From a Gothic Text to a Neobaroque Cinema: Wojciech Jerzy Has’s Adaptation of James Hogg’s ”The Private Memoirs and Confessions of a Justified Sinner” (original ) (raw )The Mill, the Mirror and Identity: Representation of the Divided Self in Wojciech Has' Film Adaptation (1985) of James Hogg's Private Memoirs and Confessions of a Justified Sinner (1824)
Jessy Neau
2017
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No End in Sight: Polish Cinema in the Late Socialist Period. By Anna Krakus (Pittsburgh: Pittsburgh University Press, 2018. xiv plus 263 pp. $28.95).
Mikolaj Kunicki
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Beyond Polish Moral Realism: The Subversive Cinema of Andrzej Żuławski
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A Church-State Conflict: Jerzy Kawalerowicz's MOTHER JOAN OF THE ANGELS and Cinematic Projections of Catholicism in Władysław Gomułka's Poland
Mikolaj Kunicki
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Polish Film After 1989 and Its Approach to the Past
Aleksandra Biernacka
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Desiring the Other: The Ambivalent Polish Self in Novel and Film
Elzbieta Ostrowska
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The Powerful Man: Young-Poland Decadence in a Film by Henryk Szaro
Weronika Szulik
Volupté , 2019
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Taking Liberties: Gender, Transgressive Patriotism, and Polish Drama 1786–1989. Taking Liberties: Gender, Transgressive Patriotism, and Polish Drama 1786–1989. By Halina Filipowicz. Athens: Ohio University Press, 2014. xvi, 361 pp. Notes. Index. 90.00,hardbound.90.00, hard bound. 90.00 , ha r d b o u n d . 35.00, paper
Allen Kuharski
Slavic Review, 2016
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Adapting the National Literary Canon: Polish Heritage Cinema
Marek Haltof
Canadian Review of Comparative Literature Revue Canadienne De Litterature Comparee, 2011
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The Polish and Slovenian Literary Canon from the Period of Modernism as Film Adaptation
Lidija Rezoničnik
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Discourse of heresy in Polish post-WWII literature Herling’s and Herbert’s heretics
Margreta Grigorova
Acta Universitatis Lodziensis. Folia Litteraria Polonica, 2019
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‘Borderline on Fire’ – the Film Image of the Polish Inter-War Period as an Element of Public Discourse
Res Historica
Res Historica, 2020
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The Polish History of Literature as a Lieu de Mémoire
Maciej Junkiert
Truth and Falsehood in Science and the Arts, 2020
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"Motifs as seismograph: Kazimierz, the Vistula and the Yiddish filmmakers in Interwar Poland", Gal-ed: On the History and Culture of Polish Jewry, XXIII (2012), 37-57
Marcos Silber
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In the Land of Noble Knights and Mute Princesses: Polish heritage cinema
Ewa Mazierska
Historical Journal of Film Radio and Television, 2001
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Who Attacked Whom? The Year 1981 in Twenty-First Century Polish Feature Films
Maria Kobielska
The Enemy in Contemporary Film
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Film in the Shadow of History. Józef Lejtes and Polish School
Kamila Żyto
2015
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"Central Europe’s Catastrophes on Film: The Case of István Szabó." In: A History of the Literary Cultures of East Central Europe: Junctures and Disjunctures in the 19th and 20th Centuries, Vol. 1. Eds. Marcel Cornis-Pope and John Neubauer. Amsterdam/Philadelphia: Benjamins, 2004. 548-558
Katherine Arens
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Haunting Legacies and the Tragic Sense of Central European Noir
David Levente Palatinus
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Polish Cinema: From History to Modernity
Alexander Fedorov
2023
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On the Cinematicity of Literature : Correspondences , Relationships , Parallels ( On the Example of the Polish Interwar Period )
Wojciech Otto
2021
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Moving Ahead into the Past: Historical Contexts in Recent Polish Cinema
Thomas F Anessi
International Journal of European Film, Performing Arts and Audiovisual Communication, 2012
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Film and the Politics of Negative Community. Krzysztof Kieślowski’s Dialectic in the Late 1970s Polish People’s Republic
Dominic Leppla
Widok/View. Theories and Practices of Visual Culture, 2021
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The Return of the Jew in Polish Culture
Uilleam Blacker
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New Forms of Writing about Jews in Polish Fiction after 1986
Katarzyna Zechenter
2014
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Reception of neorealist films in the Polish Film School
Ewa Baszak-Glebow
Journal of Italian Cinema & Media Studies, 2023
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Review Polish Cinema Now! Focus on Contemporary Polish Cinema Werner Mateusz Indiana University Press Bloomington
Elzbieta Ostrowska
The Polish Review, 2013
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Fear of unjust memory or desire for secure identity? Remembering the era of 1989 transition in contemporary Polish novel
Olga Szmidt
(2020). Narratives of fear and safety. Tampere: Tampere University Press. Kaukiainen, K., Kurikka, K., Mäkelä, H., Nykänen, E., Nyqvist, S., Raipola, J., Riippa, A. & Samola, H. (Eds) https://trepo.tuni.fi/handle/10024/122967 , 2020
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Cinema Without Film: A Sketch of a Fragmented History of the Polish Avant-Garde Film, 1916 – 1934
Kamila Kuc
2015
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Stalinostalgia: The (Recycled) Historical Index in Recent Polish Film
Thomas Sliwowski
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Heroism, Raison d’état, and National Communism: Red Nationalism in the Cinema of People’s Poland
Mikolaj Kunicki
Contemporary European HIstory, 2012
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Language and Literary Studies of Warsaw vol. 4
Krzysztof Fordonski
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The Literary “No” to Politically Tabooed Topics during the Polish People’s Republic. The Case of Tadeusz Konwicki’s Prose Writing
Hanna Gosk
2017
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Polish Novel in the 20th Century
Agnieszka Izdebska
2015
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Reclaiming Conrad in Poland. Reviews of: Joseph Conrad a Polska [Joseph Conrad and Poland]. Vol. I , 2011, pp. 367 and Polskość i europejskość w Josepha Conrada wizjach historii, polityki i etyki [Polishness and Europeanism in Joseph Conrad’s vision of history, politics and ethics], Vol. II, 2013...
Agnieszka Adamowicz-Pośpiech
2016
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