original ) (raw )Subtitling multilingual films : the case of Inglourious Basterds. RAEL: Revista electrónica de lingüística aplicada 12: 87-100
José Javier Ávila-Cabrera
Subtitling multilingual films: the case of Inglourious Basterds, 2013
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Multilingualism at the cinema and on stage: A translation perspective. LANS 13 (2014), 2014
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2014
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2014
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The Spoken Language in a Multimodal Context: Description, Teaching, Translation, 2014
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IPCITI 2013 Proceedings, guest-edited by Pedro Castillo, Panagiota-Penny Karanasiou, Marwa Shamy and Lee Williamson, 2015
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Excuse me, but your accent is very unusual. The complexity of establishing third languages in Inglourious Basterds. (2012)
Elena Voellmer
2012
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Multilingualism in audiovisual translation of animated films [Minutella, Vincenza (2021). „(Re)Creating Language Identities in Animated Films. Dubbing Linguistic Variation”. (Palgrave Studies in Translating and Interpreting). Cham: Palgrave Macmillan. 408 pp.]
Michał Gąska
Studia Translatorica, 2021
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Multilingualism at the cinema and on stage: A translation perspective, edited by Adriana Şerban & Reine Meylaerts , 2014
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Nicole Baumgarten
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Journal of Audiovisual Translation, 2020
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inTRAlinea , 2020
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Linguistica Antverpiensia, New Series – Themes in Translation Studies
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Shaken and Stirred: Language in Film in a Cross-cultural Perspective
Nicole Baumgarten
2003
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Translating French Into French: The Case of Close Encounters of the Third Kind
Simon Labate
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Lili Cavalheiro
Linguistica Antverpiensia, 2008
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Ayça Tunç Cox
Akdeniz İletişim Dergisi, 2019
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Accented Cinema and its Translation
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Translation Procedures of Cultural Words in One of the Best Movies of All Times
Maya Rahmawati
2018
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Carol O'Sullivan
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Language variation in source texts and their translations: the case of L3 in film translation
Patrick Zabalbeascoa
coauthor Montse Corrius. in Target. Journal 0924-1881. Vol.: 23:1. Pages 113 – 130. Published by John Benjamins, place: Amsterdam [etc.]. , 2011
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simber atay
2019
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Languages on the screen: Is film comprehension related to the viewers’ fluency level and to the language in the subtitles?
Dominique Bairstow , Jean-Marc Lavaur
International Journal of Psychology, 2011
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Oscar Moralde
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Formentelli, Maicol and Silvia Monti (2014) Translating slanguage in British and American films: a corpus-based analysis. In Maria Pavesi, Maicol Formentelli and Elisa Ghia (eds) The languages of dubbing. Mainstream audiovisual translation in Italy. Bern: Peter Lang. 169-195.
Maicol Formentelli
In Maria Pavesi, Maicol Formentelli, Elisa Ghia (eds) The languages of dubbing. Mainstream audiovisual translation in Italy. pp. 169-195, Bern: Peter Lang., 2014
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Translating non-native varieties of English in animated films: the Italian dubbing of Madagascar 3: Europe’s most wanted
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2018
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José Javier Ávila-Cabrera
2012
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Translation of Military Register in the Polish Subtitles of American War Movies
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Formentelli, Maicol (2014) Exploring lexical variety and simplification in original and dubbed film dialogue. In Maria Pavesi, Maicol Formentelli and Elisa Ghia (eds) The languages of dubbing. Mainstream audiovisual translation in Italy. Bern: Peter Lang. 141-166.
Maicol Formentelli
In Maria Pavesi, Maicol Formentelli, Elisa Ghia (eds) The languages of dubbing. Mainstream audiovisual translation in Italy. pp. 141-166, Bern: Peter Lang. , 2014
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sara magro ramos pinto
The Translator, 2017
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