone orchestra (Pin Peat), Kh'se orchestra and Chhay-Yam orchestra. Traditional music is mainly transmitted by "word of mouth" form which is attached with artisans and artists; the transmission forms of collecting, researching, and introducing have been implemented but are still limited. Based on the results, recommendations are proposed for preserving and promoting traditional musical heritage of the Southern Khmer people of Vietnam in the current context of globalization.
Music and Marginalisation – Beyond the Minority-Majority Paradigm. Senri Ethnological Studies 105, 2021
In 2010, the international symposium of the ICTM Study Group on Music and Minorities was held in Hanoi, Vietnam, where the participants enjoyed rich cultural social programmes. Music performed onstage offered a glimpse at diverse minority cultures and the pearls of Vietnamese traditions. As temporary visitors, even with some anthropological and sociological understanding, many could not recognise the degree of ‘authenticity’ being presented. Unfamiliar with the background, most just sat back and enjoyed the colourful programme. This chapter is a continuation of the paper that was presented during the symposium (Jähnichen 2012). It intensifies the theoretical framework connected to observation principles and the many efforts undertaken in order to rescue and preserve Vietnam’s ethnic minorities’ musical identities (To Ngoc Thanh 2010). Through a critical review of ethnomusicological approaches, as described for the last decade of the twentieth century (Nettl 2008), further insights into the social dynamics that reflect the strong impact of an expected ‘globality’ (Yergin and Stanislaw 2002) can be made. This study is based on personal observation and audio-visual archive materials that were collected by the author between 1988 and 2014 in Vietnam.
(Emily) Hsuwen Yuan, 2020
As the only socialist country in Southeast Asia, the preservation of intangible cultural heritages in Vietnam plays a crucial role in the promotion strategy towards the image of the country in the global community. Vietnam thus can participate in international dialogues with more cultural elements, and let the world see various and abundant cultural heritages of Vietnam. Vietnam, which officially has 54 ethnic minorities and uses intangible cultural heritages as a means of diplomacy and tourism, still has some historical roots and backgrounds that cannot be easily understood and imagined by the outside world. As a member of the global Islamic community, the Người Chăm has a very unique identity in Vietnam. Vietnam government directly controls whether the traditional dances and musical instruments of the Người Chăm could perform outside of the country. Therefore, the Người Chăm performances in the show are reinterpreted by the Viet. Similar to the concepts that Taiwanese Han people explain the culture of the indigenous people. This article will discuss the Tài Tử Music and the Người Chăm Dancing performing in National Taiwan Museum, and explain the mutual interpretation and understanding between the performers and viewers, as well as the arouse of hometown memories of Vietnamese immigrants in Taiwan. Vietnam, lying south of China and east of Cambodia and Laos, has over 95 million people and ranks as the 15th populated country in the world. The capital of Vietnam is Hanoi and the largest city is Ho Chi Minh City which was once called Saigon before. At present time, Vietnam has 54 ethnic minorities and the biggest one of them is Người Kinh, also known as Người Việt, which is the main ethnic community in the country.