original ) (raw )Review of Art as Plunder: The Ancient Origins of Debate about Cultural Property
Josephine Shaya
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Greek and Roman Art and the Debate about Cultural Property
Margaret M. Miles
Oxford Handbook of Greek and Roman Art and Architecture, ed. Clemente Marconi. Oxford, 2015: 499-515., 2015
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Plundered art in the galleries of Augustan Rome
Tomasz Polański
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Cultural Property (M.M.) Miles Art as Plunder. The Ancient Origins of Debate about Cultural Property. Pp. xiv + 426, ills, maps. Cambridge: Cambridge University Press, 2008. Cased, £50, US$90. ISBN: 978-0-521-87280-5
Christopher Chippindale
The Classical Review, 2011
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HOW THE ROMANS LOOTED WORKS OF ART FROM THE THIRD TO THE FIRST CENTURY B.C. – THE CASE OF AMBRACIA’S PLUNDER IN 189 B.C.
Adam J. Jarych
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Plunder: An Alternative History of Art
Laurel Zuckerman , Elsje van Kessel , Mary-Ann Middelkoop
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Panel 'Plunder: An Alternative History of Art', 48th Annual Conference AAH 6-8 April 2022
Mary-Ann Middelkoop
2022
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Piracy, Pillage and Plunder in Antiquity: Appropriation and the Ancient World (Routledge Monographs in Classical Studies) ed. by R.J. Evans, M. De Marre
Richard Alston
Acta Classica, 2020
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"The circulation of ancient works of art between Greece and Italy (first century BC): acquisition, trade and agents", in Incidenza dell'Antico, 16, 2018, pp. 51-73
Alessio Sassù
2018
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Cultural Losses and Cultural Gains: Ethical Dilemmas in WWII-Looted Art Repatriation Claims Against Public Institutions
Erin Thompson
Hastings Comm. & Ent. LJ, 2011
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Too Ugly to be Collected? Unexpected Greek “Originals” in Roman Contexts
Gabriella Cirucci
Beyond “Art Collections”. Owning and Accumulating Objects from Greek Antiquity to the Early Modern Period, edited by G. Adornato, G. Cirucci, and W. Cupperi, Berlin/Boston: De Gruyter, 2020
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Sunt autem privata nulla natura: Cicero and the Early Modern History of Property
Phillip Mitsis
," eds. Michael Vasquez and Andree Hahmann, Cicero as Philosopher: Interpretation and Legacy [CICERO – Studies on Roman Thought and Its Reception] (De Gruyter, 2024), 347-365., 2024
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Copies of Ancient Greek Art in Roman Art: Paintings and Sculptures
Dilara Ucar Sariyildiz
2019
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Placing the hasta in the Forum: Cicero and the Topographic Symbolism of Patrimonial Sales, in: M. García Morcillo, J. H. Richardson, F. Santangelo (eds.), Ruin or Renewal? Places and the Transformation of Memory in the City of Rome, Edizioni Quasar: Rome 2016: 113-133.
Marta García Morcillo
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Carpe Spolia: The Reuse of Public Sculpture in the Late Roman Collection
Christina Videbech
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Review of Kathleen Wren Christian, Empire Without End: Antiquities Collections in Renaissance Rome, c. 1350-1527, New Haven and London: Yale University Press, 2010.
Katherine M Bentz
caa.reviews, 2012
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Special Lecture for Oxford B604 Students - Art, Architecture, Morality: Material & Meaning in Ancient Rome - Handout
Christopher Lyes
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Rome, Empire of Plunder: The Dynamics of Cultural Appropriation
Matthew P Loar
Cambridge University Press, 2017
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'"Of publick utility and publick property": Lord Elgin and the Parthenon Sculptures' in A, Tsingarida and D. Kurtz )eds.), Appropriating Antiquity: Saisir l'Antiquite (Brussels 2001) 103-164
Dyfri Williams
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Stolen Cultural Property: Implications of Vitium Reale in Private Law and Private International Law
Christa Roodt
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A Study in Nazi Looted Art Cases: Traditional and Modern Ways of Restitution - The Case of Greek Jews
Nikos Kekeris
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Owning Art after Napoléon: Destiny or Destination at the Birth of the Museum
Jonah Siegel
PMLA, 2010
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Roman antiquities and the emergence of Renaissance civic collections
William Stenhouse
Journal of the History of Collections, 2014
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Concepts of Intellectual Property in the Roman Tradition
Marianina Olcott
2011
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What Does It Take to Protect Cultural Property? Some Aspects on the Fight against Illegal Trade of Cultural Goods from the Greek Point of View
christos koutsothanasis
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Holy Plunder and Stolen Treasures: Portable Luxury Objects as War Trophies in the Italian Maritime Republics, 1100-1400, in Fischer, More Than Mere Playthings: The Minor Arts of Italy (Newcastle, 2016)
Karen Mathews
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“Compassion and Disgust, Rescue and Destruction: The Mutilated Parthenon Sculptures and their British Asylum, circa 1816,” The Art of Compassion, ed. Efi Kyprianidou, Athens, Nissos Publications, 2019, 135-153
aris sarafianos
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B. Longfellow, E. Perry (ed.), Roman Artists, Patrons, and Public Consumption: Familiar Works Reconsidered (Ann Arbor 2017).
Sinclair W Bell
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“Market Values in Eighteenth-Century Rome,” review of The Art Market in Rome in the Eighteenth Century: A Study in the Social History of Art, ed. Paolo Coen (Leiden: Brill, 2019)
Jeffrey L . Collins
Journal of Art Historiography , 2020
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Material Matters: Object, Authorship, and Audience in the Arts of Rome's Empire
Steven Hijmans
Beyond Boundaries: connecting visual cultures in the provinces of ancient Rome, 2016
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The Cultural Property Debate
Stelios Lekakis
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Thompson: “But we didn’t steal it”: Collectors’ Justifications for Purchasing Looted Antiquities
Erin Thompson
2015
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Prolegomena to a Study of the Economics of Roman Art
William V. Harris
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The story of art collecting: from Rome to the rise of museums
Constanza Ontiveros
artcollection.io, 2020
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The protection of Artistic and Cultural Heritage in International Criminal Law (Edited by Le Juriste International).jpg.docx
Alfredo Guarino
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