Dermatobia revisited or tickling cows with feather dusters (original) (raw)
Related papers
— The paper investigates the gerascophobic temperament of the protagonist, Clarissa Dalloway in Virginia Woolf's Mrs Dalloway following the theory of semantic analysis. Although the plot orbits mundane events yet beneath the surface of everyday life, thoughts of progression towards death lurk persistently. With the help of the terms and expressions made by different characters in the novel, the paper finds how Virginia Woolf sets up the gerascophobic temperament of the characters by placing several personal, temporal, spatial and social lexical expressions in the novel at various intervals subconsciously.
Flies in the Ointment: John Greyson and Yvonne Rainer
Public Issue 44: Experimental Media, 2011
What can two avant garde filmmakers and artists get up to in an evening's conversation? Will they provoke the audience, one another, both? Will there be a riot? Bad boy filmmaker John Greyson pays (plays?) hommage to Yvonne Rainer's career, her film experiments and her recent re-staging of The Rite of Spring while filmmaker and artist Elle Flanders puts her own twist on the evening, rewriting the script.
"One Must Be Scientific": Natural History and Ecology in Mrs. Dalloway
Interdisciplinary/Multidisciplinary Woolf: Selected Papers from the Twenty-Second Annual International Conference on Virginia Woolf, 2013
M rs. Dalloway models an ecological understanding of human life and the nonhuman world, thus o ering a corrective to harmful and outmoded scienti c perspectives. e kind of science Woolf critiques is represented not only by the cold and imperialistic attitudes of Drs. Holmes and Bradshaw, but also by the attitudes of a Victorian botanist: Miss Helena Parry, Clarissa Dalloway's aunt. Troubling, damaging, inadequate approaches to understanding the natural world correspond with similar failures to understand, appreciate, or connect with the human world in a positive way. Opposing and surpassing these constrained and destructive versions of science are visionary understandings of human interconnection with the organic world, which are experienced primarily by Septimus Smith, and to a lesser degree by Clarissa Dalloway, and which point to the radical possibilities of scienti c inquiry.