Rendering Happiness Metaphors A Cognitive Analysis From Persian Into English (original) (raw)
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Metaphorical expressions are abundant in culture- bound concepts so much that they are closely and intricately linked with each other embodying associations related to a particular cultural community. Metaphor translation poses the challenges of approaching the text culturally, linguistically or even conceptually. Therefore, translating metaphors do in fact involve a number of factors and not only restricted to the provision of linguistic equivalences of the texts in question. The translator should be crafty enough to identify aspects related to concepts and culture. The chief reason for conducting this paper is to explore the emotive metaphoric conceptualizations that are extremely dominant in Arabic and English. The paper will handle both metaphors of happiness and sadness as present in Arabic poetry and other related genres. The Metaphor Identification Procedures (MIP), proposed by the Pragglejazz group (2007), and Lakoff and Johnson’s (1980) Conceptual Metaphor Theory (CMT) were adopted as the framework for analysis. Our findings revealed that there are many cultural similarities and differences between emotive metaphorical concepts in Arabic and English.
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Metaphor is a linguistic element that can be found in different languages. The scope of the present study is restricted to the metaphorical expressions of only the two concepts of Happiness and Sadness as presented in Persian and Malay languages. The study uses Metaphor Identification Procedure (MIP) and the Conceptual Metaphor Theory (CMT) framework. In this study, two sets of data (Persian and Malay linguistic data) were examined. The Persian linguistic data were collected from the Persian novel "Suvashun" written by Simin Daneshvar. The Malay linguistic data were gathered from the Malay novels written by Wan Osman Wan Awang. These emotive metaphorical expressions were compared to assess whether they were identical, similar or different. The analysis of data showed that emotive metaphorical expressions of Happiness and Sadness are characterized by cognitive commonness and cultural variety. The findings show that the two languages have many metaphorical expressions of Hap...
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5th International e-Conference on Studies in Humanities and Social Sciences: Conference Proceedings, 2020
Since Aristotle metaphor was relegated to the domain of literature, until the revolution instantiated by Lakoff and Johnson in the 1980s showed its pervasiveness in language and thought, but paradoxically, it alienated metaphor research from poetics. The latter has slowly been finding its feet in conceptual metaphor studies and with the new development of corpus research, obtained ample material for cross-cultural analysis especially with the help of parallel texts studies – an efficient way to delve into linguistic and culturally-defined differences. The aim of the research is by identifying the conceptual metaphor behind the metaphorical linguistic expressions in key texts from five of the greatest stylists of the English language, and by comparing them to their translations into Bulgarian, to check whether metaphor is lost or transformed in any way. Conclusions are made regarding literature in translation, suggesting cases in which it is comparable to original writing in terms of...
Metaphors are the figures of speech widely seen in Joseph Conrad's great work, Heart of Darkness. The present research aimed to explore the way Conrad's Heart of Darkness had been portrayed in the Persian context. One of the challenging tasks for translators is dealing with metaphors in decades; translation scholars have shown great attention to cultural aspects in translations. In this corpus-based study, metaphors in Heart of Darkness were identified based on the categorization of procedures provided by Peter Newmark and then, the Persian translation of Heart of Darkness by Saleh Hosseini (2014) was examined by Newmark's (1988b) procedures for translating metaphors. Due to the importance of metaphors in translation, the present study was a descriptive attempt to analyze the cultural translation strategies in the corpus and did not intend to judge the correctness of translation or appropriateness of the application of the translator's ideological presuppositions. The purpose of this study was to find the most and the least frequent procedures employed by the Persian translator of Heart of Darkness in dealing with metaphors and to find them based on text characteristics and purposes, for informative texts transference (borrowing), adaptation and modulation, descriptive equivalent; for expressive texts, transference plus explanation and equivalence; and finally the analysis of result revealed that for operative texts, adaptation which can help better translate cultural words and metaphors from English to Persian.
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